Showing posts with label Historical Fantasy. Show all posts
Showing posts with label Historical Fantasy. Show all posts

March 20, 2018

Turning Pages Reads: DREAD NATION by JUSTINA IRELAND

Welcome to another session of Turning Pages!


NB: Readers will be glad to know that this is a story with a clear beginning, middle, and end, but be aware that said ending has left a clearly marked door open for a sequel. This is a duology, so weather this battle, and keep your powder dry/your scythes sharp to win the war.

While it can be difficult to present an unbiased review of the work of an acquaintance whose intellect the reader deeply respects, I believe I have achieved it; your opinion may vary.


Synopsis: The Battle of Gettysburg has had a vastly different conclusion than any battle before; the dead have risen and... are eating both friends and foes. Two days later, Jane McKeen is born on the plantation at Rose Hill, as the North and South join forces to combat the newest threat to the States. The Native and Negro Reeducation Act, which forces African American and Native children to enroll and learn to fight, is at the forefront of protecting the world. However, in Baltimore, it is believed that the threat is receding. Jane, who was taken from Rose Hill to be trained to fight zombies at Miss Preston's school, is almost ready to graduate into being an Attendant, but for her sharp tongue and quick temper - and who can blame her, really? Katherine Devereaux is entirely too light-skinned, snotty and pretty for her own good. So, Jane's not so much what you'd call a model student. She's wanted to leave Miss Preston's school pretty much for the moment she arrived. Other than goading Katherine, and wandering around outside at night, there have been...a few other, er, missteps... one of whom is called Jackson Keats.

No matter that Jackson a.) doesn't love Jane and b.) is a low-down, fast-talking, redbone con man, c. and is too pretty by half, Jane remains a loyal and faithful ...frenemy. No matter that her head tells her that the world is harsh and bitter and full of awful people, her heart remains curiously, humanly, tender. When Jack's sister, Lily, vanishes, along with the white family with whom she lives, Jane's curiosity - and loyalty to Lily - urges her to look into some of the oddities at the Mayor's house. Predictably, Jane's prying gets her in trouble - and sent to a shockingly bleak Survialist colony in Kansas called Summerland. Now on essentially the very front lines of the war against the undead, Jane has new obstacles between herself and Rose Hill. She'll have to dodge zombies and Survivalists and all kinds of insanity -- as well as find new allies and combat her own tender heart to see herself back where she belongs.

"It's a cruel, cruel world. And the people are the worst part."

Observations: I grew up with family from near New Orleans, consequently, I grew up with a childhood of tales associated with 'haints, Marie Laveau, and a distorted depiction of "voodoo." Zombie books, for me, are generally a very hard pass -- but the truthful voice and keen gaze of Jane McKeen, and the determination and fury which drives her survival will hook even zombie-averse readers and draw them in for the, um, kill.

The pettiness of shade-ism and class at Jane's school where she's learning to be a zombie-killing Attendant to white ladies is emphasized by the (mostly) well-meaning teachers whose insistence on manners and appearance at a school where they do scythe drills are amusingly reminiscent of the oddly misplaced pride Victorian ladies held for their finishing schools. Readers meet Jane's classmates, and judge her education, manner, bearing, and her teachers, while childhood memories of Rose Hill are revealed. When they finally arrive, the zombies loom large, but after the other monsters which readers encounter, they become almost background characters.

Primarily, DREAD NATION is a Reconstruction-era zombie novel, but merely skim the story's surface, and readers will discover that it is equally about the true costs of and the inhumanity and injustice of racism. The narrative grapples with the idea of who owns the rights to The Good Life, and at what cost we sell each other into the fell dark for a chance to reach it. Significantly, in DREAD NATION, former Confederates twist their poisonous ideology into a new belief system. "Survivalist" beliefs twist older Manifest Destiny ideas with Latter Day Saints theology about black and brown people to create a new horror. In Biblical literature, Noah's son, Ham, was cursed, and 18th century reasoning used this to explain why Africans are dark - because they were "blackened" by their sins, and by distant being relatives of Ham. This sin/salvation framework for race "allows" the Negro and Native peoples the "opportunity" of propitiation for their sins by giving their lives in the service of fighting zombies for their "betters." Readers will shudder at the Preacher, the single most creepy character in the Survivalist's colony for me, as I am well versed in religious ideology, and throughout World History (not to mention American) it is very clear how the devious and morally bankrupt can twist religious ideology and belief to suit their needs.

Conclusion: Star-studded reviews of this book use the word "subversive" to describe it, as well as "suspenseful" and "sinister." This novel is all of that, plus lively storytelling, as well as sharp-edged and clear-sighted critique of inequality and injustice. All of this is folded into a fast-paced, exciting, and (somewhat) fictional package. There are more monsters in this narrative than those shuffling along the Kansas prairies - and readers will be drawn to reevaluate the presence of the monsters lurking in their own society.

The best truths are wrapped in parable - Ireland takes the bitter pill of racist reality and wraps it into a blood-tingingly exciting adventure. It's better than I could have even hoped, and there are cinematic elements lying around all over the place. Dare we hope the novel gets a film treatment? For this reader, hope springs eternal...



I received my copy of this book courtesy of the publisher. After April 3 - less than fifteen days! - you can find DREAD NATION by Justina Ireland at an online e-tailer, or at a real life, independent bookstore near you!

February 27, 2018

Turning Pages Reads: THE RADICAL ELEMENT, edited by JESSICA SPOTSWOOD

Welcome to another session of Turning Pages!

Synopsis: Women who persist aren't a recent innovation. A history of intolerance, which led to insistent female resistance is not an uniquely American story, but one which nonetheless has heralded seismic shifts within our national history. After the success of A TYRANNY OF PETTICOATS, editor Jessica Spotswood brings together twelve new tales of women who were upstarts and outsiders. From the 1830's through the 1980's, these stories, some based on actual events, others fictionalized accounts of historical periods, regale readers with young women who stood up and out as radically different, and in doing so, changed the way the world related to them. Contributors to this collection include young adult authors Jessica Spotswood, who also edited; Dahlia Adler, Mackenzi Lee, Erin Bowman, Megan Shepherd, Anne-Marie McLemore, Marieke Nijkamp, Dhonielle Clayton, Sarvenaz Tash, Stacey Lee, Meg Medina, and Sara Farizan.

Observations: Claiming an identity -- stepping outside of the role and voice assigned -- can be uncomfortable and awkward, intimidating, to downright dangerous and life-threatening. Without a clear idea of how things will end, each of the young women depicted in these stories sets out on a personal journey -- whether its to use her brown hands in the service of her country, when only paler hands are sought, or to make her escape from abuse, or to take her chances in a traditionally masculine world, playing a man's role. Readers will pause thoughtfully to discover these nuanced angles of history -- taking readers out of the realm of mere nostalgia into the realities of the difficulties and challenges of history through the voices of the traditionally excluded and silenced.

The women's outsider status is significant, as most of these voices are from women in the margins, due to issues of race, religion, sexuality, disability, gender, or professional desire. I appreciated the voices from early in our national history into more recent times. Some of my favorites were the story of the young Jewess, longs to study the Torah, and the Mormon girl who tries to find ties between her new country, and her faith. A Latina drains herself of pigment with the family's magic to bleach herself into the faded shades acceptable for silent films, while brilliant and neurodivergent young woman keenly watches court proceedings to determine the reproductive rights of the mentally unfit. Elsewhere, a half-Japanese girl braves 1950's xenophobia to compete to be the next Miss Sugar, while a young Cuban dons her first pair of go-go boots. The perspectives are fresh, the stories are original, and the anthology is a joy to read.

Conclusion: If you're not a short story aficionado, I think there's still plenty in this novel which will appeal. There's room to read and hop around, and then return to longer stories from time periods which you may not believe will hold your interest. You will be surprised!

In the editor's note, Spotswood outlines the purpose of this collection, and her wish that readers will be able to find themselves within these pages. Even as not a particularly radical individual, I found myself in the bravery and dauntlessness of these heroines, and I believe this book will work well for older middle graders, young adults, and adult readers.



I received my copy of this book courtesy of NetGalley. After March 13, 2018, you'll find THE RADICAL ELEMENT edited by Jessica Spotswood at an online e-tailer, or at a real life, independent bookstore near you!

November 21, 2017

Cybils SpecFic Bookmark: MURDER, MAGIC, AND WHAT WE WORE by KELLY JONES

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Annis Whitworth's world quietly crumples when it's discovered that not only has her father died under rather unlikely circumstances (but why was he traveling on a night with no moon?) that all of his money has vanished. The father she barely knew is, in a way, only a minor loss, but Annis had been promising herself for too long that she was going to get to know him -- and now it's too late. It feels like it's too late for everything, including regret. The servants are sent packing, the lease on the house is terminated, and Annis and her Aunt Cassia are away to make their way as governesses or companions. Only, Annis isn't going to go quietly. As she is taking in a rather ghastly mourning gown, she makes the discovery that she has the power within her hands - and within her needle - to save them. All she has to do is ply her trade -- but despite her friendships with woman who manage shops, Cassia insists that no girl in trade will ever be able to hold her head up. Determined, Annis whips up a disguise and sets herself up as a dressmaker.

For anyone else, it would be a tame endeavor to measure, cut, and sew, tamely minding a shop created solely to outfit Society women, but not for Annis. She saves a friend by chasing off a would-be rapist, delves into the secrets of the Quality, finds clues and trails after strangers. She decides to follow in her father's footsteps and set herself up as a spy. After all, if he could do it, why not?

Observations: Fans of Patricia C. Wrede's SORCERY AND CECELIA, Mary Robinette Kowal's SHADES OF MILK AND HONEY or Gail Carringer's ETIQUETTE series will find a kindred spirit in Annis Whitworth. Grieving, impetuous, and ridiculous, Annis is everything we love about Regency heroines. She is well-dressed and well-spoken, hyperfocused on gossip and Society, completely oblivious to ways to avoid trouble, and slightly unable to avoid saying just the wrong thing. This novel gently mocks the social conventions and the mores of the Regency, while celebrating girlhood friendships, bluestockings, and the flinty spirit of womanhood which, when backed into a corner, is unpredictable and can do ANYTHING.

Conclusion: An unusual magical power, spies, and derring-do bring together a fast-paced and satisfying Regency romp celebrating the power of demure womanhood, and leaves rooms for readers to want seconds.



I received my copy of this book courtesy of the public library. You can find MURDER, MAGIC, AND WHAT WE WORE by Kelly Jones at an online e-tailer, or at a real life, independent bookstore near you!

November 10, 2017

Cybils SpecFic Bookmark: THICK AS THIEVES by MEGAN WHALEN TURNER

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is primarily to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: If he can just get past his master's few bad day here and there with life and soul intact, Mede slave Kamet will continue to prosper as he minds his Master's business. His Master is an important man - brother to the emperor - and Kamet knows his ultimate destiny is to be his Master's gift to that great man. And what a life that will be! Kamet has so many plans and ambitions. The appearance of an Attolian soldier offering him his freedom is nothing short of hilarious -- why would a slave who sleeps in luxury want to squat in that cesspit when he has all of Mede at his fingertips by the will of his Master? But all of Kamet's hopes and dreams come crashing to the ground when he is warned by a beloved friend that his Master has been poisoned. Kamet knows he is doomed, for Mede isn't exactly a culture that makes sense. Sure, everyone knows it was probably the emperor or one of his men, but now the slaves will be tortured to confess, and to implicate others... and they will all. be. killed. From the youngest to oldest. If Kamet flees, he can perhaps take the burden of guilt only onto himself - and save the lives of the youngest boys, and his dear friend. Weaker than he ever believed himself to be, Kamet is now desperate for that Attolian's offer of freedom.

Of course, nothing is simple when the world is turned upside down -- the Attolian is immensely stupid and coarse, and it seems that his Master's reach is longer and faster than he could possibly have believed. Kamet ricochets between the frying pan and the fire, a scribe turned fugitive who is in no way prepared for life outside his golden cage, who struggles to be civil to the inferior man to whom he owes his life, who is filthy, guilty, exhausted, grieved, and terrified.

It's the escape of a lifetime - and when it's over, Kamet isn't sure he ran the right direction.

Observations: When an author creates memorable worldbuilding and highly complex characterizations, it's often difficult to resist, at the end of a series, to add epilogues and promising notes to readers that they "all lived happily ever after," and everything was fine. Turner offered no "PS" and instead left readers at the end of A CONSPIRACY OF KINGS with a six year gap, and for some, a belief that the series was over. Resurrecting the same characters in the same world after that length of time in this fifth book of the Attolia series was thus highly anticipated. Readers will find that though not all the familiar characters appear, that the worldbuilding and writig style remain solidly excellent and consistent. The choice to elevate a minor character to a main character allows readers to reenter the world from a new door, giving them deeper insights and probably a need to reread the entire series to discover what other nuances they may see revisited as the series reboots.

Conclusion: Readers who have not yet read other Attolia books will be able to read this book for its adventure and the narrative arc introducing Kamet and his world. They will not, however, fully understand the subtext and won't be able to appreciate the genius of the Attolian-Medean history, nor the history of the Thief. It is advised that readers begin the series with THE THIEF, and carry on from there.



I received my copy of this book courtesy of the public library. You can find THICK AS THIEVES by Megan Whalen Turner at an online e-tailer, or at a real life, independent bookstore near you!