Obviously that's sort of a rhetorical question, at least for the purposes of this post, since I wasn't able to find an answer anywhere on Google or on publishers' websites. But I'd like for her wonderful book, at least, to get a little more attention. When I first read The House on Hound Hill, it was one of those fortuitous library accidents: I was browsing in the YA section, judging books by their covers as I so frequently and embarrassingly do, and was intrigued by the blurb on the back that read "Something is not right in Emily's new house in the historic London neighborhood of Hound Hill…" According to Prince, "The idea for the plot came when a plague outbreak in India coincided with my son studying A Journal of the Plague Year, by Daniel Defoe, for his A-levels. The thought of things from the past – diseases and who knows what else – not having gone away properly, was riveting" (HarperCollins UK).
Now, I'm a sucker for stories about the past coming alive, sticking around, or otherwise impinging on the present day, and I’m also a bit of an Anglophile, so stories about creepy old London houses are right up my alley. One of my favorite parts of traveling to truly old cities like London is the feeling of history being so tangible. And that's what Emily finds out in Prince's book—only for Emily, history really is not only tangible but dangerous. As I mentioned in my review on Readers' Rants,
In this novel, the main character moves with her mother and brother, post-divorce, to an old house in a very old area of London. She senses something strange about it from the beginning, but isn't able to put her finger on it. As she gradually encounters strange and ghostlike figures in her house and around the neighborhood, and gets to know its unsavory history during the last Great Plague in the 1600s, she finds out just why the area (and her house in particular) seem so creepy to her.
The House on Hound Hill was first published in 1996 as Here Comes a Candle to Light You to Bed, and in some ways that title does a better job of conveying the thrilling suspense and darkness of this novel. And it is dark—there's a greyness to the atmosphere which Prince does a nice job of conveying, and of course the darkness of certain eras in the past is also portrayed well and in vivid detail. For an edgy (as in it makes you edgy), fascinating, and even "edutaining" read, I recommend this one. Add it to your spooky October booklists!
For a small amount of information about Maggie Prince. visit her biography page on the HarperCollins Australia website and an interview on the HarperCollins UK website.
Today's other Radar stops:
A Chair, A Fireplace & A Tea Cozy: The President's Daughter series by Ellen Emerson White
Big A, little a: The Tide Knot by Helen Dunmore
Jen Robinson's Book Page: The Zilpha Keatley Snyder Green Sky trilogy
Bildungsroman: Innocence by Jane Mendelsohn: A Discussion Part 1
Chasing Ray: Innocence by Jane Mendelsohn: A Discussion Part 2
lectitans: Innocence by Jane Mendelsohn: A Discussion Part 3
Miss Erin: The Reb & Redcoats and Enemy Brothers, both by Constance Savery
Bookshelves of Doom: Harry Sue by Sue Stauffacher
Interactive Reader: Shake Down the Stars by Frances Donnelly
Chicken Spaghetti: Pooja Makhijani guest blogs with Romina's Rangoli
Shaken & Stirred: Elizabeth Knox's Dreamhunter Duet
Writing & Ruminating: Dear Mr. Rosenwald by Carole Weatherford