December 01, 2009

Writers: Opportunity Knocks

More good news for the short story contingent in YA fiction!

The other day we hailed the 2010 debut of THE ENCHANTED CONVERSATION. Now today, it's YARN - a nicely evocative title that makes me think of tall tales.

From the site:
Welcome to YARN. Our mission is to publish the highest quality creative writing for young adult readers, ages 14-18, and those in other age groups who enjoy young adult lit. Published quarterly, YARN will feature short fiction and creative essays, poetry, and an author interview. Our interactive sections will allow for discussions about published work, as well as reviews of recent YA books. We seek to discover new teen writers, and publish them alongside established writers of the YA genre.


For those of a more specialized writing theme, ALIMENTUM is seeking fiction and creative nonfiction around the subject of food. Their regular reading submission period is September 1, 2009 to March 1, 2010, and there's still time for you to get familiar with them and submit something. I've just read the most amazing feast poem and a short story about gristle and bone of family life -- stuff I hope to see in print. Check them out.

Happy December! And Stuff.

Today's post is on the order of "random notes and errata" since I still haven't quite managed to sit down and write a few more overdue reviews...but NUMBER ONE on the list of items is something important I forgot to include in my LAST batch of reviews--I meant to include information about where I got each title, in the interests of full disclosure. So: I received Katman at random (but happily) from the publisher. I requested Skulduggery Pleasant: The Faceless Ones from Derek Landy's publicist prior to our WBBT interview. I bought Zoe's Tale at my local B&N. And, last but not least, I borrowed Peeps from my mom.


Now, I know that I don't usually go into much personal detail on this blog, because this is the Not About Me blog (as opposed to the All About Me blog). But I had to include a quick personal digression today because it is, in fact, writing-related. On Sunday, I experienced for the first time the oddness that is being an interview subject--a local college student had an assignment to interview someone in her desired career, which in this case happened to be novel writing. I was quite happy to help, newbie though I might be. But it was such a bizarre experience. I think I blather when I'm nervous. And I sure did blather. Blah blah blah, me me me. It was weird, because I was being asked about myself, my writing, etc., but talking about myself for an hour made me feel really self-obsessed. And I also realized that I CAN in fact spend a fair amount of time on self-blather, and that disturbed me because of its implications for everyday conversation: DO I actually spend more time talking about myself than I realize? Being interviewed made me very conscious of that possibility. As a result, I am now officially whipping out my bud-nippers and nipping this topic in the bud (to misquote Redd Foxx on Sanford & Son).


To conclude: a few links I ran across recently. Ever read The Annotated Alice? Ever wish more books had educational annotations like that? Bookdrum is a site that uses multimedia internet resources to annotate and illuminate various books. And they need reviewers to help add to the site. (Via Donna @ Bites.) Also, there's a new silent auction running for YA writer and librarian Bridget Zinn, to help her offset the costs of cancer treatment. Check out the details at Jone's Deowriter blog, and bid on exciting items including manuscript critiques.

November 30, 2009

Turning Pages - Don't Judge A Book, Part II

You already know how little control most authors have over the covers of their books, so you would think this would steer you to err on the side of mercy. But does it? No, it does not. You are still just as bad as I am. This is why I love you.

Enjoy with me, my opinionated amble through The Covers of Infamy.

The Demon's Lexicon by Irish debut writer Sarah Rees Brennan is a edge-of-your-seat, nervy little debut novel. Nick Ryves does the heavy lifting in his household -- fixing the sink, wielding a sword, protecting his brother from demons -- it's his thing. Since he's the strong, big, dangerous one, the one who isn't good with expressing himself or words, it's okay that he does all the dirty work and gets all the girls, and Alan gets all the brains and persuasive speech -- and does the cooking. Nick's big brother, Alan, is too good, too kind, and would give any old stupid person the shirt off his back, and the talisman that protects against demons from around his neck. He protects their mother, whom Nick could care less about, and keeps the family together through sheer force of will. It's Alan's thing, and no matter how much he scowls or postures or roars, he can't intimidate his big brother the way he can everyone else.

Unfortunately.

Now two stupid classmates of Nick's have crashed into their lives -- at a really bad time -- with problems of their own. Jamie's managed to get himself demon-marked, which means that he's a demon's gateway into the world. It's a death sentence: Nick can't believe Alan's trying to help them anyway. When he gets demon-marked in the process himself, Nick is furious -- beyond furious. What makes other people so important to his brother? Why does Alan do the things he does? Nick does a little digging -- and what he finds out blows his mind.

And changes everything.

I kept reading along thinking, "Okay, I'm going to put this down." And I did. When I was done. A thorough-going black-eyed beastie for the main character, and I liked him. Yes. I did.

But, why did he have to look like some kind of hottie heartthrob? I mean, seriously? Just this once, it might have been REALLY NICE for Nick to look... mad, bad, and dangerous to know. No, seriously dangerous. Like, someone you'd cross the street for, not Bad Boy Heartthrob With Petulant Lips. Yikes.


The head beneath the curtain pretty much says it all.
Actually, wait -- it doesn't say anything.
The cover of Bad Girls Don't Die, by Katie Alender tells us nothing about the main character, Alexis, whose hobby and escape from her parent's dysfunctional marriage is photography, and whose pictures occasionally show balls of light in them that no one else notices. Nor does it tell us anything about her little sister, Kasey, who used to be halfway normal, and who after the divorce became clingy and whiny, and started collecting... dolls.

It also tells us nothing about the drawers opening and closing in the house, the changing color of Kasey's eyes, and the strangely archaic speech patterns she's picking up.

Nope.

From the cover, could you even tell this was a ghost story? I couldn't. Fortunately, I read it, and am here to report:

This is a ghost story.
This is a sister story, a friendship story, a story about not making assumptions about people based on their clique in high school, and most of all a story about surviving the things that go down in a family. If you like creepy haunted dollhouse novels, this one is for you.


The first scenes of Academy 7 by Anne Osterlund, takes place in a spaceship, where a starving refugee girl is looking at her father's bloodstains, realizing her emergency beacon and call for help has been answered. Next, we discover who she is, and how she was saved. Instantly, the reader is drawn in to her plight, and understands her terrified silence, her preemptive defensive prickliness, her determination to survive, her fear of failure. The next few chapters introduces us to her reckless, wealthy classmate-to-be, Dane Madousin, and we understand instinctively that they're going to be at war with each other, just by virtue of who they are. In just a few broad strokes, Osterlund has created this intriguing world -- and yet, as I read through the first pages of this book, I had to keep stopping to look at the cover.

I kept trying to figure out who was depicted on the cover. At one point in the novel, Aerin Renning, the refugee girl, and Dane, the rebellious-wealthy-diametrically-opposite-antagonist-romantic-foil-classmate end up socializing together. She wears a red velvet dress that is left out for her, she thinks, by the gracious host of the dinner. This dress is a Big Deal - it is a catalyst that swiftly brings together another series of events that are the highlight of the book.

And yet... the dress on the cover is black... and they look like they're angsting out at her 8th grade dance. I don't know -- I grew up with Star Trek. I want the body suits and the super-synthetic fibers. I want space wear. I want The Future. Somehow, the couple on the cover just doesn't cut it. This is a neat book - a quick read, a bit of glossing over of actual technology, but for those who like their sci-fi light with a bit of drama and romance, this will be a book to enjoy. Unfortunately, the cover doesn't say "science fiction" to me. It says something very generic and even generically romantic, which is kind of a shame.

Still, great books, plagued by mediocre or downright weird covers, are everywhere. The trick for me is not to read jacket flap copy -- editors write that most of the time, and you're not paying to read what they wrote, are you? -- but to sample the first chapter of a book. Writers are told that we have three paragraphs in which to hook a reader -- I'd say, give it a whole three pages, if you've got the time. You might find yourself surprised. And lucky to have in hand a great story.



You can buy The Demon's Lexicon, as well as Bad Girls Don't Die, and Academy 7, all 2009 Cybils YA SFF Nominated Books, from an independent bookstore near you!

Stay Tuned for Umpteen Million Reviews

OH, my lands.
The Devil's Lexicon.
Sarah Rees Brennan rocks.

Many, many books being read. Not so many reviews being written.
Will get back to it... soon.
Promise!

Meanwhile, Farida's short story will be published in the debut edition of The Enchanted Conversation -- for money. How exciting is that? They're not open to new submissions for their next issue just yet, but keep checking back, writers of fairytales and get your Q&A on with their guidelines!

November 26, 2009

He Has At Least Until Today...

Thanksgiving turkey writer

HAPPY THANKSGIVING, READERS & WRITERS!

November 25, 2009

October-November Reading Roundup...and a Funny Story

I'm going to try to keep this short. Know why? Because I cannot seem to motivate myself to sit down and get caught up, no matter how many bizarre ploys I attempt in order to make the job quicker (FAIL, by the way) or the product more interesting (possibly successful if it hadn't made things more complicated). I'm talking here about my ludicrous idea (see my earlier post) to audio-record my thoughts on the books while riding the exercise bike, which has to be one of the weirder types of multitasking I've ever attempted, and then transcribe them, ideally having made my job easier by doing the thinking first. Unfortunately, I evidently forgot about the fact that I really hate transcribing stuff. I also did not relish the idea of listening to myself gasping for breath as I semi-coherently blathered into the recorder.

So, instead I'm just going to limit my thoughts to a few sentences about each title, and call it a day. And I shall valiantly attempt never to descend to quite the same nadir of weirdness as the one which spawned the above wastage of (quite literally) breath. And now we shall never speak of it again.

Zoe's Tale: A later book in the Old Man's War series by John Scalzi, this installment makes a particularly good crossover book because the narrator's a young woman--and Scalzi's pretty darn convincing with his first-person depiction. Zoe, at seventeen, is the adopted daughter of John Perry (the narrator of Old Man's War, and their family's part of a colonization landing party for a brand-new colony world. Unfortunately, their colony, Roanoake (har), is also the center of an intergalactic dispute, and the actual colonists are caught in the middle. Not only that, Zoe's importance to the situation is a tad bit...complicated, as she's sort of...a role model for an entire alien race. Again, good space adventure.

Katman: In this graphic novel about a misfit teenage boy finding his place--and finding friends (both feline and human), Kevin Pyle manages to tell a story that's both edgy and endearing. Kit is fifteen and doesn't feel like he even fits into his family, let alone at school, so he takes to feeding stray cats, which leads him to meet some interesting characters and creates some meaning in his life. The nearly-monochromatic, somewhat jagged illustration style fits the story well, and the subtle use of one or two colors throughout does a lot to enhance the emotion behind the story. AND, there's a crazy cat lady. This one's also a 2009 Cybils graphic novel nominee.

Peeps: This is by no means a NEW book, but that totally never stops us from posting reviews around here. Though I love Scott Westerfeld (his BOOKS, people, his books), I had put this one aside for a while because of my general non-love for vampire books. However, I'm happy to report that it goes into the "good vampire books I actually like" pile. In Westerfeld's scenario, vampirism is a contagious parasite, and Cal Thompson--a carrier--has unwittingly infected a bunch of ex-girlfriends. Now he has to hunt them down before they go all bonkers-crazy-homicidal. Fun (and somewhat gruesome) suspense, including many informative factoids about real-life parasites that you probably never wanted to know. I may even read the sequel.

Skulduggery Pleasant: The Faceless Ones: You may remember our recent interview with Derek Landy, quite bodacious author of the Skulduggery Pleasant series, whom we fawned over most embarrassingly. This third book in the series continues to raise the stakes for both the skeleton detective and his protege, the young Valkyrie Cain (formerly known as Stephanie Edgeley). Some of the ongoing plots continue to thicken in this adventure; meanwhile, Valkyrie and her friends go up against some of the creepiest bad guys yet. Packed with action and humor, it's surely not going to disappoint fans of the series.

Tuning in Momentarily...Yet Again...

Okay, honestly, I have this review post just waiting for me to actually enter it, the only thing stopping me being the fact that I dictated it into a digital voice recorder while I was on the exercise bike, hoping to save time, and am now realizing that perhaps I have made this endeavor take even LONGER. (It is a ludicrous scenario! I know! Do not laugh! Okay, laugh.) Anyway. Sometime in the next couple of days I'm putting up a reviews roundup. For now, please enjoy this audio interlude.

If you've never listened to the podcasts of Bat Segundo (aka Ed of Ed Rants), now's a good time to check it out--the latest installment is an interview with notable kidlit personage Laurel Snyder, author of Any Which Wall and Inside the Slidy Diner. She's got some interesting and highly amusing things to say about, among other things, intrusive authorial narrators and eating spaghetti without a fork. Click on the fabulous adorable bat graphic (sorry, Ed, but I have a bat "thing" and HAD to nab it) to check it out.

November 24, 2009

Turning Pages: Stepford Teens, Gods & Monsters

When I was in high school, I saw a news special on a town in Florida that could have been called... Du Lac (Remember the song? Welcome to Du Lac, such a perfect town/ Here we have some rules, let us lay them down...). That town was Celebration, Florida, built and settled by Disney, a strikingly beautiful, classic Americana town. Beautiful. And, a little spooky, actually, with the HOA from hell and those white picket fences and perfectly paint-coordinated houses, as far as the eye could see, and the 87.3% single-race culture all shiny clean and homogeneous, thanks to the Magic of Disney.

It could have been Du Lac. Or, it could have been Pam Bachoz's Candor.

Candor's citizens are upstanding. Their families are tight, and content to be together. And their teens are amazing.

The founder's son, Oscar Banks, actually works at a model home every Sunday, passing about flyers about his beautiful town -- just to help out his Dad! Never mind that dreams of sleeping in, devouring a stack of pancakes and crispy bacon, and longs for just an hour of unscheduled time. He's a Candor boy, and he knows that academics is the key to success. He also knows that the great are never late, so no matter what he's dreaming about, he'll always be to work on time.

Candor's not just got beautiful homes, it's got a strong community. I'm pretty sure that the words "family values" are used in the beautiful promotional brochure, which gives more details on sensational Candor, Florida.
Wouldn't anyone want to live in a town like that? There's always such great music playing there... sure, you want to go, right?

Smile. Nod.
There's only one right answer.

*run away*


Tera Lynne Childs' Goddess Boot Camp is a quick-paced and surprisingly low saccharine sequel to the Oh. My. Gods, which, like the Percy Jackson series reminds us, makes it clear that it's just not that easy being the children of perfection.

Phoebe's Mom has remarried, and the family now lives in Greece on Serfopoula Island, where the new stepdad, Darrin, is the headmaster of a Phoebe's school. Phoebe now knows she's a minor goddess with a more than mortal family tree, which means her life is a bit unusual - and far from perfect. Though she's finally found some great friends and a boyfriend she mostly trusts, Phoebe has got zero control of her hematheos powers. Routinely, she zones out, imagines things, or her temper gets away from her -- leaving beetles crawling over her stepdad at dinner, minor whirlwinds that float the furniture, and her sister covered in frosting -- when there's no cake anywhere.

As much fun as it is to be annoying to Stella, Phoebe would actually like to have a little control. Scratch that: she'd like a LOT of control. And soon. There's a reason Phoebe's got a stepdad -- her birth father crossed the will of the gods, and used his power when he should not have. Phoebe is rightfully terrified that she could accidentally anger the gods in the same way. She's been training for the Pythian games for weeks -- what would happen if she forgot what she was doing, and suddenly sped up? Or turned her fellow competitors into bugs?

Dynamotheos Boot Camp is her stepdad's answer to Phoebe's problems. While her friends vacation, Phoebe is studying control. It would really help a lot if a.) the other girls at Goddess Boot Camp weren't all 10, b.) if Phoebe's boyfriend wasn't hanging out so much with his ex, and c.) if her step sister weren't the head of the Boot Camp.

Even a goddess can't always get what she wants.


I remember reading author Carrie Jones' comments about how the idea for Need came to her -- seeing someone scary looking/pointing at her and seeing glitter on the ground around him, and being freaked out by the juxtaposition (plus the guy: Creepy.) (And obviously this is not exactly what she said, but what I remember.) Well, I am now officially terrified of glitter.

Glitter.

And pixies.

Zara - whose name means "queen" -- doesn't care about pixies. She doesn't care about much of anything, and she's been sent to Maine to live with her grandmother, Betty, because of it.

The day her father died -- the day they came in from running, and he collapsed on the floor, his heart giving out -- was the first time she thought she saw the man in the window, staring in at them. She thinks her father saw him too. But what Zara mostly sees is that she couldn't save him. That she stood there, and watched it happen, and ...let him go.

Zara would like to save somebody. She writes earnest letters every free moment for Amnesty International. She doesn't care if she dies anymore -- she feels that's probably what she deserves. But she desperately wants someone else to live. Someone good. Someone like her father.

Teen boys are disappearing in her grandma's town, and people are scared. Zara wishes there was something she could do about that, but her grandma says that sometimes kids just run away. It's just one more thing to add to the list of things that are wrong with the world. Nowhere seems safe, not even Betty's small town.

But little by little, life gets lived. Zara becomes curious about things. It is a bit odd that the man she thought she saw outside the house the day her father died is the same man she sees on the road from the airport to her grandma's house. And again, on the side of the road where her car gets stuck in a snowdrift.

It's a bit much that he shows up at her high school, and points at her. And it's just beyond enduring when he arrives in the woods near her house, and she hears him calling her name.

What. The. Heck?

In time, Zara learns that the guy following her is ...a pixie. And pixies = monsters, monsters who have uncontrollable need to feed on human beings. Deprived of his queen, and thus his power, the Pixie King is weak, and the court is growing restless. Somehow, Zara is the key to changing things for him. He's following her. He's calling her. Should she sacrifice herself so no more boys will disappear? Is it right to be controlled by another's need?

There's an allegorical feel to this novel -- a hint of a truth beneath the glittering layers of fiction, about relationships, about the way we control what we think we need, and about choices. Somehow, the glitter hiding bloodshed makes it that much worse.

*shudder*

Fans of the spooky will be thrilled to know that the sequel will be out in January.

Find the very disturbing Candor, the frothy but sweet Goddess Boot Camp, or the doubly disturbing Need at an independent bookstore near you!

November 21, 2009

Turning Pages: Supersweet Superheroes

This is a favorite genre subdivision -- epic heroes and heroines. Not quite as good as X-men, or the MiB, none of these novels have quite the same feel as comic book pages beneath one's fingers... but you've gotta admit, they're pretty darned close.

Warrior priestesses are pretty much superheroes.

Of course, Zira doesn't think of herself as that. She has just as much practice to do as anyone in learning swordplay, and her teacher, Deo, would soon correct any arrogant attitude on her part. She's just one of the other novices, living at the House of God, doing her best to worship in the proper spirit and help train the refugee children at the temple, who are now homeless because of the Sedorne invasion. The Rua royal family has been decimated, and all the Rua people can do is pretend to be harmless and pacifist and in the meantime train, prepare...and survive.

Noirin Surya, the high priestess and keeper of the Flame of God, loves Zira as much as her own mother once must have, before she was killed by the Sedorne so long ago. When Surya takes Zira with her on business to a nearby village, she's glad to help. Their cover as harmless priestesses is blown when Zira saves the life of a Sedornese noble - leaping into the fray, swords flying.

The outlaws were going to burn him alive in his carriage...something which Zira, with her own burn scars, could never have faced in silence. Her impetuousness costs her more than she knows -- and gives her a greater gift than she could have ever found on her own.

This is a satisfying adventure story that never feels hurried, even though it's epic, and sweeping, and there are tons of details. It's very superhero.

(One cover complaint -- although the flame is outstanding, the character has a facial scar. She's not knock-down dead gorgeous. How hard is it to show that on a cover? Oh, wait, what am I saying? LIAR, anyone?)


Lisa Haines poses a very serious question of "what if" in Girl in the Arena. What if bloodsports were legal? What if war wasn't something faceless old men sent young warriors to do, but it was a mano-y-mano, on-screen thing? What if Roman gladiators had never died out?

Lyn's whole life has been GSA -- Gladiator Sport Association. Her mother, one of the first Gladiator Wives, has been married now SEVEN times, and all of Lyn's stepdads have been fighting men. Caesar's, the GSA association company, has rules. The rules say that Allison has married her last warrior. When Tommy, Lyn's seventh stepfather dies, it's going to be all over.

For various reasons, none of them like to think about that.

There's a ceremonial aspect to the gladiator life. There's the reverence for the old Roman warriors, there's attention paid to the right clothes, the proper gladiator footwear with fifteen leather straps and buckles, and the right attitude. And then, there are the bylaws:Always lend ineffable confidence to the gladiator. Remind him constantly of his victories. And most importantly: Never leave the stadium when your father is dying. Lyn isn't hot on Gladiator culture, but she always expected to go to Gladiator Wives College, like the other Glads daughters she knows. Her friendships within the Glads fade and she is fast waking up to the heavy toll that being a gladiator girl has on everyone -- her mother, Allison, her seer brother, Thad, and worst of all, Tommy, and the strapping young lad, Uber, who vanquishes him.

What if violence like this were an everyday part of life?
What would the media do to keep the bloodletting going?
How far would they go... until people said, "Enough"?

Americans are addicted to spectacle. This novel explores the concept of bloodsport as just another reality show. (And though the cover looks not at all like the character, it has a certain sense that reflects the contents of the book. Props to the graphic designers.)


How much do I love Dull Boy by Sarah Cross?
Oh, a whole lot.
Rarely do I pick up a book that makes me laugh all the way through -- even when the characters are in SERIOUS DIRE STRAITS. Even when they're in pain. It's like reading the best comic book/buddy movie/sidekick novel ev-ah. And I do mean that in all the best ways.

Avery Pirzwick is fifteen, and previously, he was okay with life. He was... like his friends, like everyone else in his high school -- dull and content and dead mediocre. Until one day, in an emergency, he lifted a car off a toddler's leg. He got some attention, then, and he was -- cautiously thrilled. It wasn't so bad to stand out, and wow -- he was super strong that day.

Wouldn't super strength be cool?

Avery thinks so, until he breaks a guy's arm on the wrestling team. And the figured out he could bench press his mother's car. And fly.

It makes him want to do something with himself. Something good. Something cool. Something...heroic. Unfortunately, all the pieces of Avery's life are crumbling in his hands -- just like his cell phone.

Instead of using his powers to be a hero, Avery's supergeeking gets him put in an expensive private school for delinquents where he meets the most unusual people. Nicholas. Catherine. Darla. And ...Jacques.

Who are they? What does Jacques' mother, the icy cold Cherchette, want with him?

Tune in next week when our superheroes...

Find Daughter of Flames, the thought-provoking Girl in the Arena, or the hilarious Dull Boy at an independent bookstore near you!

November 20, 2009

Turning Pages - A Wing and a ...Prayer. Sorta

This year's Cybs have popped out an unusual crop in the paranormal teen novel category -- angels. Maybe it's only unusual to me -- I never thought of angels as having lives, romances, disputes, but hey -- science fiction and fantasy is all about "What If," right? We had Starfire Angels who were kind of vaguely sci-fi, Strange Angels wherein no angels actually even appeared and then two books where the angels were a little more... unexpected. Here are the two titles that stuck with me.

Coffeehouse Angel by Suzanne Selfors, is one of my favorites in the angel genre -- and because the first Selfour book I read was about a mermaid in a bathtub, I knew she was good at "what if" scenarios, and she shines with this zany little romantic comedy.

Katrina is just your average working stiff -- trying to help her grandma keep a roof over their heads by working all the hours she can at the Norwegian coffee shop they own. It's a stodgy old place where they only make coffee one way, there's no Wifi, and the sandwiches have sardines and pickled onions. I said Norwegian, right? Unfortunately for Katrina, there's a really hip coffeehouse next door -- and it's about to run her grandma out of business.

There's a lot more bad luck on the way, but Katrina's still got the heart to do a good deed. A homeless guy in the alleyway outside of the shop gets a bag of chocolate covered coffee beans, some day old danishes, and a big cup of coffee, on the house. It's the least she could do for someone who's had to sleep in the cold.

One selfless act.

It's amazing how much trouble that can get you into.

The homeless guy -- when he's awake -- is actually a gorgeous kilted "messenger" named Malcolm. And not particularly easy to get rid of. He just wants to repay Katrina for her kindness -- to give her what her heart desires. That can't be so bad, right?


Hush, Hush, by Becca Fitzpatrick introduces us to Nora Grey, who has no interest in high school romance. Her friend Vee is the one with stars in her eyes, and Nora has no problem turning off the charm, until Patch, the darkly seductive and broody new guy...

...who seems to be sort of everywhere. And for a new guy, he knows an awful lot about her. Now, why is that?

Nora's a little shaken -- granted, Patch is cute, and really intense, but there are weird things that happen around him. Almost accidents, near misses -- Nora's beginning to wonder if Patch isn't out to hurt her. Or, is he there to help?

Secretive, manipulative and obsessive, Patch has a lot of similarities to a.) vampires, and b.) other evil characters who mistake obsession with relationship, but in his case, there's (somewhat of ) a reason for it -- a reason that's been going on for thousands of years. Critical readers might raise a brow at a few of the stock characters and a few "Oh, please, she isn't going to do that is she??" moments, but for those looking for a "spooky dark lover" fix and who aren't turned off by the hype the novel's received, this will go down like candy.

You can find Coffeehouse Angel, and Hush, Hush, as well as Starfire Angels at independent bookstore near you!

Winter Blog Blast Tour: Five Questions for Sheba Karim

- from Macmillan Books:

If Nina Khan were to rate herself on the unofficial Pakistani prestige point system – the one she’s sure all the aunties and uncles use to determine the most attractive marriage prospects for their children – her scoring might go something like this:

+2 points
for getting excellent grades
–3 points for failing to live up to expectations set by genius older sister
+4 points for dutifully obeying parents and never, ever going to parties, no matter how antisocial that makes her seem to everyone at Deer Hook High
–1 point for harboring secret jealousy of her best friends, who are allowed to date like normal teenagers
+2 points for never drinking an alcoholic beverage
–10 points for obsessing about Asher Richelli, who talks to Nina like she’s not a freak at all, even though he knows that she has a disturbing line of hair running down her back.


Funny. Disturbing. Nina.

In our review of Sheba Karim's debut YA novel Skunk Girl, we wrote: "[T]here really isn't much (if any) teen literature out there that deals with the quirks of growing up as a Pakistani girl in America, with Muslim parents who are conservative, even restrictive in some ways, but still close and loving." As a portrayal of the general angst of growing up, the book was equally spot-on, and we were eager to ask the author about her writing process, her favorite reads, and her thoughts on the role of religion and culture in the story of Skunk Girl's main character, Nina.

We had limited time to spend with this busy New York born author, as she is in the process of recovering from an international move. We appreciate the time she took away from her boxes and bags to speak to us!


Finding Wonderland: Many of our readers are writers. Can you talk a bit about your process? What was the original first line of Skunk Girl? Did it change, or stay the same? What are your revisions like? Do you do flowcharts, outlines, or a flurry of Post-It notes?

Sheba Karim: The first line of Skunk Girl remained unchanged. In terms of writing process, I tend to think of structure first, and outline a chapter before I write it, at least the major plot points. It's very hard for me to start writing without having an idea of the direction I'm heading. My revisions for the book were across the board—some chapters I barely changed, while I rewrote the second half of the book entirely.

FW: As a follow up: From your blog we learn you were previously a lawyer before becoming a writer, and you received your MFA from the Iowa Writers Workshop, and did a residency at Hedgebrook. How did your family feel about your decision to move from something solid like law, to something chancy like writing? Do you feel that having an MFA made a difference to you as a writer?

SK: I think it was easier for me to switch career tracks because I applied to MFA programs, so rather than quitting my job and heading into some great creative unknown, I was simply transitioning into graduate school, and the fact that I was fully funded helped a lot. My parents still worry about me, as parents are wont to do. It's hard to make a career as a writer, and there's a lot to be said for a stable paycheck, but I haven't once looked back.

FW: We're definitely glad you haven't looked back!

What were your favorite books when you were a child, and who are your favorite writers these days? Any multicultural YA authors we should be on the lookout for?


SK: My absolute favorite book when I was very young was Are You My Mother? followed some years later by the complete Sherlock Holmes and, later, Jane Eyre. I love Margaret Atwood, and two of my all-time favorite books are A Fine Balance and Midnight's Children. In terms of multi-cultural YA writers, I've heard good things about Meja Mwangi, Sharon Flake, and Neesha Meminger.

FW: Neesha is one of our favorites, too!

What was your family's response to Skunk Girl? Knowing that you are a woman with a Muslim background, and that you're familiar with the religion, what was it like to write about Muslim religion from an outsider perspective? Did you feel any pressure to present a particular picture of Islam, or did you simply write what you know?


SK: I didn't feel any pressure to convey a particular picture of Islam, though obviously I didn’t want to demonize it in any way. In my mind, I was writing a novel about one particular Muslim girl’s experience, which would undoubtedly have similarities and differences to the experiences of other Muslim-American girls. My focus was on discussing certain aspects of growing up female and Muslim in the US (as it pertained to Nina) rather than conveying some broader message about the religion itself, though I did try to convey that, like most religions, there's a fluidity to Islam in terms of people’s beliefs and practices.

FW: The choice Nina makes about her relationship with Asher at the end of the book might not be one that every reader can relate to. Can you talk a bit about your decision to end the book with her choosing to stay closer to the dictates of her culture and family than "following her heart," so to speak (something very much lauded in mainstream American culture)? What do you think the ending conveys to readers of Pakistani or Muslim background? To non-Pakistani or non-Muslim readers?

SK: I think the decision Nina makes is more of a practical one. Some readers would have probably preferred that Nina be determined to pursue a relationship with Asher no matter what the cost. I think it's a lot easier to do such things when you're older and more independent. I'm not saying it's not possible, I'm just saying it’s a lot more difficult.

Some Muslim readers might be taken aback at the fact that Nina never questions the morality of dating, while some non-Muslim readers might be upset that Nina seemingly panders to cultural mores by deciding not to date Asher. But I don't want readers to come away thinking Nina's decision is meant to convey some kind of message, because it's not. It's just one character's individual decision in a complicated situation. For Nina, it's more of a timing thing. Of course, who knows, when school starts again, Nina's resolve might not be so strong.

Bonus Question: Will you continue writing in the YA genre? Can you talk a bit about what you're working on now?

SK: I'm currently working on a historical fiction novel set in 13th century Delhi, India, and I just started working on a YA fantasy book. It's quite new, so I won't say much about it, except that it involves djinns.

FW:Thank you so much again for taking time out of your busy schedule for us! We can't wait to read more of your work, and wish you the very best.


Gotta love the djinns, huh? And we're always HEARTILY in favor of multicultural fantasy here at Wonderland, so GO, SHEBA KARIM! If you want to read another fun, quirky interview, check out Sheba's toe-to-toe chat with the Longstockings (Yum, chocolate peanut butter ice cream!), or check out her author essay at Powells.com. Some good reading on women and identity in Islam, which is what Skunk Girl is about in a smaller, less academic fashion.

And, don't forget to check out the rest of today's awesome WBBT author/illustrator interviews:
Lisa Schroeder @ Writing & Ruminating
Alan DeNiro @ Shaken & Stirred,
Joan Holub @ Bildungsroman
The amazing Pam Bachorz @ Mother Reader
R.L. LaFevers @ Hip Writer Mama