July 18, 2017


Welcome to another session of Turning Pages!

Synopsis: Fifteen-year-old Aya has lived in hiding for as long as she can recall - because not to hide is to be caught by the Trackers, to be owned and bred. The census keeps track of girls, polishing and preparing them to be someone's forever wife, as fecundity is a valuable thing. Not every woman can bear children, and not every family is in favor of that kind of life, thus Aya's family are resistors. It doesn't last forever, however. One day, the hunters come and take her, and she is dragged away to the Garden, to be polished as a bride for the Magnates and Merchants. Aya continue her defiance alone -- with a ridiculous flower name the Governess gives her, with scanty outfits and with eyes always on her - weighing, judging, comparing, competing eyes. Aya's not competing to "win" a man, though - she has a sort-of maybe-kind-of friend, but the rest of the girls are sheep she wants nothing to do with. Her noncompliance gets her starved and roughly handled, left out of doors in all weather - but mostly free. She's made a real friend - a wolf pup - and has caught the attention of one of the mute beast handlers who work with the horses. He's trying to help - but Aya knows she can't depend on a man, even one outcaste and mute, even one who is all but invisible to the people at the Garden. Aya can depend on no one but herself... right?

Observations: One of this author's strengths is her worldbuilding; though there's a familiar feeling with this dystopian setting, the level of detail and ...logic in the cause and effect of the politics of the world is strongly plotted. This is one of the author's definitely strengths, and what will make this book a pulse-pounder for dystopian fans.

This book is marketed as THE HANDMAID'S TALE meets BLOOD RED ROAD, and I agree at least on the HANDMAID'S TALE portion, anyway. The commodification of women and the pitched battle of control over their bodies is something which has hovered outside the real of fiction since Margaret Atwood wrote her startling work -- and YA lit has frequently revisited the concept of a lack of control over the young female body. Simmons takes it a step further with the idea of fertility being controlled corporately, and being sold to the highest bidder.

The immediacy of the writing, and the fast pace of the scenes make it a little difficult for the reader to get a grip on details such as the size of the world or how far flung this insanity is with control over women - is it just the equivalent of North America, or the whole world? Are there other places where women have learned how to deal with this madness, or have overturned it? Because Aya grew up free, she never, ever, ever stops fighting for a return to that freedom. Sure, soft beds are nice; sure, good food you don't have to prepare is great -- but nothing extinguishes her desire to be on her own again, and one imagines that surely there are other girls who are so determined. I found myself wishing for a little more from the author on that score.

While there was subtle diversity in the novel, I wished that there could have been more - which is another question which returned me to 'where is this happening, and how widespread?' It seems this is set in a mostly white pseudo-America.

Conclusion:I found it ironic that there is a mythos in this culture that all their troubles began with a bad love triangle. I find myself wondering if the author isn't having a private laugh at the prevalence of love triangles in YA fiction, and this is a warning that they'll bring ruin upon us all! Likely not. ☺ For readers who enjoy the oft-clichéd "strong female character" who is digging in and being brave, finding love in unexpected places (There's no insta-love here, which readers will appreciate), and making fast-paced, life-or-death decisions, this book is for you. With strength of conviction Aya digs in to create the future she wants out of the present within her hands - something we could all learn better to do.

I received my copy of this book courtesy of the publisher. After August 2, you can find THE GLASS ARROW by Kristen Simmons at an online e-tailer, or at a real life, independent bookstore near you!

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