HELLO!
Thanks for looking us up. Our absence has been lengthier than expected...because we're packing! We're boxing up our Blogspot days, and we're moving!
See you next year at WritingYA.com
HELLO!
Thanks for looking us up. Our absence has been lengthier than expected...because we're packing! We're boxing up our Blogspot days, and we're moving!
See you next year at WritingYA.com
Please stand by, as we make a few changes around here! See you in September JANUARY!
Meanwhile, read your hearts out.
If you are writing books for teens and kids, it is usually a good idea to actually care about teens and kids.— Carrie Jones (@carriejonesbook) June 19, 2018
Not just some kids and teens.
All kids and teens.
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Source: Mental Health America |
It's another E.E. Kelly book, which means there's going to be a lot of heart, and a lot of funny. Erin Entrada Kelly is a Filipino writer, so include this book in your list of titles for the Asian American Heritage Month celebration this May.
Synopsis: Twelve-year-old Charlotte has something important to say, only, right now, it's sticking in her throat. Her best friend, Bridget, knows. Her mother knows. The teacher and the school counselor knows... but Charlotte, who is brilliant and articulate and knows the name of more rocks than you do; Charlotte can hardly say it out loud. Her father, who had a stent put into his heart, whose difficulties sent Charlotte down the rabbit hole of open-heart surgeries and knowing more about hearts than probably any other kid in junior high, Charlotte's father has had a heart attack. And it feels like the end of the world.
What's worse is that, in a way, it's only the beginning of the end. If nothing else, at least Charlotte can distract herself playing a good word on her online Scrabble game.
Ben wishes that people would take recycling more seriously. He wishes that people knew the impact of all of the plastic and paper that gets into the ocean, and harms dolphins, turtles, and fish. He wishes that people really cared about how species evolved, and he also wishes he weren't so furious with his father. If he'd paid attention to his life - and not spent so much time in his head - maybe he'd have friends. Maybe he'd be better equipped to survive middle school. Maybe all of his current difficulties wouldn't be so hard to get through.
But, right now, Ben can't even think of who he'd call if he won the lottery.
It's a good thing he plays online Scrabble with a girl called Lottie. At least he knows he can call her.
Observations: Two gifted and talented kids with the tiny bit of myopia all kids have, Ben and Charlotte are only able to see the world right in front of them, in terms of their friends, their concerns, their hobbies. Their bright minds only make their socializing challenges all the more difficult, and when there's a challenge to their families and home lives they are abruptly forced out of their unseeing days into a confusing, painful world where they question not only what they're looking at, but how they could have missed so much. Charlotte, through her father, is realizing her mortality -- and HIS. Now the times she's brushed him aside rise up, and she feels so guilty she's paralyzed - and later, as she questions her social behavior, she's paralyzed by horror and shame. Ben is furiously ignoring the chaos outside his bedroom, and is determined to evolve past the quiet, inward-turning boy who drifted along through elementary school. However, with the active pushback of some of his classmates, it seems that it may be too late for him to turn into a different kind of bird than he's always been. It's a troubling, difficult time for both tweens. Told in alternating voices, we see where both Charlotte and Ben use words to conceal and reveal the ragged edges of honesty and pain now informing both of their lives. There's a lot of emotion, a little humor, and a few hard knocks, but in the end, readers will be relieved as both Ben and Charlotte find a tiny bit of land under their flailing feet, and begin the long process of standing tall.
Conclusion: Middle school is an intense time of transition, and this seems to be one of Erin Entrada Kelly's "big idea" truths. I appreciate the realism that Ben and Charlotte do not confide in each other; they're virtual strangers, literally. While we trust each other with playing a game online, and while Charlotte and Ben share the occasional brief phone conversation, they're not emotionally equipped to use each other to lean on in the traditional sense of friendship. However, their isolation allows them to be helpful to each other at key points. This book will resonate with the emotionally intelligent tween who is looking for the truth in the statement that we're all alike, under the skin, and no one suffers alone.
I received my copy of this book courtesy of my public library. You can find YOU GO FIRST by Erin Entrada Kelly at an online e-tailer, or at a real life, independent bookstore near you!
From January - June, every second Tuesday of the month, we're going to post an image here on Wonderland of a Creative Commons licensed Flickr picture to which you can respond - with poetic, prose, or whatever kind of writing - and hopefully, you'll share a link in the comments below, so that we can visit your site, read your work and respond. No genre or style limit - just come and join the fun!
I think we're over it with the May showers, but we're just getting started with Asian Pacific Heritage Month, and Mental Health Awareness Month. This month, it's time to celebrate National Salad Month, which, likely, features women laughing. Alone. With Salad. As they so often do. Additionally, May is National Bike and Barbecue Month as well, and extra points if you can celebrate these holidays simultaneously. This month's image comes from Flickr user Stefano Arteconi of Bologna, Italy:
I have... so many questions, don't you? Just leave your link in the comments below, and we look forward to reveling in your inspiration! Happy writing!
Synopsis: Earthsinger Jasminda ul-Sarifor has always wished she things were diferent - that she had greater magic, a better relationship with the xenophobic Elsiran village in which she lives, and fewer Lagrimaran features than her father's ancestry has left her. But, alas, things are as they are, and she stubbornly persists in ekeing out a living on the side of the magical barrier that separates these two very different kingdoms, in a place that doesn't love her... until one day, a beaten scrap of a man falls into her path, and everything changes.
It's easy to want to trust Jack, because he's clearly honest - he's in dire straits, and not afraid to say so. It would be stupid to help Jack -- he's an Elsiran spy who was dropped into the midst of Lagrimaran soldiers. There's no real reason for Jasminda to help him - it looks better if she doesn't, after all - but what Jasminda sees of his treatment, and later, what Jack has to say about his mission leaves Jasminda horrified. The barrier - the wall that keeps the kingdoms apart - is about to fall. And when it does, the Lagrimaran religious zealot called True-Father who began the violence between these two countries will come roaring through, in full power, and begin a 'cleansing' of Elsira, and millions of innocent will die...
Jasminda doesn't want to believe this - doesn't want to change her whole world... but it's already changing. Refugees are flooding through in places where the barrier is thin, and it is clear that there is nowhere for them to go -- there's destruction and murder on both sides. Jasminda can't just sit around wishing things were different and better anymore - things aren't, they won't be, and she cannot simply hide. Furthermore, Jack is becoming way too important to her, and Jasminda is beginning to have a fearfully important reason ti want the world to continue...
Observations: Isn't this a beautiful cover?
It's always delightful when a self-pubbed book is picked up by a traditional publishing house. (Or, it's delightful to me, anyway; it might be really fraught and scary for the author, but my joy is more readers for that book.) L. Penelope is a black writer who majored in film AND computer science and who first published this book in 2015.
This book was described in marketing materials as "Romeo & Juliet meets The Return of the King," which is an awkward juxtaposition, to my mind (it read more like a rewritten piece of Greek mythology to me), but it is very high fantasy, with the romance of danger and heightened everything - and also features star-crossed lovers, insofar as Jack and Jasminda are from warring countries and do not share a skin color. Readers will enjoy this novel not because of the love story - which I didn't entirely need, but they will enjoy that this is "just" a fantasy story, of the sort which has a big, sweeping cinematic drama between warring nations, and doesn't attempt to parallel any true history, or anything else. It's actually a bit of a quiet story, for all of its scope, and readers who go in looking for a major war or magic being thrown around will at first have to adjust their expectations.
This is a new volume in the Heroine's Journey, and while the path is somewhat familiar, this is such a beloved tale that many readers will be sucked right in. The first volume in L. Penelope's duology is mostly scene-setting and lining up allies v. enemies. I look forward to how it all ends.
Conclusion: A sweeping romance of warring nations, a mysterious Queen Who Sleeps, and a black girl poised to save the world through her personal brand of magic - which she believes to be insufficient and unimportant. A good starter book for young fantasy readers who aren't as familiar with the genre, the writing is clear, and the pacing is at times a little slow, but engaging.
I received my copy of this book courtesy of the publisher. As of TODAY, May 1, 2018, you can find SONG OF BLOOD AND BONE by L. Penelope at an online e-tailer, or at a real life, independent bookstore near you!
What? I haven't done one of these Friday roundups since, like, 2015? Yeah, I know. Mainly it was because I felt like I was rounding things up everyone already knew, but the more I'm on Twitter (which, granted, is not very much) the more I realize that there's a LOT of things announced and discussed, which, with the firehose stream of information pelting us, are missed by quite a few folk, thanks to social media algorithms... so here I am again, talking about what was significant this week to me, if no one else... So, without further ado:
Okay, wait, Taco Bell, what? - Travis side-eyes a questionable read-aloud choice. Who knew, librarians have a panic room. Apparently.
Duologies are the new trilogies, and that is all things wonderful.
Lee Wind has finished serializing QUEER AS A FIVE DOLLAR BILL, which I still cannot believe did not find a traditional publisher out of the gate, but ANYWAY - and now he's doing behind-the-scenes on the research and inspiration for it. If you haven't had a chance to read this book, do.
Meanwhile, some are still not sure quite what sensitivity readers are supposed to do for them... while others love having them, so they feel justified with whatever they do. Hm.
A lot of people didn't understand when the mother of the little boy who modeled the "Coolest Monkey in the Jungle" shirt didn't get what the drama was with H&M. However, she's Kenyan, and lives in Sweden. Edi highlights the problematic in BABY MONKEY, PRIVATE EYE, while walking us through the historical ties of anthropomorphism and black people in America. Art is never apolitical, is it?
Randomly: Ladies and gents, origami pasta that folds itself.
The Edge of the Forest, back in the day was one of the kidlit blogosphere's earliest academic-style journal for readers and creators, about readers and books. I'm grateful The Book Smugglers has taken up the gauntlet and fulfilled the idea's promise with their Quarterly Almanac. Last September's piece by Mimi Mondal on the poor apology that Hermione Grainger's sudden blackness is for the ingrained racism that infests the Potter books (something which is still being discussed,, now that "Cursed Child" is on Broadway) is both a boldly unpopular opinion and a brilliant essay, giving readers something to chew on. DO read it if you've not seen it (especially if you're asking yourself, "Wait, what racism!?).
I'm thrilled when children's lit rises above the level of fangirling and gushing (although that definitely has its place) to really engaging deeper with literature, tropes, and representation. I'm sad to say I've not been very timely about reading the Almanac, but after seeing the discussion springboarding from Zetta Elliot's essay, Minstrelsy is the New Black in Volume 3, I'm definitely intrigued. Zetta takes on book packaging as cosmetically "correcting" books by black people into something more "acceptable" - another wildly unpopular take, but again, well-written and thought-provoking. These are the discussions we should be having.
Happy Weekend.
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Click to embiggen. Also, check out a chapter preview at Comics Alliance. |
From January - June, every second Tuesday of the month, we're going to post an image here on Wonderland of a Creative Commons licensed Flickr picture to which you can respond - with poetic, prose, or whatever kind of writing - and hopefully, you'll share a link in the comments below, so that we can visit your site, read your work and respond. No genre or style limit - just come and join the fun!
April brings with it, famously, showers and May flowers, but also National Poetry Month, as well as the National Welding Month celebration, which, I'm sure, is all the rage wherever it is. Additionally, there's National Pecan Month to celebrate as well. This month's image comes from Flickr user Claus Rebler of Korneuburg, Austria:
I've already got stories simmering, don't you? Just leave your link in the comments below, and we look forward to reveling in your inspiration! Happy writing!
Content commentary: This novel contains a physical assault, which is processed throughout the book, and may be unsettling to some readers. It is nothing younger readers can't read, and it is powerfully done, but FYI.
Synopsis: Fifteen-year-old Janna Yusef is smart and snarky, kind, and ...conflicted. She's navigating a new world, one where her father has married his administrative assistant and lives in a massive eight-bedroom house across town, one where her brother has changed his major and moved home from college for a year, and one where she's suddenly being inundated with the perfectly poised Saint Sarah, her brother Muhammad's fiancée - and organizer of the Fun Fun Fun Islamic Quiz Game. Janna isn't sure that this new world is all it's cracked up to be - she's wearing hijabi like her mother, but her father hates it. She's supportive of her brother changing his major at college, but she doesn't want him to move home, because sharing a room with her mother means no more privacy, ever. And Janna needs her privacy, especially as she fiddles with her graphic novel about the Prophet, daydreams a little about her non-Muslim crush, and seriously tries to figure out how to deal with the monster who has blighted her life ... and is circling, stalking her like prey.
Janna's keeping her head down, studying advanced math as hard as she can, but the sexist comments from the boys in the class against the only two girls, and the ways some students at her high school treat others, because of a birthmark or how quiet they are, just doesn't add up to the world the way it should be. At least Janna has Mr. Ram, the elderly man she walks to the Senior Center. He's always got wisdom about the world - even if Janna doesn't always have time to listen to it. And Tatyana listens - mostly, when she's not trying to Make Sure Janna gets what she wants out of life, which, Tats thinks, is her crush.
All Janna wants to do - sometimes - is run along under the radar, just keeping out of trouble, hanging with her friends, and admiring her crush on the sly. But lately, that hasn't seemed possible. Now, just when she needs her, Janna's best Muslim friend seems less friend and more faith, and her best non-Muslim friend is bent on managing her relationship with her crush's perfect forehead, and a mean girl named Sausun is friendlier than she thought possible. And now, Jeremy, the non-Muslim boy whose forehead she's been crushing on likes her back, and Janna realizes she hadn't thought things through beyond his perfect head. Muslim girls don't date... but maybe she's not as much of a saint as she ought to be? And, if she's not a saint, how can she figure out how to deal with the monster everyone calls a saint? If she calls him out, won't everyone look from him, to... her? And see how ashamed she is?
Conflicted, distracted, and nearly destroyed, Janna is a contemporary girl cherishing a traditional faith, and struggling to make sense of growing up, change, and a messy world.
Observations: Rudine Sims Bishop's "mirror books and window books" description is relevant to this novel, as non-Muslim readers will find both contemporary mirrors of their own life experiences inside, as well as mirrors into Janna's Indian-Egyptian culture, her modest clothing, and her faith practices, from the washing before prayer, to the right thing to say when someone dies. As Janna is fifteen, this book also falls into that little not-quite-middle-grade/not-quite-teen wasteland into which many books fall which are difficult for some publishers to characterize. Janna's story falls into YA because of her experience of assault, but she is otherwise a classic fifteen year old - full of weird impulses and funny thoughts; not too old, and not too young.
Janna has friends who are non-Muslim, but also people of faith. Hindu, like Mr. Ram, or open to anything, like her bestie, Tatyana, or even Christian, like Mr. Khoury. No one gets to swan through the world surrounded solely by Their People, even if they come from a fairly tightly-knit community. Janna, as her Amu - her uncle the iman - describes it, bobs through the seas of life with other souls, and the books spends time allowing her to have a critical perspective on people from other walks of life, sometimes complimenting her own, at other times, challenging it.
I was very impressed with Janna's explanation of wearing hijab, and exploration of niqab. No one's faith observance is going to be a cookie cutter same-as-hers experience, and Janna's observance is unlike her friend Fizz's, unlike her frenemy Sausan's, and also unlike her brother and mother's. Throughout the book, Janna is herself, imperfect, impatient, wrestling with her own impulses while contrasting them against what is against her personal rules and her parent's expectations.
S.K. Ali also gives readers the most horrifyingly accurate picture of the internal silencing which occurs after an assault that I've ever read. After the incident, the cognitive dissonance just swallows Janna, and she's frozen still in a moment that has long passed. This mirror resonated really strongly with me, and will with other readers who have experienced something horrible, and have struggled to move past the moment and go on. Other mirrors include Janna's crushes, her scholastic successes - and bombs - and the push-back she receives from racist teachers and sexist fellow students as she changes and grows organically throughout the story arc. A lot of this is part and parcel of the fabric of living life in contemporary times, and I think how Janna deals with them - how she thinks things through - is very appealing.
Conclusion: Goth-emo girls, fluffy floral girls, average, low-maintenance girls - all the girls are here, and quite a few of them are wearing hijab or niqab. SAINTS AND MISFITS shows that not every follower of Islam is perfect or some kind of misfit - that Muslims are real people, with real struggles, and though their communities are not perfect, neither are they the breeding grounds for insanity that some people seem to think they are. Full of wisdom, snark, and genuine emotion, this book deals with heavy, thoughtful topics in a way that is neither facile or heavy-handed, imparting a solid story with a big heart. Bring your tissues.
I received my copy of this book courtesy of Overdrive at the public library. You can find SAINTS AND MISFITS by S.K. Ali at an online e-tailer, or at a real life, independent bookstore near you!