Showing posts with label Gender & YA Lit. Show all posts
Showing posts with label Gender & YA Lit. Show all posts

October 17, 2017

Cybils SpecFic Bookmark: DREADNOUGHT by APRIL DANIELS

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: A quiet kid and longtime recipient of the grade school bullying, even in high school Danny doesn't feel safe without an empty corridor and a wall at her back. Faced with impossible pressures - her own inner identity as a girl and her father's testosterone poisoned insistence that Danny be "the man" her father raised her to be, Danny finds relief - and a little rebellion - with a downtown New Port City nail polish purchase. But a covert pedicure puts Danny in the unenviable position of witnessing a superhero fight - and seeing a white cape go down. Dreadnought has been one of The Good Guys forever, and when Danny sees him crash and burn, her heart is broken... but then her heart is reformed... along with her body. Now Danny-the-boy is good for good. Taking on the mantle of Dreadnought's powers means that Danny has a new power: the power to truly be Danielle. Everything is going to be awesome now, right?

Ri... No. First of all, there's the white capes - Danny is a minor, and can't officially join Legion Pacifica. Second, there's Danny's best friend, a loner like Danny who desperately just wants a chance with a girl - and thinks the new and improved Danielle is now his chance... and that Danny, like, owes him that chance. What? Third, there's Danny's Dad... and his belief that Danny is a disease to be cured. All this plus battling a malicious flying cyborg...? Means Danny's life just got a lot more complicated.

“I see a world that is terrified of me. Terrified of someone who would reject manhood. Terrified of a girl who knows who she is and what she’s capable of. They are small, and they are weak, and they will not hurt me ever again. My name is Danielle Tozer. I am a girl. No one is strong enough to take that from me anymore.”

Reader's Advisory: In looking at this book for accurate representation, the obviously fictional nature of a presto-change-o gender transition can be overlooked in favor of the realities the author puts forth in other areas. The focus Danny's father had on "curing" her seems accurate to the way many people view transgender people, that they have some sort of a mental instability that needs to be fixed. Danny seems to believe that most of her issues stem from her a mismatch of body and brain. However, in the "right" body she discovers that she nevertheless has to experience being female in all its aspects, positive and negative, (and I can attest that it sucks sometimes), that other people's experiences of gender and their understanding of yours can be the single most frustration barricade to happiness, and, finally, that choosing to be yourself in all your authenticity has less to do with your genetics and everything to do with your choices. I feel this book will read well with older teens who are interested in trans issues or who don't know much about them and just want to read an adventure.



I received my copy of this book courtesy of the public library. You can find DREADNOUGHT by April Daniels at an online e-tailer, or at a real life, independent bookstore near you!

July 25, 2017

Turning Pages Reads: THE GENTLEMAN'S GUIDE TO VICE AND VIRTUE by MACKENZI LEE

Welcome to another session of Turning Pages!

If you ever wanted to read Jane Austen's books with a male lead... you might have to pick up this book. Austen's books are quiet routs of Victorian era manners; this is a rather noisier affair poking holes in the idea of the staid or wholesome English boy, making his way in the big world via The Grand Tour...

Synopsis: Henry Montague is a hot mess, really. He's privileged and the son of the Lord of Standards and Manners practically - frequently lectured, with fierce physical punishments to back up the cutting words - but this only spreads out the veneer of rakishness further and thicker. Henry is a good time boy, always laughing, drinking, smirking, and hitting on anyone with a pulse. It's his last hurrah, however; his bestie, Percy is off to law school after this Grand Tour they're embarking on. Felicity, Henry's sister, will be "finished" and ladyfied at her school, and Henry himself will be working side-by-side with his father, running the estate... all of which sounds like a living death, frankly. So, it's time to have fun, fun, fun 'til Papa takes his freedom away.

Henry is reckless - and sometimes stupid - with drink, with terror, with pain. He makes the worst choices, about people about money, and about his various vices. With some deliberate nudging, soon their Grand Tour goes grandly off the rails. They lose the minder Papa Montague sends along with them... and then the trip really begins. Unfortunately, this is still Henry we're talking about, so it's not all fun and games - highwaymen, robbery, dodgy conveyances and dodgier people mean their trip careens from bad to worse. As a manhunt gets underway across the continent for them, Henry has one more awful, heart-stopping surprise. Percy, Henry's darling best friend, reveals a truth and Henry realizes he doesn't know him that well after all.

Broken-heartd, terrified, and determined to wrest something good from this journey before his life ends, Henry pushes onward. Persistence - and a whole lot of pigheaded stubbornness has this gamer gambling at last to find the best answers to the biggest questions in his life, to help a friend, and to find his happy ending.

Observations: I delighted in my first introduction to The Grand Tour years ago in Sorcery and Cecelia by Caroline Stevemer and Patricia Wrede, followed by The sequel, The Grand Tour: Or, The Purloined Coronation Regalia. It was a story of two closely sheltered young ladies discovering the large grand world, and it was a lot of Regency with pixie dust.

This is not that book.

... rather than a sheltered Englishman seeing the world for the first time, Henry is a jaded... jade. The boy is a tightly wrapped bundle of neuroses and emotions pinging all over the place, a boiling stew of hormones and appetites. He's likely rather a more realistic illustration of young manhood (READ: rakishness), but I found his privilege and ignorance somewhat exhausting. If you love Regency novels and adore the reformed rake trope, this will work out well for you. Henry's vices sometimes overwhelm his virtues, but there is truly a tender love story going on, true diamonds amongst the glitter and the paste... which is a good thing, or many readers would have drop-kicked him.

Henry is queer as well as being young, so his confusion is multiplied. Percy is half Barbadian, and I found it interesting that he's described as having skin the color of sandalwood and ungovernable hair, but that's it - he seems to face no prejudice or scrutiny on the continent - at least not for being browner than is fashionable. As there were quite a few persons of African ancestry wandering the British Isles and the Continent all the way from Medieval times, this is wholly accurate, but I did wonder what Henry thought of his being different, since he had an opinion on EVERYTHING. Even Percy seemed rather quiet about himself; I found myself wondering if he ever wondered about the family his father took him away from when he brought him to England then up and died...

With his self-centered, narcissistic, shallow hedonism covering his wounds and poor self-esteem, Henry's a lot of work, and you've got to dig before you get to anything worthwhile with him. Which is true of us all, I guess. But, his sister and his friend don't give up on him, even though he takes them straight into trouble. With combined ingenuity, they take themselves back again - so there's an 'ever after' to look forward to - maybe a hard one, but the right one.

Conclusion:Henry is like a male Emma in Jane Austen's world - frivolous, silly, privileged, very attractive and charismatic, and sometimes dangerously ignorant of the true harm he can cause. But, like Emma, Henry is redeemed through the love - tough and merciful love - of a good friend.



I received my copy of this book courtesy of the public library. You can find all 528 pages of THE GENTLEMAN'S GUIDE TO VICE AND VIRTUE by Mackenzi Lee at an online e-tailer, or at a real life, independent bookstore near you!

February 07, 2017

Turning Pages Reads: HERE WE ARE: FEMINISM FOR THE REAL WORLD, edited by KELLY JENSEN

Welcome to another session of Turning Pages!

It took me a while to get to this review, not because I didn't read the book, but because I didn't want to finish it. This anthology took forever to read, as I delayed the ending, but I knew it didn't matter - because I will be reading some of these essays and cartoons and lists gain and again.

Synopsis: To me, this book is about identity, and how we live it out in our individual ways. The book is divided into Beginning the Journey, Bodies & Minds, Gender & Sexuality, Pop Culture, Relationships, Confidence & Ambition, and finally concludes with Go Your Own Way, which touches on the many ways people can be feminists. Each section has between 8 - 15 essays, cartoons, lists, glossaries, illustrations, songs, or doodles on the subject, written by people of various identities and abilities. Readers feel welcomed into the book from any direction. I started out reading from the front cover, and then flipped to a cartoon, circled back to another essay, and then read specific essays on various topics after that. Eventually, I made my way through everything.

Observations: Feminism is a concept which, when one is familiar with a world which lacks intersectionality, one does not necessarily expect to find oneself. To be blunt: I didn't really think this book was for me. Full disclosure: I've met and quite like the editor, I've met some of the poets and artists and essayists, but... Feminism. It's not an identity I've had time to explore.

As a woman of color, feminism seemed like unto yoga: something a lot of white women get into seriously and give side-eye at other people for not quite belonging. As a person raised in faith and wrestling with relating a tradition-bound religious patriarchy to an allegedly loving and equality creating Divinity, feminism seemed like something both too deep and too complicated to add to the mix. And yet: shouldn't anyone who believes in human equality be feminist? I realized I wasn't quite sure anymore what feminism was supposed to be... and I thought this book would be perfect since it's aimed at teens, and I know that books for younger readers often help adult readers get a grip on a concept. I sat down and tried to read with an open mind.

Almost at once, I found a few favorite pieces which spoke to my heart, among them Lisa Prince's So I Guess This Is Growing Up, about her struggles with being a misogynist to becoming feminist; Kaye Mirza's Faith and the Feminist ("As long as I practice my faith, to many, I am nothing but a secondhand feminist."); the beautifully drawn, The Princess and the Witch by Wendy Xu; Ashley Hope Pérez's The "Nice Girl" Feminist, and 5 Tips for "Nice Girl" Feminists. It was like seeing a pair of signal flags waving from the runway saying, "Your Spot Right Here." There's this feeling of, "Oh! Huh," when you find your tribe and didn't expect it.

Conclusion: This book is something which should simply be experienced. I'm not big on gushing, especially about books done by friends. I try to be objective and restrained. But, I just think this book is worth buying - for anyone. For everyone. I can't be more objective than that. The little arrows on the front that say "Here We Are" are for you, too. You're Here. We all are - and it's a surprise and a hopeful little blessing.



I purchased my copy of this book. You can find HERE WE ARE: FEMINISM FOR THE REAL WORLD edited by Kelly Jensen, at an online e-tailer, or at a real life, independent bookstore near you!

March 01, 2016

Turning Pages Reads: THE RAVEN AND THE REINDEER by T. Kingfisher

Welcome to another session of Turning Pages!

Synopsis: This book was my Valentine's gift to myself.

Once upon a time in Hans Christian Andersonland, an evil troll creates a mirror which reflects things as they are not. Facing beauty, it regardless shows ugliness. On a lark, taking the mirror up to heaven to make fools of the angels (!) the mirror somehow falls to the earth and breaks. Mirror shards get into people's hearts, and freezes their affections. Then they can no longer see beauty, good, or happiness in anything. One summer a boy becomes cold and mean and horrible to his dearest friend, and only finds beauty in the perfection of snowflakes. Instead of backhanding him as he so richly deserves, she rightly fears that he has got a mirror-shard in his heart and, pitying him, determines that she should somehow do something to help him.

As winter draws on, the boy meets a woman in a fur coat in the market, and she takes him away, finding him cold enough for her wintry tastes. His friend, desperately loyal, goes after him into the deep North of winter, because she is wise and good and true. She is delayed and diverted by the whipping winds of Winter, but has help from the people of the North, including a robber girl, a great black crow, and a reindeer. The girl saves her friend from the Queen of the Snow with prayers and miracles, and a little help from her friends, and all's well that ends well; it's summertime again. The End.

Anderson wrote "The Snow Queen" in 1844, and this somewhat convoluted and bizarre original story has spawned myriad rewrites and imitators from CS Lewis' White Witch in The Chronicles of Narnia to the more recent "Frozen" and "The Huntsman" films. I kinda hate the mythos; winter can be trying enough without imagining it being the fault of an evil troll or an woman of great beauty who heartlessly freezes humans, but having someone to actively hate also sometimes helps.

Observations: T. Kingfisher's version of this story is wonderful, for myriad reasons. Gerda is clearly good and honest and true, but she's also kind of ridiculous, as she is filled with determination and nothing more. The narrative lets you know up front that sometimes that's the worst thing a girl can be, because life takes advantage of people who believe that determination is all that they need, and not, like, actual skill or preparation or OTHER PEOPLE'S HELP - life will eat you in one gulp, if you're that silly. And, Gerda gets eaten for awhile, and it's not all terrible or evil, what happens, -- it's worse, it's well-meaning which is very bad indeed. Which just goes to show you: sometimes the very worst thing is not at all what you feared.

Kai, the Kidnapped, meanwhile... well, Kai is... you just want to slap his little perfect blonde head 'til he rolls down a hill. He's sappy and dreadful. Hans Christian Anderson made him out to be eminently desirable and save-able, the scope and reason for Gerda even being in the story is to Save Kai. He is not, however, very worth saving; he is a mean little ice-eyed weasel, with apologies to weasels. Gerta loves him, so you make allowances... however, the droll narrative voice gives the reader the information that Mr. Anderson didn't bother with -- that sometimes loving someone not worth your effort is a joyless drudge, and very, very hard. This takes the story from the realm of fable or fairytale, right out into the real.

In another realistic twist, Gerda and Kai don't suit. At all. I mean, that's obvious to you and me right out the gate, but Mr. Anderson would have twisted the story around so somehow self-sacrificing Gerda would somehow deserve Kai, for all her sins. Kingfisher obviously thinks she's suffered enough. Gerda is meant for someone else entirely, and it's a bit of a surprise at first - for her too - but then it seems to make sense. The reindeer is selfless -- but selflessness usually means sacrifice, and most times, sacrifice is not pretty. The crow is... well, a crow. It wants eyeballs, really. And to give out sassy backtalk and bad advice. And, it's responsible for Gerda getting in more trouble - and getting more help - than she expects, and it's a much more fun character here than in the original.

Conclusion:T. Kingfisher, in the person of Ursula Vernon writing for adults, has so far only published her fairytales as ebooks, but at least one has been picked up by publishers to appear in print, so if you're a paper-book person, don't lose hope - this one will likely also make the cut because it's original and funny. Meanwhile, this is another winner of a story, has positive LGBTQ content, realistic information about the indigenous peoples of Scandinavia, and reprises the valuable - and not-often-expressed theme that some boys are not worth spending one's time and life running after. I really like how many Kingfisher fairytales underscore this truth in droll and amusing ways. The author continues to depict the world as it is, rather than as some lovely and well-meaning but otherwise completely bizarre Swedish story states that it should be.



I purchased my copy of this book because Kingfisher Fairytales are for me an auto-buy. You can find THE RAVEN AND THE REINDEER by T.Kingfisher at an online e-tailer near you!

January 19, 2016

Turning Pages Reads: SERPENTINE (Kingdom of Xia: Second Series #1), by Cindy Pon

Welcome to another session of Turning Pages!

Synopsis: SERPENTINE begins with a familiar feel -- a mistress and a handmaiden, brought up as close friends, often playing games and once spying on the monastery - and a cute monk - which was utterly forbidden. Skybright would do anything for Zhen Ni, but spoiled Zhen Ni often makes thoughtless comments, as if there's no real difference between the two. Skybright, however, can never forget the gulf that lies between them. At least Skybright can dream about the handsome monk she met in the woods, Kai Sen, even though nothing will ever come of that relationship. When Zhen Ni finds love and Skybright's place within her household seems threatened. In time, a secret is revealed: it turns out that all along motherless Skybright was the daughter of someone very important -- except her legacy is not in the human world, but of the mythical Underworld. Now that Skybright knows she's a daughter of the Underworld -- and that her mother was a queen of temptresses - she's not sure who she's supposed to be, and Zhen Ni is discovered to have secrets of her own. As demons and discovery threaten everything Skybright knows, she's backed into a corner of evasions, half-truths, and outright lies, trying to protect herself, and her mistress. Are there any right choices left?

Observations: Readers who enjoy retellings and new spins on mythological tales from other cultures will enjoy this novel. The setting is rich in detail and meaty with diversity. Like many fairytales, there is, from both Skybright and her mistress, a deep longing for something, but instead of that longing being to find a handsome prince or whatnot, their desire is for nothing to change -- to go on as they are, as close as they are. Of course, this doesn't happen - and as a metaphor for growing up, what happens to Skybright seems both monstrous and terrifying but also exciting and freeing - she seems at her most alive and engaged in the novel when she is in the forest, less passive and accepting, and more master of her own fate, which is something which will resonate with American readers. The sensuous language describing Skybright moving through the forest at night also spoke of the potential pleasures to be had when one accepts change and stops fearing it as The End of All Things, which is a great little secondary meaning whether the author intended this to show up in the narrative or not.

I was glad to see that this novel is the first in this series, because there were a lot of unanswered questions for me. SERPENTINE felt short - almost a blur of detail, worldbuilding, set-up and setting with a few teasers waved in front of the reader about the contents of the next book. Readers will easily root for Skybright, worry for Zhen Ni, and wonder what their future holds. Skybright's romantic choices felt a little hurried to me, and readers may not understand her choices. Skybright's tremendous sacrifice at the novel's end, because the ending is a little abrupt, doesn't have quite the sense of momentousness it should have, and we don't get her feelings about her choice - but that just means that readers can't predict, even a little bit, what happens next. Thus we curiously await the sequel...

Conclusion: Though I wasn't as pulled in as I could have been by the passive main character or her romance, there is so much richness that I wanted more time to linger in the fantastic and mythical, mystical world. If you enjoy retellings featuring ancient mythology, gods and demons and want a fresh take on a fantasy tale, you may enjoy this first book in the Kingdom of Xia series.



I received my copy of this book courtesy of the public library. You can find SERPENTINE by Cindy Pon at an online e-tailer, or at a real life, independent bookstore near you!

January 05, 2016

TURNING PAGES: SORCERER TO THE CROWN by ZEN CHO

This is my favorite book so far this year. Seriously.

Though this novel isn't marketed to YA or as YA, this is a crossover I need you to read. If you like Regency novels, tales of the fey, Jane Austen, or 19th century anything, you want this. Buy it online, visit a bookstore, reserve it at your public library. Go on, I'll wait.

Now. Check out The Book Smugglers guest blog post with author Zen Cho wherein she talks about the influences that shaped this book. It is, and she is, sixty kinds of genius. I read this book slowly at first, trying so hard to roll the situations over my tongue and savor them... and then I looked up and I'd finished it already. Drat. I wanted to start over and read it again, but I equally wanted to thrust it into Tech Boy's hands and stand over him until he started it. Sadly, my selfishness ruled the day.

This is SUCH an excellent story. It's ostensibly about magic in England -- but a half step deeper into the narrative, it becomes about such very real things as microaggressions and this relentless, "hail fellow, well met" community racism that just dissolves the soul. At times I snickered aloud, other moments made me feel like I had to clutch my chest and recover from a punch to the solar plexus. The author shapes her characters with a charming affection and they charm the reader in return. This is a BUY series, which for me, eternal haunter of the library, woman of far too many books and far too many book boxes (and veteran of far too many moves), is rare and special. But, don't take my word for it...! Read it, read it, read it, read it.

This has been a public service announcement.

Summary: At eighteen, Prunella Gentleman has run out of classwork, the options of her class, and out of time. Her future as a mixed race Englishwoman of gentle breeding and no antecedents means staying at the boarding school for gentlewitches that she's been at since she was tiny and trying to find a way to fit... while being groomed for a life of staying in the background, hiding her magic, stopping the younger girls from dueling with theirs, miding her "betters" and doing all the work. It is a decidedly unpalatable future for someone so brilliant and sassy, and she's not having it. It's a rare stroke of luck that brings the Royal Sorcerer to her school. He's high up in government and must be quite well connected. If she can just get him to help her, she could escape the hand that Fate has dealt...

In a stroke of incredibly poor timing, Zacharias Wythe's mentor has died, leaving him in he unwanted post of Sorcerer Royale. To complicate things, Zacharias has been enjoined to do his bit for the English government in a matter touching on another country's political conundrum - just when it's being noised about that he killed his predecessor and adoptive father, Sir Stephen, in order to take the magical staff of The Royal Society of Unnatural Philosophers and succeed him in his position. It would be wonderful if Zacharias could do what the government is asking him to do - but it's against his conscience and his ethics, and also, it's potentially impossible. Then there's the matter of Sir Stephen's missing familiar -- and the fact that England seems to be leaking magic like a vast and shiny sieve. There are major problems afoot in the Unnatural Society, and the old guard is certain that it must be the fault of that upstart African who thought to set himself above the sorcerers of English blood that the country has come into so much difficulty, right? It is unjust - and cruel - to blame Zacharias for being elevated to a position he doesn't want, on the grave of someone with whom he had a complicated and obligatory relationship -- but silence and obligation are a part of Zacharias' life, and a part of the duty he's embraced for years. He suffers the outrageously cruel remarks people make in silence... because that's how it is, after all. One doesn't make a fuss, or at least, one doesn't directly confront one's accusers -- what accusers, after all, and of what could he be accused? His crime, such as it is, is obvious - once a slave, now a sorcerer, and the color of his skin has indicted him. Despite the tenuousness of his position as the King's magician, Zacharias is a brilliant sorcerer and a very stubborn and ethical -- and, deep down, very hurt, lonely, and angry -- man. And one headstrong young woman, a Fairyland full of stubborn fey, witches in revolt, and a bunch of racist English magicians can't stop him from doing right, and making things right, no matter the cost.

Peaks: Both characters are Other within their society; a gentlewoman with magic when women are not meant to show any vulgar knowledge of the aforementioned; slightly brown when the flower of English womanhood is milk white, a woman of no family when England rises and falls on family trees. Zacharias' troubles, as a former slave, are numerous, and the cruel kindness of being saved from that world - and thrust into another on which there is a brightly lit stage, expectations, and a magician's staff -- he, too, is Other and resented for it.

The political issues are squarely about the rights of women. I won't say anymore but -- go, women!

I mentioned Jane Austen -- Zen Cho is a Malaysian write and not an Englishwoman from the 18th and 19th century, but by golly if she hasn't reanimated an Austen hero. Zacharias Whyte is ... so ... constipated with duty and hemmed in with rules and chained to obligation. He's perfectly Darcy, only he's too realistic to have any overweening pride. Instead, he knows what he owe. And he owes, and he owes, and he owes, and he takes what he isn't owed right in the teeth and never loses his composure - just his sleep and his sense of peace. Zacharias holds up such a perfect mask of civility that when he's insulted to his face, people can't tell that the barbs hit, and that he bleeds. As a character, and an example to Prunella, he's larger than life.

Meanwhile, Prunella is zany and delightful - and privileged and completely blind to it, which may cause a few eye rolls in some readers at first. Watching her learn her own mind, as well as come into a better understanding of the world around her is a lot of fun, because as much as Zacharias accepts -- she does not. She asks questions, she makes observations, she throws herself wholeheartedly against the strictures the world puts up to bind her -- and does not mind a little disorder in the cause of freedom. She's a burden and a pest and a trouble to Zacharias from the moment they meet. What I enjoy is that in the end, Zacharias actually learns something from her, and empowers her to do more and be more.

Valleys: These are observations, not valleys: the action is sometimes a little quick, and readers may find themselves rereading to figure out what just happened. As mentioned, the language is Regency, so readers may need to read carefully until they catch the cadences. This is also the first in a trilogy, I believe - and we've no way of knowing how long until the second book emerges, though this one was published in September. However this is a fully told story - beginning, middle, end and no cliffhanger - so read away.

Conclusion: This is a brilliantly-written book featuring a half-Indian heroine, and African hero, and it is written by a Malay woman. Were you seeking in 2016 to up your diversity in reading, this might be one to pick up. If you're just looking for a brilliant story to lose yourself in with a pot of tea and a duvet, this is what you want, for sure. Happiest of reading New Year's.



I devoured my copy of this book courtesy of the public library. You can find SORCERER TO THE CROWN by Zen Cho at an online e-tailer, or at a real life, independent bookstore near you!

December 18, 2015

TURNING PAGES: A WAKE OF VULTURES by LILA BOWEN

To begin with, this isn't a YA novel. It's a crossover adult novel, recommended for older YA readers due to some violence and disturbing interactions and attitudes. Lila Bowen is a pseudonym for Delilah Dawson, a familiar YA author. If you like stories of the Old West and enjoyed Moira Young's BLOOD RED ROAD or Patrick Ness' CHAOS WALKING series, you might find you really enjoy this. I honestly didn't think I would like it. Frankly, Westerns - the whole "cowboys and Injuns" thing -- is so problematic as to have been leeched of any enjoyment. But, I found this book sneakily got in under my radar, and I was riveted. It's weird as heck and oddly ...fascinating.

Summary: Nettie Lonesome has put away her femaleness, because what good does it do her? Having observed covertly, she knows females get to be only wives or whores, and she's not into either role. Half Native, half black, she lives as not-quite-a-daughter, but not-quite-a-slave, in a strange halfway place on a hardscrabble farm outside of town. Until one night, a well-dressed stranger insinuates himself onto the property -- intent on taking the one thing Nettie has that's hers. She's not going to let him, of course. An uncommonly strong girl, since she's the only one on the farm who works, Nettie fights for her life -- and nothing stops him, until by chance she hits him in the chest with a spike of wood... and then he turns into cold black sand and an empty suit of clothes with a hole in the shirt... Wait, what?

Even without the evidence of a body, anybody even half Black remotely suspected of doing violence to a white person is going to hang. Nettie makes tracks -- shoving her braid under the man's conveniently abandoned hat -- to the large ranch up the valley - because the lazy slobs for whom she works will miss her and raise a fuss... but they're not that bright. Posing as a boy called Nat and getting work is easy enough, but violence is following her - violence, and the spirit of a wet horse. There's something Nettie has to do to now -- some deaths to revenge -- and she has to keep moving, before the violence in her past overtakes her, and ruins her future.

Peaks: The setting was really amazing, and one of the best things about the novel. The author wrote that she binge-watched "Lonesome Dove" when she was a kid. It shows; the Western sitting just sings. The magic is bizarre and weird and it works. And, Nettie isn't just a girl, she's a girl who sometimes feels like a boy, who sometimes likes boys, who sometimes likes girls. She isn't a slave, she's not only Native, but both. Her identity is fluid and unsettled, and while everything surprises her for awhile, she unsentimentally just accepts what is, and moves on. Mostly. Eventually. She's funny and kind of abrasive.

Nettie is also angry - furiously so - and terrified. Having been treated as garbage her whole life, it's hard for her to come to grips with change, and with trusting the people she must trust to do the things she must do. WHY did her parents abandon her? WHY was she being raised by awful, abusive people who basically kept her as a slave? Why is she being hunted and haunted and tracked across the world? The big question of "why me," which we all ask so often, is answered in an unusual way. Though a kind of Bildungsroman for Nettie, as the story deals with her becoming and accepting herself the way the brother-and-sister duo with whom she travels accepts her, this novel is also fast-paced and gallops along through the empty desert in a really enjoyable way. Imagine a kind of folkloric Louis L'Amour with a female lead and chupacabras. Good times.

Valleys: Though the use of the word "Injun" and "Indians" appears frequently, the author deals respectfully with her Native characters, having made a commitment to diversity which I applaud. I am always leery of books which drag out folklore and characters from a culture which don't belong to them, but Bowen makes an attempt to do her best to research and describe things with accuracy and knowledge. Nettie is described as likely half-Comanche, according to the author in her notes, while Dan and Winifred are Chirichahua. The characters from Comanche myth, the skinwalkers and two-natured folklore she discovered through research. She also apologizes in advance for what she didn't get right.

Conclusion: This is a weird and wonderful first book in a new series, and I loved how it ended - you could stop with this book and be happy, because this adventure is over, with no cliff-hanger. However, it's a lovely thought to think there will be another strange and wild book late next year!



I received my copy of this book courtesy of the public library. You can find A WAKE OF VULTURES by Lila Bowen at an online e-tailer, or at a real life, independent bookstore near you!

September 30, 2015

TURNING PAGES: EDGE: COLLECTED STORIES by M.E. KERR

I remember M.E. Kerr. My sister had a book called DINKEY HOCKER SHOOTS SMACK, and I was in grade school and thought the title sounded awful. Who'd name their kid Dinky?

With books, though, curiosity traps me every time, and the fact that Dinky was a girl was even more enticing. Though the book was slightly dated and Dinky wasn't someone I entirely understood, there was something about her voice that seemed very real, and, being me, I simply read through the whole shelf of M.E. Kerr books in the library. Thematically, this collection of short stories -- and really, all of the work of M.E. Kerr -- is about identity and the teen protagonist. Teens are in the process of becoming, and Kerr celebrates that becoming in myriad books.

Marijane Meaker - the real surname from whence came M.E. Kerr - had other pseudonyms and wrote bestselling mysteries and suspense, articles for the Ladies Home Journal, and more. Her young adult books, though, remain the jewels in her crown.

"Strangers take a long time to be acquainted, particularly when they are from the same family." - We Might As Well Be Strangers, by M.E. Kerr

Summary: If you enjoy family stories as much as I do, you'll enjoy this book of shorts, set largely in the 1970 in New York and environs. M.E. Kerr writes about the teen as separate from the family through choice, interest, and the mere act of becoming a young adult. Themes of identity and being true to that emerging self beat strongly throughout. These fifteen short stories are drawn from various magazines and anthologies, published from the eighties through the early 2000's. Much of the time, it's not as clear that the stories are that old, but the descriptions of teens intent on marrying after high school, of having no ambition for after college but to be "college educated," and of them going to the hairdresser (!) or worrying about sitting by the phone (rather than carrying it with them) date a few of the stories, but only a little.

There aren't all happy endings - as a matter of fact, most of the stories meet the reader's regard in a way that is deeply enigmatic, not painted in distinct shades of happiness or unhappiness. One of the strengths of M.E. Kerr's writings is her ability to let ambiguity simply... sit there. Modern readers may be unused to the moment of discomfort when a story ends not with a jarring, abrupt note, severing you cleanly, but with a dying away that lingers in the mind. Kerr's stories stick with you.

Of the happier stories, "Sunny Days and Sunny Nights" was one of my favorites, as a girl learns to identify what she wants out of the man she loves, and to ignore what her father wants in a husband for her. My all-time favorite "Grace," is about a self-conscious minister's son who loves his boring old father, though his father embarrasses him by existing - until he doesn't. "Son of a One Eye" is a poignant story about a boy who never fits in with the fraternity he didn't want to join - but finds a world for himself in his imagination. Readers will be glad to see "We Might As Well Be Strangers" which was included in the 1995 AM I BLUE? anthology. In every story, the voice remains so very constant - there is a steady, singular I which informs, even from the third person, about alienation, outsider status, the Other, and being outside of the circle, looking in.

Conclusion: Before there was e.lockhart or Rachel Cohn or the surreal landscapes of A.S. King, there was M.E. Kerr, watching, recording the inner world, telling the true, and playing it back for us to hear.



I received my copy of this book courtesy of Open Road Media. You can find EDGE: COLLECTED STORIES by M.E. Kerr at Open Road or another online e-tailer near you!

May 01, 2015

TURNING PAGES: SERIOUSLY WICKED, by TINA CONNOLLY

After being seriously blown away by Tina Connolly's alternate history as depicted in her Ironskin trilogy, I was a bit surprised to see this lighthearted-looking book in my mailbox. Stripey tights and a magic book? Huh. I shouldn't have been surprised that the author used lighter fare to still explore issues of self-discovery and choice. I picked the novel up during lunch, and finished it in just under a couple of hours. The protagonist in this novel is fifteen, which makes this a perfect novel for older junior high readers. Those who loved Justine Larbalestier's HOW TO DITCH YOUR FAIRY and enjoyed the SPIDERWICK CHRONICLES but who aren't quite yet old enough for Terry Pratchett's WINTERSMITH (though the previous Aching novels aren't quite as gritty) or Rachel Hawkins' HEX HALL will get a kick out of the lighter fare in this novel.

Summary: Camellia is pissed. The Witch is at it again, with another impossibly long list of stupid chores to do - and with a new and completely deranged plan to rule the city. I mean, seriously: they have a mayor, they don't need the Witch. But, if your name is as witchy as "Saramine Scarambouche, apparently magically-related chores are what you demand. Sadly, if your name is Cam - or your initials are CASH, which is an awful, terrible "joke" The Witch played on Camellia's real parents when she stole Camellia from them -- you're stuck mucking out dragon cages, walking and feeding werewolf pups, sourcing goats blood and pig's ears, and trying desperately to stop the witch from wreaking the seriously high-level havoc that's going to end with someone's soul being eaten and a phoenix exploding at the Halloween Dance. Camellia is definitively NOT a witch - Not. Even. Close. But, when the stakes get high enough, she's willing to crack a spell book. Because sometimes even ordinary mortal girls have to fight fire with fire.

Peaks: In two words: normalized inclusivity. Even among the seriously wicked, the world isn't all one culture, ethnicity or background, which is lovely and right.

Power struggles between adults and teens aren't written about creatively often enough in YA lit, especially power dynamics among females. Cam's detailed observations of people - her best friend, the girl she loathes, the high school choir teacher, herself and - and her "aunt," all provide a lot of amusement and food for thought. There are truths that are clear in the novel which don't come across as lessons; primarily that true friends always have your back, no matter how entirely bizarre things get; real affection is true to itself; and you can choose to be yourself, no matter who - or what - your parents are. Choice and identity are key in this novel, though with a somewhat frothy and fast-paced plot, readers will be amused and not necessarily realize they're taking in that message with everything else. They'll just rejoice that Cam comes to her own conclusions in the end.

Valleys: Though marketed as YA, this novel will appeal to 7th grade readers - so it might be disappointing to older readers. Some readers may find the "work" portion of the novel slows the pacing, while others may not notice it -- once I was interested in the characters, it was easy to keep going.

Conclusion: A complete departure from her earlier work, this novel may surprise Connolly fans, but it's a nice introduction to her for younger readers who will hopefully find her other books later. It's light and charming, and there's a pet dragon and a boy band. Yes. A boy band AND a dragon. You know you need to read it now.


Know any magic fans who live in Oregon? If you're in the Beaverton area, you can attend the book-launch for this very fun book at the Cedar Hill Crossing Powell's bookstore on May 5th. Wear your stripey socks and -- seriously, Tina Connolly is going to teach a spell... Be there, or be a solar panel salesperson, which has to be the worst punishment, ever.


I received my copy of this book courtesy of Tor Teen publicity assistant Desirae Friesen. After 5th May, you can find SERIOUSLY WICKED by Tina Connolly at an online e-tailer, or at a real life, independent bookstore near you!

February 24, 2015

A Cybil's Bookmark: SALVAGE by ALEXANDRA DUNCAN

This book is a 2015 Cybils Award YA Speculative Fiction Finalist.

This is a review by a finalist judge, so will focus more directly on summary. We hope you pick up this Cybil nominee, read, and enjoy!

Summary: Sixteen-year-old Ava is a dichotomy - living in a polygamous, patriarchal, rigidly gender-divided, hunter-gatherer tribe-style life... on a deep-space merchant trading ship called Parastrata. She's different from everyone else in her crewe as it is, because her father was from Mumbai, so her hair is black, not red like the rest, but her stepmother bleaches it, so she'll fit in. The "so" daughter of the ship - the Captain's child - she is the perfect age and bearing to become a bride - traded to another crew and another spaceship. Ava has perfected following the rules - but has such hopes, when she finds she is to be traded to the Aether, a ship on which lives her friend Soli, and Soli's brother, Luck. It is over Luck that Ava falls short of the perfection she once exhibited. Now having lost her value to her clan, she is declared dead. Only the timely intervention of a strong and determined auntie saves her -- and she is saved, time and again, by people who can see the big picture far more clearly than she can. When Ava finally finds her feet again, she is on Earth, in a future Mumbai, trying to find the last scrap of blood relatives she might have, desperate to try and keep her tiny adopted family - and her ship - and her life in balance.

Peaks: The language in the novel from the first lets the reader know that there's been some... shifting in attitudes and beliefs since modern times. Ava's archaic cant brings the feeling of a 19th century trader. The reader, expecting a traditional YA since we do have a girl lying prostrate in a floofy dress on the cover, is scrabbling for familiarity, but won't get any reassurance from Ava, anyway. She's a fish out of water within the first fifty pages. This is a good thing.

There are choices to be made - and the first is to choose to survive the explosive realization that her society is not the end-all, be-all and that there are other ways to live. This is a harder realization for many than others. I like that this is included and is something Ava has to consider. I like that her decisions about men are not either/or (despite a triangle thing), but "Is this what I want, or not?"

There is a lot of detail - which is why this is a very long book - a lot of landscape, knowledge of the way things work, and basically process -- processing everything from the simple questions of survival and "how do you learn to read" to how should a society function. The detail makes the book.

Valleys: Despite this book being quite a tome, I still felt like I was missing some information in basic world-building. Ava's lack of knowledge about even basic science is criminal, and a little terrifying. The reader is left constantly to wonder how this all happened. Why did the crewes initially board ships and go into orbit above Earth? Where they'd come from and who had they been before that event? What was the triggering event for downgrading of the status of women, and why did the women participate wholesale in their own disenfranchisement, striving to each be more perfectly downtrodden? What was behind their drive to obey? Why did they keep silent, still, with eyes lowered? On what cultish faith was their society based that has gone so heinously, so misogynistically off-base? We never get enough information on that, which is a real shame, because I found myself far more interested in questions of structure that mandated that life aboard the spacegoing, the lack of regulated social services, and basic education, etc. -- The women sitting, content, with not being able to read was unconscionable. Surely, if all they believed women were good for was work and bearing, they could be BETTER baby-machines with the ability to read and adequately care for their offspring? Ergh.

There's a lot of discussion about this book as feminist science fiction, but don't look for Ava to become self-actualized or in any way save herself until you're heading WELL toward the end of the book. She is saved, repeatedly, by others... over and over and over again, showing a lack of being the center of her own story, in some ways. Some may find her conversion to self-reliance a little choppy and unbelievable or too slow.

Conclusion: I truly liked this book, though I wanted more. If you enjoyed TIN STAR or ACROSS THE UNIVERSE or THE HANDMAID'S TALE, you will find enjoyment here. The gradual pacing of this five hundred plus page world epic will give readers an entire universe to discover and explore, and they will cheer for Ava's slow but sure growth toward selfhood.



I received my copy of this book courtesy of the Benicia Public Library. You can find SALVAGE by Alexandra Duncan at an online e-tailer, or at a real life, independent bookstore near you!