Showing posts with label Diversity. Show all posts
Showing posts with label Diversity. Show all posts

April 09, 2018

Cybils Review: SUEE AND THE SHADOW by Ginger Ly and Molly Park

Synopsis: Suee and the Shadow was a Cybils finalist in 2017 for Elementary/Middle Grade Graphic Novels. This ghost story with a touch of horror—but not too much—will appeal to older elementary kids especially. Set in a school in Korea, it stars main character Suee, a young girl reminiscent of Emily Strange. She wears black all the time and doesn't have any friends at her new school. One day, she discovers the forbidden-to-students exhibit room, and as it turns out, she might not have been alone in there…

And then things start to get REALLY weird. First, her shadow has come to life and started talking. But even more alarming is when she discovers that the school hierarchy consists not only of the usual groups of jerks and wanna-bes, it also includes the Zeroes, who walk around all zombie-like and weird and have to go to a special classroom. What's going on at this crazy school? And just what does Suee's shadow have to do with it all?

Observations: I really enjoyed how relatable this one is; it takes place in a Korean school, but it feels like it could be any elementary school anywhere in terms of the worries and feelings of the students, and in the types of challenges they face. Suee is quirky, but with depth, and a well-developed sense of snark. I really enjoyed the artwork in this one, too—the blend of humor and spookiness was well done, the characters were easy to follow, and the overall style was appealing.


The book does a good job of weaving in common concerns of school and home and family with the suspenseful and supernatural creepiness of the ghost story, with thought-provoking moments that deal with the meaning of friendship, the subtle provocations of classism, and the emotional cost of bullying.


I received my copy of this book courtesy of the publisher. You can find SUEE AND THE SHADOW by Ginger Ly and Molly Park at an online e-tailer, or at a real life, independent bookstore near you!

March 22, 2018

Cybils Review: PASHMINA by Nidhi Chanani

Synopsis: This was such a charming, delightful story about the many questions that come up for kids whose families have in some way crossed cultures. I found a lot to relate to personally here, as the daughter of an immigrant from India/Pakistan. I also really enjoyed the fantastical twist. From the jacket copy:
Priyanka Das has so many unanswered questions: Why did her mother abandon her home in India years ago? What was it like there? And most importantly, who is her father, and why did her mom leave him behind? But Pri’s mom avoids these questions―the topic of India is permanently closed.

For Pri, her mother's homeland can only exist in her imagination. That is, until she find a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a place more vivid and colorful than any guidebook or Bollywood film. But is this the real India? And what is that shadow lurking in the background? To learn the truth, Pri must travel farther than she’s ever dared and find the family she never knew.

Observations: Pashmina is a wonderful and colorful rendition of growing up Indian-American, with all the cultural baggage (sometimes literal baggage) that entails. Children of immigrants in particular will see a lot they recognize here, and those who aren't children of immigrants will catch a vivid glimpse of what it's like to have that relationship with the "old country," its traditions and religion and even cultural mores. The shock of what it's like to visit India for the first time is also nicely rendered.


The book is nicely pitched to appeal to a wide range of ages. The cute animal characters in the world revealed by Priyanka's shawl are adorable and mysterious, and the elements of darkness in this tale are thought-provoking without being scary. I loved the deceptively simple, appealing style of the artwork, too. The drawings of places in India contrasted well with America, and the images were easy to read.

In terms of the language used, the use of Hindi and "Hinglish" was really well done, and provides not just a particular "flavor" for non-Indian readers but is accurate and recognizable for those American-Born Confused Desis among us. The glossary is a great addition, too, although the visuals make it possible to figure out vocabulary from context.

Conclusion: This is one of those books I wanted to hug (but I couldn't, because it was a digital review copy!). There still aren't enough stories about and/or featuring 2nd-generation Indian-Americans—it's such a complex and multilayered and varied experience—so I was happy to see one that not only covers the topic an a thought-provoking and satisfying way, but also doesn't limit itself to being a particular "type" of story. (Priyanka draws comics, and has an identity that isn't just about being South Asian.) I look forward to seeing more from this author!


I received my copy of this book courtesy of the publisher for Cybils. You can find PASHMINA by Nidhi Chanani at an online e-tailer, or at a real life, independent bookstore near you!

March 19, 2018

Cybils Review: BUDDHA: AN ENLIGHTENED LIFE


Gateway to the Great Stupa at Sanchi, 1st century CE.
Synopsis: The life (well, lives) of the Buddha are almost naturally suited to graphic storytelling. After all, Buddhist jataka tales and stories of his birth and death have been illustrated in visual form on architectural monuments for centuries...even millennia. They come with their own visual conventions and pictorial traditions, so it is interesting to tackle a depiction of the Buddha's life in a contemporary comics format, taking an ancient visual language and blending it with one that current readers are familiar with.

The graphic novel Buddha: An Enlightened Life by Kieron Moore and Rajesh Nagulakonda covers the story of how the Buddha became the Buddha: how a minor noble named Prince Siddhartha experienced a great spiritual awakening, abandoned his princely life, and wandered as a pauper before reaching enlightenment and establishing one of the world's great religious traditions. This intriguing and educational book was a finalist for Cybils Young Adult Graphic Novels this past year.

Observations: This book does a great job of bringing to life the story of how Prince Siddhartha became the Buddha, animating his various trials and life events with a sense of drama and even adventure. While there is a distinct whiff of the "educational" with this one, and some young readers might simply not be interested in the topic, the story of Buddha is international and timeless, and an important part of world culture as well as the culture of many young readers.

The drawing style is beautiful and the colors ethereal, bringing a visible Asian flair into a traditional, easy-to-read comics layout. I kind of wish it hadn't followed the Victorian-era convention of making everyone fair-skinned, though; fair skin is considered a favorable trait in Indian culture, but it is also a symptom of a pernicious colorism that perpetuates the damaging class divides of the caste system. All that aside, though, the art was really quite lovely, and its delicacy fitting for a story about spiritual enlightenment.



Conclusion: I've been wanting to explore Campfire Graphic Novels for a while now, interested in what might emerge from a homegrown comics publisher in India, and the educational value and overall quality of this one has me eager to read more. I appreciate the effort being made by this Indian imprint to produce high-quality literary titles to be marketed to English-speaking audiences around the world.


I received my copy of this book courtesy of the publisher for Cybils 2017. You can find BUDDHA: AN ENLIGHTENED LIFE by Kieron Moore and Rajesh Nagulakonda at an online e-tailer, or at a real life, independent bookstore near you!

March 08, 2018

Cybils Review: SPINNING by Tillie Walden


Synopsis: First Second consistently puts out high-quality and varied graphic novels for audiences from kids to adults, and Spinning by Tillie Walden—one of our Cybils finalists for 2017 in Young Adult Graphic Novels—is a standout. It's a graphic memoir, a genre which I always find interesting (oddly enough, I'm not usually that interested in regular memoirs), and it's about (among other things) the world of figure skating, which is awfully topical with the Winter Olympics just past but is not a world I know the ins and outs of.

After reading Spinning, I have a lot better idea of what it's like to train as a competitive figure skater—and I can unequivocally say it would not have been for me. For the young Tillie, who has been a skater for ten years, figure skating is her life, her passion, her talent, and even her refuge. Until, that is, her family moves, and she starts at a new school. Not only is her environment new, she discovers she has new interests, like art. She also falls in love—with another girl. It takes some more time to realize maybe the rigid world of figure skating doesn't mean to her what it once did.

Observations: This book covers issues of growing up as a girl and coming to terms with sexuality across a wide age span, and should be accessible to a range of readers. It's easy to be flip and say it's a story about skating, but it's about so much more than that. It's also very down-to-earth both in writing/art style and in the narrator's way of looking at the world. Readers will recognize and relate to the various small and large dramas of coming of age—of friendship, competition, school, and learning who you are.
Image: Macmillan
Thematically, this one is complex—beneath the veneer of the ice-skating world, the importance of the story is really about Tillie learning who she is and learning to inhabit that self. Yet it remains easy to follow and clearly structured. As mentioned before, the style is down to earth—simple, clear, and effective—and keeps us focused on the story. The limitation to just a few colors lends atmosphere to the simplicity of the drawing.

Conclusion: This was truly deserving of being a Cybils finalist. It's wonderfully well-written, it's an intriguing glimpse into the world of professional ice skating, and it's a heartening story about the rollercoaster of coming to terms with who you are.


I received my copy of this book courtesy of my library. You can find SPINNING by Tillie Walden at an online e-tailer, or at a real life, independent bookstore near you!

February 22, 2018

Cybils Review: NEW SUPER-MAN VOL. 1: MADE IN CHINA

Synopsis: Reboots seem to be the story fad du jour when it comes to comic franchises, and while there have been some reboots of Superman, I doubt you've seen one like this before. Brought to you by the writing talents of our own local NorCal comics genius Gene Luen Yang, along with illustrator Viktor Bogdanovic, one of this year's Cybils finalists for Young Adult Graphic Novels was New Super-Man Vol. 1: Made in China.

This "DC Universe Rebirth," as DC is calling it, posits a brand-new origin story for your rebooted Superman, one steeped in DC universe lore as well as more recent traditions in Chinese comics. This time, the would-be Superman starts off as a blustering teenage bully from Shanghai named Kong Kenan. After accidentally saving his own bullying victim from a marauding supervillain, Kenan attracts the eye of a super-secret group trying to build a homegrown Chinese Justice League—they need a Superman, and they think Kenan's perfect for the part. Kenan is stoked: he has fancy powers and his new friends include Chinese Wonder Woman. What could possibly go wrong?

Observations: This is a really fun, international/multicultural take on the Superman comic adventures—kudos for diversity and for introducing new characters and storylines to a classic (some might even say old-fashioned) franchise. And, of course, Gene Yang's writing is always stellar, so this one has a good balance of entertainment and deeper themes, such as politics, family, and, naturally, good vs. evil. Readers will catch a glimpse of some ongoing sociopolitical issues in China through the lens of popular culture—both shared pop culture AND some stuff that will be new to readers, such as some homegrown Chinese superheroes that are not too thrilled with this new Justice League homing in on their crime-fighting turf.

click to embiggen



Not every reader is into superheroes, but those who are will surely enjoy this one. Effort has been put into making Kenan a relatable teen character with regular human storylines, while still packing the story with superhero adventure and humor. That extends to the artwork, too, which was well done: solid and not overly exaggerated superhero-style character design, good flow to the layout, and fast, exciting storytelling.

Conclusion: Pushing diversity to the forefront of comics makes some stodgy grouches go a little nuts, but personally, I'd rather read this new take over the old chestnut. Sorry, dudes. More variety in stories is always good. And I think this one is also being marketed in China, which is, I hope, a success.


I received my copy of this book specifically for the Cybils, courtesy of the publisher. You can find NEW SUPER-MAN VOL. 1: MADE IN CHINA by Gene Yang and Viktor Bogdanovic at an online e-tailer, or at a real life, independent bookstore near you!

February 15, 2018

Thursday Bits and Bobs and Whatnot

...I'll leave you to decide which are the bits, which are the bobs, and which are the whatnot.

Firstly, I don't want anyone to miss the great Kickstarter project that has been launched by our good blogging friend Lee Wind of “I’m Here. I’m Queer. What the Hell Do I Read?” Lee says:
With your help, and the help of our community, the professionally designed, copy-edited, and published book of my young adult novel, “Queer as a Five-Dollar Bill,” will become a reality. 
Together, we’ll donate at least 400 copies to LGBTQ and Allied Teens.

Together, we can change lives, shift the cultural conversation, and empower every teen who reads it to dig deeper, be inspired, and create their own future.
Donate to the Kickstarter and watch the video right here. You can also check out Lee's Facebook Live event coming up: "I’ll be doing a Facebook Live event on Feb 19 at Noon Pacific to demo 'instant antiquing' (what Wyatt is doing in the first chapter of the book) and celebrate the project President’s Day-style."



In case you missed it, don't forget the Cybils Awards have been announced! Check out the winning titles for 2017 over on the Cybils blog, and stay tuned right here on Finding Wonderland for upcoming reviews of nominees and finalists from the Spec Fic and Graphic Novels categories.

November 14, 2017

Cybils SpecFic Bookmark: THE EPIC CRUSH OF GENIE LO, by F.C. YEE

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Eugenia "Genie" Lo - one of way too many Eugenias of her generation - has always been a bit of a firebrand. Unlike her fashionable friend Yunie - another Chinese Eugenia - Genie finds her center in her homework - which she does routinely, expertly and superbly - and in ignoring her mother's ranting, which she also does like a boss, because her mother is always screaming about something. A Bay Area kid living in the SiliValley, she also bitterly acknowledges that she's just like most of the hordes of teens living in the land asphalt, parking lots, bubble tea shops and strip mall nail salons: she's an education junkie. She's high-achieving. She's Asian. She's desperate to get out of the reach of her mother's voice, and into A Good School. Princeton, for preference, or even Harvard. So, when this weird new guy at school scopes her out and says, "You belong to me...?" Oh, nu-uh. Nope. Not in this lifetime. Genie Lo has way too many other plans - mainly to work on not being just like her father and to get the heck out of dodge.

But Quentin Sun - new guy - is not prepared to leave Genie alone, and soon, Genie realizes she needs him - and not just because he's ridiculously good looking. Quentin is all Genie has to teach her what she needs to know to save the world... and soon it's time to school herself on perfecting a whole new set of skills -- those of demon fighting. Genie's pretty sure she can't do it, but Quentin Sun is only an international transfer student in Earth's realm... in the Heavenly Realm of the Jade Emperor, he's the Monkey King, down to the love of peaches and the fuzzy tail. ...And Genie? Well, she's a reincarnated sidekick of his. Quentin's convinced that he and Genie's shared power will be enough to answer the rash of demon incursions on Earth - and into the Bay Area. They're terrifyingly strong and flesh-eating, and it's crucial Genie gets on board with the plan before more people - human people on the earth plane - are brutally murdered and eaten. But, what about being on track for an Ivy League? What about all of her plans? Right now, Genie's got a lot of studying to do - about everything, including the world as she once believed it to be - and there's not enough time...

Observations: Many YA readers were first introduced to this oldest and greatest of Chinese fables, the story of the Monkey King, in Gene Luen Yang's AMERICAN BORN CHINESE. The adventures of the Monkey King in that book are myriad and surreal. Author F.C. Yee renders these same surreal battles between "the good guys" and the demons through the eyes of one of the newest good guys - a sarcastic, short-tempered California teen who just wants to get on with things so she can polish up her college entry essays and go back to crushing her opponents on the volleyball court.

Readers seeking the trope of the "strong female character" will find a lot more than they bargained for here. Genie is strong both physically and mentally, and by meeting these characters from Chinese myth, she is learning to be strong spiritually. There is a lot of humor and snark which will appeal to many teens, and a lot of exploration of the various roles of Bodhisattva, gods, and monsters in the Buddhist pantheon, which also makes this an unique foray into the mythological and folktale history of Chinese literature.

Conclusion: This novel is written cinematically, in that readers may be able to envision each chapter as a television episode along the lines of THE MIDDLEMAN or a comic book. The colorful descriptions and sharp-edged snark combined with completely surreal demons and monsters make this a fast-paced, quick read which engages the attention and doesn't let it go.



I received my copy of this book courtesy of the public library. You can find THE EPIC CRUSH OF GENIE LO by F.C. Yee at an online e-tailer, or at a real life, independent bookstore near you!

October 10, 2017

Turning Pages Reads: I AM ALFONSO JONES by TONY MEDINA, ill. JOHN EDWARD JENNINGS & STACY ROBINSON

Welcome to another session of Turning Pages!

Usually A.F. is the one with the graphic novels, but I was given the opportunity for an early peek at this one - thanks, Lee & Low! Lee & Low is coming up with a new vibe in terms of their offerings; this is the first graphic of theirs that I know of, and the another book for older teens that isn't from their Tu Books imprint. This novel is both awful and gorgeous, horrifying and heroic in its execution, and will strike readers in the heart. I appreciate that it's not played for entertainment - this isn't about pain for the drama and entertainment value, but a conversation about the reality of what's going on in our world - and hopefully it will bring those more flexible, intelligent minds of younger readers to lean on the question of what it's going to take to stop this.

ff

Synopsis: I AM ALFONSO JONES opens with anticipation of a joyful event. Fifteen-year-old high school student and bike messenger Alfonso has just learned that his father’s fifteen-year prison term has ended, and with DNA evidence, his name has been cleared. The ensuing celebration promises to be epic, and Alfonso and his crush, Danetta, are in the mall buying Alfonso’s first suit when an off-duty policeman mistakes the hanger Alfonso is holding for a gun. Alfonso dies of multiple gunshot wounds, but his story doesn’t end there. Alfonso’s class has been studying Shakespeare’s play, Hamlet, and to bear witness to how his story evolved, Alfonso too becomes a ghost, one riding the ghostly subway back through time, to revisit the history of his neighborhood, his people, and himself.

Observations: The tragedy of Hamlet is an appropriate vehicle for the contemporary tragedy of Alfonso Jones. Betrayed by those who should have loved and cared for him, Prince Hamlet’s rage and confusion mirrors that of Alfonso and his classmates. King Hamlet, as Ghost, does not help his son to solve his murder, but bears witness to the inevitable reverberations from his death, and brings up questions for Prince Hamlet to consider. Likewise, Ghost Alfonso, as he bears witness to the others on the Ghost subway, reverberates these question from the other side of the veil: When did black males become public enemy number one? When did children stop being seen as innocent, and become thugs? When did the color of one’s skin become cause for fear, and anticipated violence? When will this war on black lives cease?

This story of love and rage is conveyed with a surreal cast of characters. Alfonso’s story, and the stories of the others on the ghost subway will both grieve and inform, allowing readers to access the language to talk about class and race discrimination, and the very real fact of the propensity for violence by police against people of minority race and class. Despite the grim topic, there are sparks of light in Alfonso’s family relationships, his classmates’ clowning, and the love his community shows him, which will enable readers to consider parallels within their own lives. There is no solution to Alfonso’s murder, no tidy wrap-up of his death in which the rest of his community lives happily ever after, but they do live, as we do – in love and defiance, never forgetting that justice has not been served.

Conclusion: There are always some people who can say, "But he shouldn't have been --" or, "If she hadn't --" to blame the victims, excuse the racist reflexes, and justify the injustice on the part of our nation's police force. This is a painful, yet cathartic read as the author provides new ways to look at the situation, and new ways to keep it before our eyes -- so that we never can not see, and so that we never forget.



I received my copy of this book courtesy of Lee & Low. October 2017 and beyond, you can find I AM ALFONSO JONES by Tony Medina, illustrated by J.E. Jennings & Stacy Robinson at an online e-tailer, or at a real life, independent bookstore near you!

September 19, 2017

Surveying Stories: Soul Survival in Erin Entrada Kelly's HELLO UNIVERSE

Bullying was a problem in middle schools in the dinosaur years when I was there, so it's not like it's a new phenomenon. However, the "just ignore them and they'll leave you alone" school of thought has finally wised the heck up (and not before time, either) and since about 2006, after the film "Mean Girls" had its success, a new wave of middle grade books has begun to explore some of the more painful realities of living with the dichotomy of "being yourself" while being assured by your peers and classmates that your "self" is unacceptably and irreparably flawed.

Because middle school to high school is a time of immense pressure and personal development, these books are necessary, as social media and its adjacent technologies are giving sadistic little bullies more and more access to peers at an earlier and earlier age. Now that it's become even more obvious that adults are finding their strength in bullying (you needn't look too deeply into our politics to see that link), books which examine the painful and individual repercussions of being bullied are more important than ever. Bullies suffer from an unwillingness or inability to recognize or identify with the feelings and needs of others. They won't be able to learn to act with empathy until they more clearly see the results of its lack. One cannot heal what has not been revealed.

Granted, this is hard for some adult readers to grasp. Complaints that a book is "too sad," "dark and depressing" or "guilt-inducing" are unfortunately common when less mainstream (privileged?) characters are presented in fiction. Fortunately, through the auspices of adults with a little more emotional range who are , the kids who need these books find them. All it takes, adults, is decentering your feelings on the matter, and realizing that there's always at least one child who takes refuge in books because they really don't fit in. And these stories of kids who are sad but surviving can be the path through the jungle, the maps to the treasure, the how-to-deal manual that every kid needs. With that in mind,

Let's survey a story!


Acclaimed and award-winning author Erin Entrada Kelly’s Hello, Universe is a funny and poignant neighborhood story about unexpected friendships. Told from four intertwining points of view—two boys and two girls—the novel celebrates bravery, being different, and finding your inner bayani (hero), and it’s perfect for fans of Lynda Mullaly Hunt, Thanhha Lai, and Rita Williams-Garcia.

In one day, four lives weave together in unexpected ways. Virgil Salinas is shy and kindhearted and feels out of place in his crazy-about-sports family. Valencia Somerset, who is deaf, is smart, brave, and secretly lonely, and she loves everything about nature. Kaori Tanaka is a self-proclaimed psychic, whose little sister, Gen, is always following her around. And Chet Bullens wishes the weird kids would just stop being so different so that he can concentrate on basketball. They aren’t friends, at least not until Chet pulls a prank that traps Virgil and his pet guinea pig at the bottom of a well. This disaster leads Kaori, Gen, and Valencia on an epic quest to find the missing Virgil. Sometimes four can do what one cannot. Through luck, smarts, bravery, and a little help from the universe, a rescue is performed, a bully is put in his place, and friendship blooms. The acclaimed author of Blackbird Fly and The Land of Forgotten Girls writes with an authentic, humorous, and irresistible tween voice that will appeal to fans of Thanhha Lai and Rita Williams-Garcia.

One of the things easily apparent in Erin Entrada Kelly's books is the link each character has between the present and the past. Like a string at the end of a balloon, each needs the other to keep the story grounded. In BLACKBIRD FLY, Apple Yengo reaches back to the past both with the Beatles' music, and with what she's literally holding onto from the past; something she believes belonged to her late father. These things, brought together into the present, help give Apple the wings she needs to fly. In THE LAND OF FORGOTTEN GIRLS, Soledad and Dominga hold onto their mother through sharing the fantastical tales of Auntie Jove. Soledad also holds onto Amelia, her late sister, through the whispering of her own conscience. In HELLO, UNIVERSE, Kelly takes a slightly different approach, stretching each character to reach toward something bigger than themselves for comfort. This is both grounding, and a means of expanding the character's worldview.

The deeply shy Virgilio clings to his guinea pig, and to his Lola's myriad tales of boys who get eaten by rocks and crocodiles and girls who ask so many questions they have to travel the world to find their destinies. Through his imagination, a starring character in a story speaks back to him from his deepest despair, reminding him that he is a hero, and that the worst thing he can do is give up. Independent-but-lonely Valencia, whose parents love her without understanding her, looks to the natural world as a larger organism to absorb and make unimportant the isolation she endures. The psychically inclined Kaori opens herself to dreams, crystals, portents, spirits, and the universe to guide her steps (even when opening her eyes to the here-and-now might help her a bit more), and even self-aggrandizing Chet frequently imagines himself a big, important hero like his father - not a truly larger-than-life guide through the world, but a familiar one.

This imaginative reach is also a survival tool, perhaps the best survival tool of all. Looking outside of themselves saves each of these children. Soledad has a strong, battle-cry of a name, but she is so lonely and isolated in her silent world that even religious solicitation at seven-thirty in the morning isn't viewed as something entirely horrible - besides, she's always open to learning a new thing, and maybe that church is interesting. Being open to finding out makes Soledad unique. Seeking an outlet for both her nightmares and her prickly moments with her mother, she unexpectedly finds Kaori... whose sense of wonder about life, the universe, and everything spurs her to be useful to many different people - even though Kaori only has two clients and one little sister in her sphere of influence so far. Despite having only her little sister for company, Kaori is never lonely, and never bored, because the universe is right there with so much to teach her, despite her parents preference for TV, March Madness, and earthbound concerns. Virgilio, the family turtle, constantly compares himself to his louder, livelier family, and it is his rich imagining of one of Lola's characters that sees him through his time alone in the woods. (Of course, that also plays against him a bit, since Radu is there, too.) Chet whistles in the dark by imagining himself a conquering hero... and in the end, his imagination of what the words "you'll regret it" mean just maybe will set him on a better path. We'll never know!

Far from guilting or making sad the children who read these books, this quiet story of a summer day in which four kids become better known to each other hits that sweet spot of being intriguing and well characterized while still leaving room for readers. Real life kids will draw conclusions, make assumptions and guesses and write their own "and the next day" hopes for these characters. And then, hopefully, they'll take the tools to reach out that the characters have set before them - a ladder, a handful of stones, a pink jump rope, a notebook - and go out and find their own way through the vast universe.



I received my copy of this book courtesy of the public library. You can find HELLO UNIVERSE by the inimitable Erin Entrada Kelly at an online e-tailer, or at a real life, independent bookstore near you!

September 12, 2017

Turning Pages Reads: BLACKBIRD FLY, by ERIN ENTRADA KELLY

Welcome to another session of Turning Pages!

It's another Erin Kelly book! I heard a lot of good things about this book from the Cybils crew last year, and was happy to read it. Also, not gonna lie, the title does good things for me, because I can just hear that pretty little guitar riff from the Beatles song. ☺ Content commentary: The bullying in this novel seems pretty brutal to some people, but to me, for middle grade, it feels gruelingly spot on. Your mileage may vary.

Synopsis: Chapel Spring, Louisiana, where Apple Yengko lives, isn't the type of place you'd write songs about. Certainly Apple won't do so, when she becomes famous. She's going to run away to New Orleans where she can have a guitar and make her living from it. Of course, she doesn't have a guitar yet. Her mother won't let her get one, even though music is all Apple has of her father, who died in the Philippines when she was only three. Since they emigrated to the U.S., Apple's mother has become the block in the road to a great many things Apple feels like she needs - like pizza and a normal name, and good friends. Why can't her mother understand the Beatles are everything? Why must they always eat pancit? Why can't her mother stay out of her way, and start calling her Analyn?

Apple knows, if she thinks about it, that it's not anyone's fault that she's on the Dog Log as the third ugliest in the school... and now even her best friends believe that she eats dog - and that her tilted eyes mean she's Chinese. Just as her girlfriends are beginning to "date" suddenly Apple is a social pariah - the boys bark at her in the hall as she passes, and her friends, humiliated by her mere existence, first won't speak to her, then actively seem to hate her... but why? Why don't they care that she's actually Filipino, and has never eaten dog in her life? Why are they acting like the Hot List matters, and listening to the boys? Apple's only escape comes through listening to Abbey Road and other Beatles albums. Her father loved the Beatles, and all Apple has left from him is a single old tape. She holds on to that tenuous link between herself and a man she doesn't really remember, and longs to fly away from her life. When she finds out that her class is going on a field trip to New Orleans, one of the only places Apple has ever seen musicians making a living from their art, she knows where she wants to go, to start a new life. Now, if she could just get a guitar...

As Apple's unhappiness grows, and she bends her natural personality more and more to accommodate her friends, she slowly begins to realize what she's giving up - dignity and character, and for what? For people who don't really see her, and want her to be the same as everyone else. Readers will cheer as Apple learns to stand up against bullying and her new friends help her to cherish the self she was throwing away. And finally, like the blackbird song she adores, she flies.

Observations: Erin Kelly writes emotional books - close to the root of one's feelings, allowing readers into the character's deepest inner mind - yet without making the reader feel guilty about things. Apple falls in line with the mean girls, and through her guilty silence, she shares in their worst behavior. She doesn't outwardly believe in the popularity "tiers" as her friend Alyssa does, but she acts like it, making her complicity actually worse. Because Apple doesn't sit in the seat of the Unassailably Right Behavior Judgment Panel like many other bullied characters do, she is realistically flawed - which as a protagonist makes her easier to relate to and to understand.

Despite her complicity, this is recognizably a redemption story. When it begins, Apple is in a place where nothing she IS is okay, and everything she is NOT is what she wants. She wants to be JUST an American, not a Filipino-American. She wants to be fair and blonde like her friends, have "good eyes," which to her meant eyes with no tilt and no epicanthal fold. She wants to throw away her native language and culture. It takes having a friend who has no special link to a particular heritage valuing her language and food and culture for her to be able to see it as anything worth keeping. Additionally, it's significant that he's white and male -- at Apple's school, where she is the ONLY Filipina, other white males are devaluing her for the same reasons Evan values her. As she learns to look at her mother with fresh eyes, her love outpaces Evan's regard for her culture, and she comes back into valuing herself for her own sake again. This is important, and allows Evan to be simply a catalyst for the work that needs to be done, and not the whole reason Apple sees herself correctly again by the story's end.

Conclusion: In middle school, kids are encouraged to step out of childhood and grow into themselves - but no one can reassure them that their "selves" are okay except their peers, who unfortunately are, at that point, jockeying for position and trying to shine as their best selves. It's an exhilarating and awful time - usually with more emphasis on the awful, unfortunately - but Kelly's characters see themselves through this awfulness into triumph, allowing readers to come along for the ride.



I received my copy of this book courtesy of the public library, but it, like all of Kelly's books, is worth not just a Borrow but a Buy. You can find BLACKBIRD FLY by Erin Entrada Kelly at an online e-tailer, or at a real life, independent bookstore near you!

August 29, 2017

Turning Pages Reads: TWO NAOMIS by OLUGBEMISOMA RHUDAY-PERKOVICH & AUDREY VERNICKAT

Welcome to another session of Turning Pages!

Synopsis: Okay, so Naomi Marie knows her mother is getting ...serious about someone. That's what she's overheard. It doesn't really matter to her; she knows who her Dad is, and he's just a couple blocks away, and that's fine. She'll help out with her overly enthusiastic baby sister, who is only four, and doesn't really know how to feel about things -- she'll be a good example. It's what Dad would want from her, right? And anyway, she's busy with the library clubs she's starting. Eventually, ONE will catch on, and people will come and hang out with her. It's the best library in the world, so they'll have to, eventually...

Naomi Edith is named after the famous clothing designer, Edith Head ... and that name keeps Naomi E. close to her designer mother, away in California, working madly as a costumer on various plays and films. Regretfully, with the time and distance between them, Naomi E's mother has little time to talk to her daughter anymore, but Naomi E. cherishes the traditions she made with her mother - their favorite bakery on Saturdays, their ability to talk about any and everything. With her best friend in the backyard, too many snacks with Dad to mention, Naomi E. keeps faith with how their family used to be. It helps, keeping things the same, to fill the yawning chasm in her insides that the word 'California' leaves inside...

Naomi Marie and Naomi E's parents are having "meet-the-family" meetings, and the Naomis get squished together. Then, their Saturdays are interrupted with "family" outings. It's fine for Naomi Marie's baby sister, who really thinks everything is just awesome, but for the Naomis, who have their own friends and their own particular preferences, it's all getting to be A Little Too Much. And then, there's the class that eats up the rest of their Saturdays. Surely, it won't hurt to do a project together... if Naomi E. would do something. Naomi Marie just wants everything to be PERFECT. Is that so wrong?

Inevitably, the girls clash in earnest. Feelings are hurt, expectations are disappointed, and there are many tears. While readers see the fallout coming, the way the girls resolve things, for the good of everyone, is true grace under fire.

Observations: A lot of YA and MG books are predicated on the fact that adults are occasionally absolutely, drastically, painfully blind to how kids feel about things. This book has such a decidedly, strongly, realistically kid's-eye-view on things that it's hard to read as an adult. My kid brain was sputtering with rage a lot of the time. The pushing - and the pushback - and the digging in of heels on both sides was Real and readers will really feel it.

This was a delightfully urban setting - the girls walked, rode the bus, and their families used ZipCars on the weekend to get where they needed to go. (The complaints about the new car smell wearing off were realistic and amusing.) That Naomi Marie is black is also included in myriad aspects of the narrative - she's not just described and abandoned; her sister goes to Little Nubian playgroup, Naomi Marie takes African Dance. While Naomi E. has less culturally specific interests, care is taken to differentiate her as an individual as well.

Though the girls are listed as ten-year-olds, older readers - and younger readers - may find this a valuable book, because there's a lot of information and discussion and rumination on how to get along with others - a skill many grade school and middle grade kids truly struggle with for a while until getting the hang of things.

Conclusion: I'm glad I finally got around to writing up this book; it's on my list of books for strong girls displaying strength. The Naomis are strong because they aren't railroaded into anything; they CHOOSE their behavior and their acceptance and their level of effort. I love that about them - it's not all sunshine and roses, but they make their own road. A delightful book for kids going through a divorce and family blending, or for kids coping with a sudden influx of family members, as I experienced periodically through childhood.



I received my copy of this book courtesy of the Newark Public Library. You can find TWO NAOMIS by Olugbemisola Rhuday-Perkovich & Audrey Vernickat an online e-tailer, or at a real life, independent bookstore near you!

August 16, 2017

In Tandem Reads: THE NEW VOICES OF FANTASY edited by PETER S. BEAGLE & JACOB WEISMAN

SFF is ...changing. Long the bastion of men, especially white men, the genre's stories and boundaries are at last making room for a greater variety of voices and points of view. 2017 has been a particular great year for that in our corner of the woods with FIYAH Lit Magazine, showcasing African American SFF; Comic Con this summer celebrated more diverse characters in comic books and films, including a superb Muslim crimefighter; the Star Trek TV series franchise is being resurrected with black and Asian female crew members, as well as the usual undefined aliens; and of course, everyone is still vibrating over the Star Wars beloved General Leia and the new strong female leads in that world. All of this means that when we had the opportunity to read the New Voices in Fantasy Anthology, we both jumped at the chance.

New Voices is not a YA anthology, although there are contributors who write for YA and MG lit included, but we wanted to look it over anyway, because we strongly support diverse voices in science fiction and fantasy. So, without further ado:

Welcome to another edition of In Tandem, the read-and-review blog series where both A.F. and I give on-the-spot commentary as we read and blog a book together. (Feel free to guess which of us is the yellow owl and which of us is purple ...who's driving this bike??)
We are...
Two writers,
     & Two readers,
            Exploring one book...

In Tandem.




What would you do if a tornado wanted you to be its Valentine? Or if a haunted spacesuit banged on your door? When is the ideal time to turn into a tiger? Would you post a supernatural portal on Craigslist? In these nineteen stories, the enfants terribles of fantasy have entered the building—in this case, a love-starved, ambulatory skyscraper. The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years, including Sofia Samatar, Maria Dahvana Headley, Max Gladstone, Alyssa Wong, Usman T. Malik, Brooke Bolander, E. Lily Yu, Ben Loory, Ursula Vernon, and more. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic). So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

“This anthology represents some of the most exciting and interesting work in the fantasy field today, and anyone interested in the genre should read it immediately.” —Booklist ♦ “...a valuable snapshot of SF/F’s newest generation of writers.” —Publishers Weekly ♦ “A stellar anthology that proves not only that fantasy is alive and well, but that it will be for years to come.” —Kirkus
We received copies of this book courtesy of the publishing company, via NetGalley. You can find THE NEW VOICES OF FANTASY edited by Peter S. Beagle & Jacob Weisman at an online e-tailer, or at a real life, independent bookstore near you!
 



tanita: I don't know why, but I love, love, love anthologies. Maybe it's the little snippets of someone's work, which gives me a jumping-off point to getting to know them as a writer. Maybe it's the reality that sometimes, I don't have mental bandwidth for a long novel, but there's always time for a story. Maybe it's just that I have attention deficits. I enjoy how some stories turn out to be favorites, and others, not so much, which is always my experience - which makes even reading something I'm not sure I like A Good Thing. You were remarking the other day how hard it is to read them sometimes, though. I agree... this was both fun, and really hard!

sarah: I guess any "new voices" type of thing is going to be highly varied. It's hard for me to do more than a few stories a day... Is it weird that I find short stories require more stamina in a way than novels?
tanita: No, no - not at all. I had to put this down and come back to it repeatedly. For me, the issue with anthologies, where there are rich, fully realized stories is that I can't change lanes that fast. The finned Chevy of my imagination is hurtling down the dark freeway, weird sights blurring as I fly by... and then the story ...ends. I have to find where the car went and turn it around before I can start something new.

The stories featured in this collection were were fully realized, fully populated little worlds we spent time in. Which one was your favorite? Or, which two, probably, that you're having a hard time picking between?
sarah: I have to admit, I'm kind of a sucker for selkie stories--for anything based on myth, really--and so I think my favorite of the bunch is Sofia Samatar's "Selkie Stories Are for Losers." It also is a YA-friendly story, and was nominated for several awards. It does such an amazing job of doing what myths do best--they teach us something about ourselves, show us what already exists in our all-too-human hearts that has existed through history and across time. In the same way, the selkie has both a literal and a metaphorical role in Samatar's story.
tanita: Funny - for the selfsame reason, I kind of hate selkie stories; I find them tragically sad, which is why I loved the Samatar's story -- because her character, too, came from a place of where the story of selkies and sentient sea creatures IS traditionally tragic, and so she decided to reject those stories, in a show of bravado, despite that story being HER story. Similar in themes of loss of wildness and freedom was the story of the anarchist bees - and well done to that person for being able to portray a hivemind in a story - and of course, the Jackalope Wives... I am SO here for any Vernon story, anytime. While I had read this particular story before (which kind of detracts from the "new" voices in the title), I'm glad to see her non-kid work find a larger audience.
sarah: I also liked Ursula Vernon's "Jackalope Wives"--not surprisingly. I'm already a fan of her work for young readers (e.g. the Dragonbreath graphic novels). 

Other stories I enjoyed were "Tornado's Siren" by Brooke Bolander for sheer uniqueness of concept; "Left the Century to Sit Unmoved" by Sarah Pinsker for being YA-friendly, very literary, and leaving the reader with intriguing questions; and "Here Be Dragons" by Chris Tarry for having an interesting new take on dragons and dragonslayers.
tanita: There were echoes, in "The One They Took Before," by Kelly Sandoval, of Seanan McGuire's EVERY HEART A DOORWAY trilogy that was really haunting, in combination with the weirdness of Craigslist. But, my favorite of the new-to-me pieces was Max Gladstone's "A Kiss With Teeth," which started off with me feeling pretty unsure of things... In a novel filled with pieces which will appeal to adults and teens alike, this is definitely an adult story. Parents looking back at their lives before becoming part of the Upright Citizens Brigade and remembering when once they were vampire and vampire hunter, when the night was filled with menace and promise and dangerous, obsessive romance... I adored it. I love that story because it's about maturing - and maturity is something you just don't read a whole lot about in speculative fiction, despite the thousand-year-lived vampires and the like that you get in urban fantasy. More often, you get the angst and drama of what happens when people live nearly forever and don't mature, but just... roll into later adulthood, still acting a fool. It was partly side-eyeing those types of stories, and partially celebrating settled, selfless, mature relationships. Which is super rare. Having read that, I'm very much open to finding Gladstone's other work for adults, in a way I wasn't prior to now (although, not going to lie - I have been struck by the wonderful representation on the covers of his books. I mean, look at this!).


sarah: Yes, I enjoyed the "but what happens AFTER?" approach of Gladstone's story--that was something I liked about "Here Be Dragons," too. There are so many tropes in fantasy, and that's not inherently bad, but fantastical creatures like dragons and vampires and werebeasts and whatnot have been done in the same way so many times (hence the trope, I suppose). Bringing a new approach to existing tropes is something that was well done in this anthology as a whole.

tanita: What else stood out to you about this collection in terms of theme or stylistic choices, or anything, really?
sarah: I wanted to just mention how much I enjoyed the variety and risk-taking in terms of form and storytelling approach--there were surprises at every turn, from unusual characters like bees, buildings, and ducks, to unique conceits of form like the how-to guide, Craigslist ad, and anthropological study. I really enjoyed "The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik for its sweeping, epic, multigenerational look at jinn mythology--great to see something that's not from the well-used Western mold. I'm already a fan of Rushdie, who similarly draws on the history and myth of the Indian Subcontinent, and I'm glad to see more writing in that vein.
tanita: Oh, yes! My main interest in choosing this anthology is that it is aimed at "new voices;" the overarching meaning, in this particular, is not solely stories I haven't yet read from "new" to the field authors, but additionally, nonwhite voices in fantasy, which brings that new vibe to the entire genre. Usman T. Malik allowed us to glimpse both old Lahore, new, busy Lahore, and the mental and physical and spiritual space in between, bridged by the character's life in the West. It was enchanting, in part because the story was about family stories, and how they stretch the truth and what we understand of truth through time. Wouldn't it be lovely, if an aging relative could remember themselves in another time, in their dementia -- and it would all be real? That... in a way would redeem old age and remakes it into something beautiful.

And, in a way, that's what the whole anthology does. Familiar bits of ephemera from our imaginations, from our urban myths and legends, from our cultures and our worlds have been transmuted into something both less familiar and more knowable, both more off-puttingly gross and horrible (and there are some prime bits of horror in this collection - eek), and more charmingly disturbing. This collection runs a good gamut. It's meaty stuff, and could easily be taken along to ease the pain of airports and train rides. It's absorbing and invites the reader to a feast of a thousand different senses. It's not our usual fare here at the Treehouse, but I'm glad we read it.


sarah: Me, too! It definitely fulfills our goal to read widely and diversely, something that we both try to do as much as possible--just not usually at the same time...  In this case, though, a tandem review seemed like a good way to survey the gamut of stories in the anthology--we each responded to different ones, and as a result, hopefully, we were able to do it justice as a collection...and tempt you into picking it up, perhaps.

Thanks for joining us on our latest tandem review journey!

June 09, 2017

Turning Pages Reads: WHEN DIMPLE MET RISHI, Sandhya Menon

Welcome to another session of Turning Pages!

It's hard to critically review a book when you want to gush about it, but I'm going to make an effort. If you need a feel-good, Happily Ever After, this book is one you'll want to tuck into your carry-on bag. With your iced coffee in hand, board your plane, knowing you've got the perfect vacation read. You'll want to hug this book, too.

Synopsis: Dimple Shah would like her mother, please, to STEP BACK UP OFF OF HER a little. Just... a little. If she hears one more nattering bit of gossip about who's getting married, about wearing eyeliner and looking more attractive so she can land the Ideal Indian Husband, or growing out her hair, beti, it's beautiful, why don't you do something with it, she. is. going. to. SNAP. It's a miracle and amazing that her very protective mother and soft-spoken father have finally been talked into letting her go to Stanford. She's earned that, and they're proud of her, yay. But, that they are letting her go to SFSU for a summer program for up-and-coming web developers -- is unprecedented! There HAS to be a catch??? Her mother cannot possibly be suddenly behind her coding and computer engineering dreams, can she??? Well... actually... yes? And no.

Rishi Patel is the serious-minded, loving son of two amazing people whose love is the type sung about in Bollywood films. He wants that -- badly. He wants what they have, wants that harmony, that purpose, that ...support. He believes in love, believes in family and tradition. So, when his parents suggest that he go to SFSU's summer coders program and check out the daughter of his parents' very dear friends, he thinks, "Why not?"

The agony, the ecstasy, and the expectations of love are all the things that make us play the game. Dimple and Rishi and their friends just have yet to figure out the score... but, they will.

Observations: This novel brings the funny: we all cheesed at the front cover, but my people, look at the back!! Two steps forward... two steps back...

Yes, I am channeling junior high and Janet Jackson, because we all THINK we love romances with the idea of "opposites attract," but when it comes down to it, often, it feels like if characters are TOO opposite, they're unevenly matched, and SOMEONE will have to make a 180° change in who they are... Things like compromise are too often something that's considered boring and too real life for the fantasy of romance. One thing I adored about this was how hostile Dimple was to the idea of romance - because of that reason. Because there's an expectation that if someone is going to change, it' going to be the woman, and if someone has to sacrifice, society is looking at her expectantly again. It makes her ANGRY - with a baffled fury which she struggles to express. She WANTS the dream. She WANTS the gooey HEA. But, real life doesn't provide a place for anyone to have it all, man or woman. If you want to be in love AND have a career where you kick butt and take names... well... you're going to have to work for it like nothing before. And, we don't see, in Western society, enough of that work in action to believe in it.

I love that Rishi is so... wonderful. He's almost too good, and I feared for him, until he started to act like a butthead, and then I was like, "Oh, good. That Mature And Amazing thing only goes so far. Human nature and emotions cloud his head, too. I love the exploration of his relationship with his brother - *sibling magic!* - and I love that guys can care about each other in tender ways... even while giving THE WORST ADVICE EVER. I love that both Rishi and Dimple were sometimes beyond brave. Their romance felt real and long-lasting, and the type of thing you knew they could look back and tell their grandkids. Too often, teen romances have an element of "we won't tell our parents" and the fact that this is ABOUT their families and their futures, is, in a way, such a great twist. I'd love to see more novels where the parents aren't just invisible.

Conclusion: I generally don't read YA romances, because they disappointed me when I was a teen too much. Romances can leave you feeling a little wistful and lonely, as if you can never have what you've just read about, and that goes double if you've only ever read about majority Western families non-Indian families who don't have parents - or parental expectations - or skin-and-hair and lives like you do. But, this romance is a big-hearted, hilarious, tear-inducing -- wonderful-fest, which can be read by everyone, guys and girls, Hindu and Christians - it's inclusive, yet it's very special in that it's going to be extra special for the South Asian teens who identify with the snacks and the songs and the aunties. I love it like watermelon mint iced tea. (Sorry; cannot DO the iced coffee, people.) I just have an extra-special warmth in my heart to think teen readers LOL-ing at this, and I'm betting someone needs to make it a movie, STAT.



I received my copy of this book courtesy of the public library. You can find WHEN DIMPLE MET RISHI by Sandhya Menon at an online e-tailer, or at a real life, independent bookstore near you!

June 08, 2017

Thursday Review: GIRL, STOLEN by April Henry

Synopsis: Every so often, I really want to go back to the reading tastes of my tween/teen years and pick up something that's a manically fast, suspenseful read with a strong girl protagonist a la Lois Duncan or Joan Lowery Nixon, whose books I used to devour. (I'd walk into the library's YA section—which, in the mid-late 1980s, was not very big—and head straight for the D's and the N's. I have a vivid memory of doing this.)

Girl, Stolen by April Henry (and it's got a sequel, Count All Her Bones) reminds me of those times, and I know I would have loved it. The protagonist, 16-year-old Cheyenne Wilder, is blind, but while her blindness is a critical part of the plot, it isn't used as a gimmick. It is, however, important to the setup. At the beginning of the story, Cheyenne is waiting in the car for her mother to pick up her prescription from the pharmacy: Cheyenne has pneumonia, so, feeling ill, she lies down in the back seat of the car. The next thing she knows, the car is being stolen with her inside of it. The thief, Griffin, didn't mean to kidnap anyone, just to steal a car, but when his dad finds out who Cheyenne is—she's the daughter of a wealthy executive—he decides to take advantage of the situation.

Observations: Cheyenne's blindness is not simply present as a plot device, and I appreciated that. She is a fully rounded character (as she should be) with the skills and smarts to outwit her opponents, and she needs every bit of her moxie in order to succeed against some truly scary baddies. It's also refreshing to have a protagonist with a disability who is placed into an exciting genre plot, rather than a problem novel or issue book or whatever you want to call it. And the sequel was just as exciting as the first book, with a plausible reason for Cheyenne to end up in trouble once again.

Conclusion: Fans of Caroline Cooney will enjoy these, too—you don't have to be someone who was a young adult in the bygone era of the last millennium. I promise.


I received my copy of this book courtesy of my library's ebook collection. You can find GIRL, STOLEN and COUNT ALL HER BONES by April Henry at an online e-tailer, or at a real life, independent bookstore near you!

June 01, 2017

Thursday Review: AS BRAVE AS YOU by Jason Reynolds

Synopsis: This Coretta Scott King Honor Book is the first one I've read by Jason Reynolds. I've been wanting to read one of his for a while now—he is someone who is clearly well regarded by other authors online. Now I can safely say that, if he's anything like his narrator Genie, he's full of character, curiosity, humor, and heart.

In this middle-grade novel about family, brotherhood, and what it means to be a man, the story is told through the eyes of eleven-year-old Genie. Genie's dominant personality trait is inquisitiveness: he is constantly asking (often inadvertently hilarious) questions, and when he can't ask them or Google them, he writes them down in his notebook for later. These days he has to write down a lot of his questions because his fourteen-year-old brother Ernie has no patience for them, and mom and dad are arguing all the time. And now, while their parents work out their troubles, Genie and Ernie have been sent from their home in Brooklyn to their grandparents' place in rural Virginia for the summer—where there's NO INTERNET.

Of course, a new environment means a whole new set of questions for Genie—questions like, why is Grandpop blind, and how does he navigate the house so well when he can't see? Even more confusing to Genie is, why does Grandpop never leave the house? And why, if he can't see, does he have a gun?

Observations: Of all the questions Genie asks, the meaning of manhood is really the central Big Question in this book. Genie really looks up to his older brother, which is why, when the time comes for Ernie to "be a man" and learn to shoot, he can't understand why Ernie is so reluctant. When Genie looks at the men in his life—his dad, his Grandpop—he realizes that manhood is a lot more complicated than he first thought. And, as Genie himself learns to deal with the problems of his own making, and figures out how to own up and solve them, he gets a few more clues about what it means to be a man and an adult.

Something I really liked about this book is that the problems and obstacles are all realistic and believable, and the issues Genie is faced with are things he can face down because they're…not so much that they're kid-sized problems, but they are issues that any reader can relate to: what to do if you break something with sentimental value to someone else; whether or not to keep a secret. At the same time, these more everyday-sized problems are stand-ins for real, adult-level issues that are being dealt with by the grown-ups in the picture, and so Genie's questions—and his solutions—have weight.

Conclusion: Genie is such an earnest, busy, lively guy, and he's easy to root for (and cringe for, too). This is an outstanding addition to the realm of MG novels about family and trust, as well as MG literature by and about people of color.


I received my copy of this book courtesy of my library's ebook collection. You can find AS BRAVE AS YOU by Jason Reynolds at an online e-tailer, or at a real life, independent bookstore near you!

May 22, 2017

Monday Review: DREAMLAND BURNING by Jennifer Latham

Synopsis: I haven't read Jennifer Latham's first book Scarlett Undercover, about a teen Muslim girl detective, but after reading and enjoying Dreamland Burning, I plan to look for it. Dreamland Burning is really two parallel intertwining stories, one in the past and one in the present (a device which, I'll admit, I tend to really gravitate towards).

The historical narrative in this book concerns the Tulsa Race Riots of 1921, a tragic and horrifying incident which I freely admit I hadn't really known about before in which the prosperous, bustling black side of Tulsa—Greenwood—was burned, its residents rounded up by a white mob, many of them killed. Caught up in the violence is a young man named Will Tillman, trying to figure out right and wrong in a Jim Crow world that largely teaches him black people are to be feared and resented.

In the present, the story is told by teenage mixed-race girl Rowan Chase, who lives in present-day Tulsa. When a building crew doing renovations on their guest house discovers a skeleton under the floor, Rowan launches herself into solving the mystery of the body and how it got there. In the process, she realizes the extent to which the troubled racial history of Tulsa is still an ongoing legacy—one that intertwines with her own family's history.

Observations: With alternating chapters between past and present, both in first person, this is a fast-moving page turner. The often stomach-turning realities of being a black person in the 1920s South are juxtaposed with the still-problematic experience of being mixed race in the present day, with plenty of food for thought as a result. While I thought that part of the story could have been pushed a bit more, the focus on the mystery plot kept things moving forward and probably also kept the book from being obviously didactic. In fact, there were plenty of seeds planted here for readers to think about in terms of social and racial justice, from Rowan's best friend James's tutoring English to immigrants at the library, to the uneasy facts of Rowan's own racial identity and history.

Because so much conversation has been going on about Own Voices, I feel compelled to point out that this is not (to my knowledge) an Own Voices book, but from my personal perspective, it was sensitively written and focused on characters of color and the history of people of color in this country. It's a book that received a lot of positive reviews and starred reviews, and one can only hope that doesn't occur at the cost of any equally well written and researched Own Voices narratives. If you follow our blog, you already know we try to read and review as widely as possible within our areas of interest, so in our little corner of the blogosphere I don't think we're ignoring or slighting Own Voices—in fact, it's always been a focus of ours even before there was a hashtag. So. There you go. Disclaimer-y thing over.

Conclusion: If you enjoyed Ashley Hope Perez's Out of Darkness and other gripping novels that bring to life some of our most troubling historical moments—and leave you with hope as well as the desire to change our world for the better—check this one out.


I received my copy of this book courtesy of my library's ebook collection. You can find DREAMLAND BURNING by Jennifer Latham at an online e-tailer, or at a real life, independent bookstore near you!

April 24, 2017

Monday Review: THE HATE U GIVE by Angie Thomas

Synopsis: The Hate U Give has been reviewed, starred, and buzzed about for several weeks and I'm a little late to the party, but it deserves all the attention it has received, and more. The plot is ripped from the headlines: a young black man, Khalil, is shot and killed by the police during a traffic stop—but of course, that isn't the whole story. It never is. The police and media take the all-too-easy, well-trodden route of trying to paint Khalil as a thug, a drug dealer who may have been reaching for a weapon when the cop shot him out of "self-defense."

But there's another side to the story, and that's where our narrator comes in. Starr Carter lives in the same neighborhood as Khalil—a neighborhood she's known all her life, though she attends a suburban prep school; it's the neighborhood where her mother works as a clinic nurse and her father owns a grocery store. She was in the car when Khalil was shot, and is the only one who can give an observer's account of what happened.

Observations: This book does so much to humanize a situation that for many of us is only experienced as words and images coming from our television box. It puts us in the position of those whose communities suffer this type of institutionalized fear every day, and it isn't a comfortable position. Not for us readers, and certainly not for people in socioeconomically marginalized neighborhoods.

I have never felt such a complete understanding before of the complexity of social conditions that might lead to police shooting an unarmed youth—nor the tragedy that underlies these situations. I don't just mean the obvious tragedy of bereaved families or torn-apart communities, but the tragedy of impossible choices that poverty leads to, and the institutionalized prejudice against people of color and the poor that means a snap judgment call will almost inevitably go against them. Then there's our eager-to-jump-on-the-bandwagon media culture that virtually eliminates the idea of benefit of the doubt or opportunity for a fair defense. It's unconscionable and dehumanizing, which is why humanizing stories like this are so, so important.

But the book is not just about those who inhabit disadvantaged neighborhoods or are socioeconomically segregated (and I'm sorry to use that word, but I'm even sorrier that segregation is still a Thing That Happens); it's about ALL the liminal, uncomfortable spaces that people of color often find themselves inhabiting. Starr, the narrator, juggles two worlds: her suburban private school, where she excels but never quite feels like she fits in, and her home neighborhood, where she and her family do their best to stay away from drug deals and gang violence while also putting their all, their heart, into improving their community. There is a lot in this story about Starr finding her place in the world, and without giving too much away, I love how that aspect of the book was resolved, by Starr, her friends, and her family.

Conclusion: Do yourself and the world a favor and read this, please. Society cannot make progress without people understanding one another, but stories help us do that.


I received my copy of this book courtesy of my library's ebook collection. You can find THE HATE U GIVE by Angie Thomas at an online e-tailer, or at a real life, independent bookstore near you!