December 25, 2017

~Hiatus!~

Happy Reading, friends! We're busy Cybils-ing, so see y'all on January 9th!

December 21, 2017

Thursday Review: THE BOOK OF DUST by Philip Pullman

Synopsis: This was one of my "waiting on" titles of 2017—the His Dark Materials trilogy is one of my favorites (and one I wish I'd read as an actual young adult), and I've enjoyed other books by Pullman as well. The Book of Dust: La Belle Sauvage is the first in another trilogy, it seems, and it's a prequel to the adventures of Lyra in His Dark Materials. To my mind, it was worth the wait.

This story also concerns Lyra, but she isn't the main character this time. In fact, she's just a baby—a mysterious baby, as it turns out, who is being cared for by the nuns of a village priory outside Oxford. In that village lives our main character: a boy named Malcolm, whose parents run an inn. Malcolm lives at the inn, so all kinds of interesting gossip reaches his ears, and thus it is perhaps not such a huge surprise that he witnesses the unfortunate death of a spy and ends up with the spy's secret message in his very own hands…

Observations: I don't want to give away too much of the story, because it's too delightful to watch it unfold (plus you can always read the cover blurb). I will say that I was happy to return to this alternate world very like our own, and root for a hero with curiosity, tenacity, and an innate sense of right. Malcolm is truly good, and his love for the baby Lyra and determination to keep her safe drive the story and keep the reader hanging on every word.

Of course, any story that involves good vs. evil would be incomplete without a truly bad baddie, and Pullman has a talent for pushing just the right buttons to make the reader really uncomfortable—the enemy here takes the form of a truly frightening individual, and the philosophical underpinnings of WHY he is evil are possibly even more frightening.

Conclusion: I can safely say that, despite a few quibbles here and there with the style, I enjoyed this almost as much as the original trilogy, and sank gratefully and willingly back into the vivid world of Lyra's Oxford. Now I'm anxious for the second book…


I received my copy of this book courtesy of my library's ebook collection. You can find THE BOOK OF DUST: LA BELLE SAUVAGE by Philip Pullman at an online e-tailer, or at a real life, independent bookstore near you!

December 19, 2017

Cybils SpecFic Bookmark: IN 27 DAYS by ALLISON GERVAIS

The Cybils Countdown Continues!

The Cybils SpecFic Bookmark: As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: One melancholy feeling day, Hadley Jamison arrives at school to hear that a boy she'd been in Freshman English with has committed suicide. The feeling of melancholy she feels quickly swells to true grief. She hadn't spoken with Asher Morales in years. Really, she only stared at him in Freshman English and blushed a lot... but it seems wrong that he's dead, wrong that someone who had such obvious depths - even if he never spoke to her to share them with her - could have thought his life wasn't worth living. Seeking closure, Hadley lurks at the back of the church where his funeral service is being held. She lingers at his casket, wondering what she could have said to change things. She meets his family, and, on the way home, is accosted by the most terrifying man she's ever seen. Parchment white skin, knife-edged cheekbones, and the most insinuating smile. He takes her to coffee, and she's powerless to escape him. He has a proposition for her - a little job he'd like her to do. If she'll just sign a contract to help out, he'll drop her back twenty-seven days in time. She'll have a chance to save Archer, and right a little wrong in the Universe.

The guy says some vague things about danger and trouble, but Hadley's only hearing that there's a chance to bring Asher back to his family. Her parents are on yet another business trip, and the last person she talks to every night is the doorman. What else does she have to do with the next month, anyway?

But Asher is not easy. He's rude. He's abrupt. He's closed off and cold. Hadley's doing everything she can to get close to him, but if someone doesn't want you as a friend, you won't be friends. Is it worth it to keep trying? Is it worth caring for someone who doesn't care for you, especially if it looks like it might cost you your life?

Semi-Spoiler-y Observations: Originally published on WattPad, this is a fast-paced, emotionally engaging adventure which leaves the reader little time to do anything but hang onto their hat and be dragged into the narrative. A dominant culture girl with a cast of mostly white friends (Asher is Italian) Hadley is a very regular, ordinary girl who is suddenly thrust into a cosmic tug of war essentially between death and chaos. While she is chosen to take a stand against chaos, I found myself with a tiny question of "Why?" I kind of wished for a little bit of ...mystery or backstory to give her character some depth. Her parents are workaholics with money and impeccable tastes, but how did the Universe know that Hadley was worthy of taking on this huge task? Does this second chance business happen for anyone else?

Most people won't worry with nagging questions like this one, however, and will race into the story. As an adventure, giving a human being the power to fight on the side of life, it is compulsively readable.

Conclusion: For anyone who has wished that they could have a second chance to make things right, this story will be the best of wish-fulfillment catnip. A slow burn romance, a boisterous Italian family, and a chance to tally one up for the side of good vs. evil makes this a light, fun, vacation read.



I received my copy of this book courtesy of the publisher. You can find IN 27 DAYS by Allison Gervais at an online e-tailer, or at a real life, independent bookstore near you!

December 15, 2017

Cybils SpecFic Bookmark: SHE MYSELF AND I by EMMA YOUNG

The Cybils Countdown Continues!

The Cybils SpecFic Bookmark: As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal spoiler-y comments and thematic tropes.


Synopsis: Rosa is young, British, and has had a debilitating nerve disease which has taken her freedom. Quadriplegic and feeling like a burden on her family, she is eager and excited when a controversial "cure" emerges - the chance to swap her brain into the whole and healthy body of a comatose American girl named Sylvia who was also white and young. The family flies to America, and the surgery is done... but Rosa's doubts begin. Is she still... herself? Is she now someone else, too? Is she also carrying Sylvia's soul? Is it fair to go on if Sylvia - whom Rosa is now convinced is a resident somehow in her body - is unhappy? An unhealthy obsession with Sylvia begins, as Rosa researches her, stalks her family, and eventually attempts to insert herself into the life of the girl who is gone. With the help of a journalist with whom she becomes entangled, Rosa escapes from the medical facility where she's meant to be healing, and walks away from her own life to immerse herself in Sylvia's - hurting her own family, and ultimately herself. As she struggles to come to grips with who she is now, and who she's supposed to be, now that she's inhabiting Sylvia's body, Rosa falls in love and finds that the questions she had matter less than living her very best life, and being happy.

Observations: Speculative fiction has been debating the merits and demerits of brain swaps since the first very amusing black and white science fiction films. It's one of the last Big Questions about consciousness and the soul and the "you-ness" of a person. Rosa feels a lot of guilt after the surgery - guilty for being excited that she's attractive, guilty that she is attractive to others, guilty that she is just who she is, and not someone better or more deserving. She is conflicted and spends a lot of time in her head, coming to various conclusions about whether or not Sylvia is a reluctant rider in their shared body, or if Sylvia should take over and Rose should step back. She had a lot of questions, and I was dissatisfied with the conclusions Rosa came to, because she was derailed by her romance. Rosa watches a movie with a friend about a man who chooses to die rather than live with a disability... and especially since Rosa has lived with a disability, one that had really hit her from the ages of ten to eighteen, that seemed an odd choice, and I expected her to react differently to the film.

The author doesn't give us much information about Rosa's disease or the nature of its progression, or enough backstory to help us understand what what her life was really like, before having her brain swapped. Rosa's disability is framed against her parent's anxieties and her concern with not being a burden to them, but that tells us nothing about how she lived and what she did - which argues that the life of a quadriplegic person is of so little interest that the reader wouldn't have wanted to know anything about it. Which isn't true. This was one of the biggest quibbles I had with the novel.

Conclusion: An interesting and time-honored concept in speculative fiction, the brain swap remains one of the last bits of "undiscovered country" in our physiology. Rosa deals with questions and worries to that many a teen will relate. The idea of turning into a whole new person with a whole new brain, and finding a whole new attractiveness and a lightning fast romance will also resonate with many in an entertaining way - but readers seeking something with a deeper and more realistic look at disability might look to Sharon Draper's OUT OF MY MIND or Chelsie Hill's PUSH GIRL for more.



I received my copy of this book courtesy of the publisher. You can find SHE MYSELF AND I by Emma Young at an online e-tailer, or at a real life, independent bookstore near you!

December 12, 2017

Cybils SpecFic Bookmark: BROKEN CIRCLE by J.L. POWERS & M.A. POWERS

Happy December! The Cybils Countdown Continues!

The Cybils SpecFic Bookmark: As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Adam just wishes he could sleep. That's what normal people do: see their fathers. Sleep. Go to school. Talk to people they might kind of crush on. Normal would be great, but it's just not in the cards. First, Adam's mother vanished when he was four, and his dad is always gone, and never around when he needs him... except Adam sometimes sees him in his dreams. Adam instead lives with his cranky, paranoid grandfather, who believes everyone is out to get him. Adam's next challenge is that he can see... shadows on people. He knows when they're going to die, and no matter what he does to try and tell them... they die anyway, even if he's changed their path. Finally, speaking of dreams, there's this kind of... monster who basically hugs him to death when he dreams, and then he wakes when his dream-Dad saves him. Lacking sleep and overdosed on coffee, Adam fights monsters in a waking dream at school one day. Unfortunately, he wakes up with everyone believing he's had a nasty psychotic break. In the name of getting him "help," his father enrolls him in a residential school... which isn't for kids with psychiatric problems at all. It's for kids with the power to be soul guides. Adam finds opening to him a world he could never have imagined in his deepest, scariest dreams. He finds a place to belong, which surprises him, and feeds his soul. He also finds out about his mother - who disappeared in mysterious circumstances - and the whys and wherefores of his parents' relationship. He also finds himself going up against a shadowy organization which is bent on destroying him, and maybe his school, too. Adam's going to need to accept a few key things before he can move his story further - and unravel the unknowns between him and his goal of being normal... well, as normal as a guy who can drop into Limbo can be.

Observations: In many ways this story is familiar - there have been myriad other Secret Identity novels in which the Lost Prince or Boy Who Lived is unaware of a birthright world just on the other side of a bland retaining wall. He twists in the wind in a world where he doesn't belong until, voila, the hidden door opens, the wall vanishes, and the world, with its thousand shades of gray, opens. Nothing is pure good or pure bad anymore, the character stumbles and drifts until he meets a band of plucky outliers, and together they navigate this new plane. There are PLENTY of Potter elements in this book, but it is not about the new-things-per-page lovely whimsy which drive the earliest Potter novels. This book is dark and grim and Adam's existence is both snarkily amusing and realistically painful. While there have been other YA novels riffing on the idea of the Grim Reaper, and while the cover with the elegant scythe on it is a dead giveaway of some of the narrative elements, there is a lot of difference here to be discovered. Readers will rejoice in the brother-and-sister team's worldbuilding, which is rich and detailed, and while the twists in this book are mostly known before the character knows them, the characterization and remix of mythology will keep readers reading. Adam's self-effacing, sarcastic voice will work well for many readers.

Conclusion: Come for the sarcasm and the familiarity, stay for the unknown and the yet undiscovered! While this book wrapped up nicely in an "episode" fashion, there are some unanswered questions which leave room for a sequel - stay tuned.

"The Powerses' worldbuilding and writing will keep [readers] hooked. They will find themselves questioning what is fact and what is fiction and cheering Adam on as he journeys in this new, strange world. A gripping, philosophical paranormal thriller." --Kirkus Reviews



I received my copy of this book courtesy of the publisher. You can find BROKEN CIRCLE by J.L & M.A. POWERS at an online e-tailer, or at a real life, independent bookstore near you!

December 08, 2017

Coming Soon to a Blog Near You

If you haven't yet had a chance to grab Sara Lewis Holmes' newest book The Wolf Hour the following posts and her various guest post/interviews around the web will raise this book on your TBR list.

Sara's talking music with picture book writer Liz Garton Scanlon. Calling it a "musical novel by a lyrical poet," Liz's interview arrives just in time for Poetry Friday. Liz asks Sara questions which are both deep and broad, and, frankly, Sara says, have her learning more about her book post-publication than she knew going in! That sort of interest and scrutiny is what we can all only hope for in our book interviews!

Sara's earlier interviews on THE WOLF HOUR can be found at Laura Purdie Salas' site, where she also talks of the music in poetry; at Charlotte's Library where she unpacks some of the deeply intriguing quotes from the book; Maureen Eicher's review at 'By Singing Light' and our interview here at Wonderland, which kicked off this slowly perambulating blog tourback in September.

Cheers, and happy reading!

December 05, 2017

Cybils SpecFic Bookmark: THE MARROW THIEVES by CHERIE DIMALINE

Happy December! The Cybils Countdown Continues!

The Cybils SpecFic Bookmark: As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: After the Melt, nothing is the same as it was, though Frenchie has heard stories. Epidemic disease, flooding, earthquakes and other disasters rage and the natural world is wildly out of balance. And then, the madness takes hold, as people lose the capacity to dream. In tribal communities, whispers of "Recruiters" surface. It seems that, together with the Church, the world has discovered a cure for the hopelessness and madness, and a way to save themselves. As always, this salvation comes through the blood of sacrifice - but only the sacrifice of some. The indigenous people in North America have not been touched by the chaos in the larger world. Their communities remain ...sane, and in the marrow of the indigenous peoples has been discovered to be a cure. "Recruited" into "helping" to save the world, indigenous people are being forced into residential housing and robbed of their bone marrow. It saves those unable to dream - and decimates the tribal populations.

With his father gone, his mother abandoning him and his brother lost to him, Frenchie at sixteen is shattered, heartsick, desperate and ill. Feverish and self-destructing, he stumbles on two other Elders and a passel of little kids also seeking their loved ones and trying to make some sort of a family and a home on the run. Wary and hopeful, he falls in with their pack, and begins to lose his heart to this band of survivors - and to make room in his heart for real love. Survival, however, can wear a person to the bone, and then disaster, which is always so close, strikes. In their quest to regain what they've lost, Frenchie and his team find what they weren't expecting -- in loss, promise, in conviction, re-connection. Through disaster and rebuilding, they learn that the things we love we truly never let go.

Observations: Every time I hear people telling me that post-apocalyptic fiction or dystopia is dead, I find a book in which there is a new and clever way of fleshing out what could be a stale and weary literary device. The author doesn't just plug North American indigenous tribes into a trite formula, however, but deeply weaves truth and metaphor into a conflicting and revealing story.

That the world ends badly and everything goes to hell is, of course, the basis of a post-apocalyptic novel, but too often speculative fiction then retreats into a story of mostly white females escaping from zombies or something. I especially appreciated this book because a.) there is a family here, with the sacred love between siblings that allows them to sacrifice for each other, b.) the story has nonwhite allies who have put their sweat and blood into saving people, and thus does not further the white savior narrative, c.) there is love of all kinds, and in fact that love story rises above the darkness and desperation of familiar losses and desperation. The disaster-and-survival aspect of the post-apocalyptic narrative is another place where the book is different... despite the impacts of global warming, earthquakes, and floods, the survivors don't seem unable to face the task. Not that living rough as an 'Apocalyptic Boy Scout' is anything but wearying and at times, dangerous; not that people don't sometimes greet a bed in an abandoned hotel with the greatest of joy. It's that these characters have their Elders and stories of the past on which to draw courage and techniques to survive. They each take up their burden - with only minimal outbursts of the unfairness of it all - and they get on with their true task, which is to rescue their lost ones, and recover their families again.

Bone marrow is the spongy tissue inside our bones, which, in newborn babies, produces new marrow cells, or stem cells. By young adulthood, the marrow inside the bones of the hands, feet, arms, and legs stop producing new marrow cells, and active marrow remains only in the spine, hip and shoulder bones, ribs, breastbone, and skull. All bone marrow produces blood cells, called red blood cells, platelets, and white blood cells - the things which are key to life, growth, and our survival, by which we fight off disease. When the "Recruiters" come to steal the marrow from the indigenous people in the book, this echoes the metaphor of what was done in American and Canadian history to indigenous children in the Westernizing residential schools. In taking their freedom and their language, their cultural health was being stolen in return for emptiness and death.

Conclusion: There is an exquisitely painful irony in the idea that marrow is what cures society of its inability to dream, and that they are taking the marrow from the indigenous peoples in the story. Despite the metaphor and shifting layers of depth and meaning, this is still an active story with a heart - at turns grim and painful, brutal and inevitable, and in other moments, tender and careful, hopeful and beautiful. It is not a fast-paced adventure, and this is not a book you will be able to skim through and put away. It draws readers in and they may find they care deeply about the wisdom and sacrifice of Minerva; about Miig and the memories he holds around his neck, a pouch full of glass shards and lost hope; about Rose and her round cheeks and flinty will; about Frenchie, and his longing for something - safety, maybe, freedom, and hope. This book will likely resonate with readers who enjoyed Walter Dean Myers' post-apocalyptic novel ON A CLEAR DAY, Patrick Ness' THE KNIFE OF NEVER LETTING GO, Moira Young's BLOOD RED ROAD, or Ann Aguire's ENCLAVE series.



I received my copy of this book courtesy of the publisher. You can find THE MARROW THIEVES by Cherie Dimaline at an online e-tailer, or at a real life, independent bookstore near you!

December 01, 2017

Cybils SpecFic Bookmark: SONG OF THE CURRENT by SARAH TOLSCER

Happy December! The Cybils Countdown Continues!

The Cybils SpecFic Bookmark: As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: The Oresteia are the river - they've never been anything or done anything but skim up and back, hauling and freight throughout Riverlands as is their fate, through the auspices of their god. A fair bit of smuggling happens up and down the river, too, but the god stays mum, the wherries are sturdy, and there's always extra space for whatever, right? It's a free and easy life, freight-hauling, smuggling, and knowing the other wherrying families moving through the waterways. Caro was sure this was her fate, too, but the god never speaks to her - she's of age and past it, but even though she trolls her fingers into the water and listens hard, she never...quite...hears. It is the private heartbreak of her life, to be calling and calling, and never answered. And then, on a day when too many other of the wherry families have lost their barges due to a terrifying act of piracy, Caro's father is arrested. Smuggling's the charge, but it's mainly for refusing to ferry goods for soldiers. What's IN that ridiculous crate, anyway? To spare his life and commute his sentence, Caro agrees to carry the box without her Da -- only to realize she's being pursued, first by a mysterious fast cutter, and then, by every two-bit pirate and murderous dog in Riverlands. The smooth-talking courier who claims to know everything is obviously not telling her the truth. If only Caro knew which way she was supposed to go!

Politics, treachery, and lies are also in the churning waves - as well as gods and monsters. As Caro immerses herself in the current, a steadying hand on the tiller, she has to navigate these waters safely, or more than just her life and her father's life will come to an end.

Observations: Readers who enjoy fast-paced adventures with a whiff of politics will like this one. There's no overwhelming feeling of danger, as the plot twists aren't hidden, but easily discerned. This reads more as a safe adventure, in which the reader can be carried along without anxiety, knowing that, even though there are a few unexpected splashes along the way, the river runs true.

The idea of gods and them speaking is not often encountered YA lit, and this book contains an interesting exploration of this. Many readers will find the idea of life-guaidance via water entity an intriguing one. Readers who enjoy books which tell a simple story, and reveal a simple truth may find themselves drawn to the characters in this novel. Mistaken - or hidden - identity is often a fun trope, and though the way in which it is used in this novel is as familiar as a song, and readers will likely see it coming, it is nonetheless still fun. Who we are, and where we belong is something which can be determined ONLY BY US, and many teen novels, with their emphasis on the herd's decisions or parental input, can miss this. As teens, we spend a lot of time hoping this is true, and not sure we believe it, but this novel verifies: there is a place for us, and only we can find it, defying what our mothers are, or what our fathers say, there is a way forward for just US... if we have the courage to take the wheel and sail that cutter into the sunset.

Conclusion:Readers who enjoyed girls-on-the-sea books like HEIDI HEILIG's THE GIRL FROM EVERYWHERE duology, or Emily Skrutske's ABYSS duo will enjoy this story of a lively sailor girl who wants to be the terror of the high seas... eventually. Once she figures out to whom she belongs, and where. There's a bit of sailing jargon, which might produce a learning curve, and there's tons of travel, but the book is supplied with a map, so the intrepid reader shouldn't lose their way.


I received my copy of this book courtesy of the public library. You can find SONG OF THE CURRENT by Sarah Tolscer at an online e-tailer, or at a real life, independent bookstore near you!

November 30, 2017

Just Reporting In...

...with a quick "hello, we aten't dead." But, between Cybils season, day jobs, time-stealing leisure activities, rewrite hell, and Thanksgiving family hijinks, both Tanita and I have been sort of quiet on the blog front. But we are persisting and keepin' on, and will be back soon. Speaking for me personally, I will have a LOT more time starting in about three weeks, when the fall semester ends and I finish grading the hilariously gigantic backlog of student assignments I have left. So expect some reviews after that point from me, and possibly one or two quick posts in the meantime.

In any case, you can also find me Monday, Wednesday, and Friday posting at the Cybils blog, highlighting judges' reviews of nominated books. And, oh, I suppose you can find me procrastinating on Twitter a few times a day.

Hasta luego!

November 28, 2017

Cybils SpecFic Bookmark: JANE, UNLIMITED by Kristin Cashore

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is primarily to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Jane is unmoored within her own life. College doesn't suit, living with three grad students and working at a coffee shop is hideous. The world is unfair and awful, but it's what Jane has, after the death of her Aunt Magnolia. She longs for something nameless - and it walks into the coffee shop. Her old tutor, Kiran Thrash is rich, disaffected, and deeply unhappy. She doesn't understand Jane's staying in her world, going in circles, when she could come home to the Thrash family mansion to be unhappy with an old friend. So Jane packs up her possession, including her trunks of umbrellas, which she makes as ongoing art projects, and goes away with Kiran, to Tu Reviens, the island mansion her aunt told her to visit if she ever got an invitation. After months of directionless wandering, at least Jane has this.

Or, so she thinks. There's something SUPER weird going on at Kiran's. First, Kiran's stepmother has just vanished - entirely. No one knows where she's gone. Second, while there's a gala happening in a few days, and there are tons of people there, there is more than just party-prep going on as rafts of people wander in and out. Some of them seem to disappear in hallways or in the library, others of them seem to have found a secret door - and was that a man with a gun!? The house either has a haunting spirit, or a baby somewhere, from the wailing in the walls. And there was this one little girl she saw, digging holes in the lawn. There's a rambunctious dog, a couple of wealthy ladies, and whole raft of bewildering servants - some of whom act a whole lot more like they own the house than that they work there - Kiran's boyfriend, and Kiran's very handsome brother, Ravi, who adores the priceless - odd, and sometimes tacky - art located throughout the mansion, and has just had his prized Vermeer stolen.

Jane should really just hang out with her lathe and saw and finish working on her precious projects. No artist in the world has it as good as she does, with the ability to just potter along and make art in this gorgeous, gorgeous place, surrounded by the sea, with amazing food to eat whenever she wants it, and a beautiful suite of rooms -- but Jane can't help her curiosity and her desire -- her need -- to figure out what's going on at Tu Reviens. As it turns out, the servants knew her aunt! Surely there's something of her left behind - more than just her photographs. Surely, someone can tell her something about the woman she adored, but discovers that she didn't fully understand. But, every bit of knowledge changes Jane - and every choice comes with a price. Leaping down the rabbit hole after any number of clues she doesn't understand could change Jane's story forever.

Observations: NB Readers who come to this book looking for a GRACELING or BITTERBLUE readalike will be disappointed, as it is not medieval-era fantasy, nor are there swords or kingdoms.

After the death of her parents, the discovery that college wasn't really a good fit, and then the death of her Aunt Magnolia, who has for so long been her touchstone, Jane doesn't have much control over the elements of her life. Going to Tu Reviens, to fulfill a quirky request from her aunt seems like a single direction that makes sense. At the house, there are either/or feelings too - Ivy or Ravi, upstairs or down, answering which call from whom first - all of these options are before her. The idea of divergent roads, multiple universes, retries and do-overs would seem, to her, deliciously compelling. Teen readers, too, who fear regret and making "wrong" choices will find these ideas appealing. What choice Jane ultimately makes - and where the book actually ends, is anyone's guess... and the reader's choice.

Conclusion: The charm of the mid-80's Choose Your Own Adventure craze was the power over a story, in which readers could, through a combination of skill, luck, intuition, or sheer randomness, power themselves through the life of the book, avoiding ignominious conclusions to emerge triumphant in a glittering heroic ending. Since real life doesn't work like that, the appeal of the books is easy to see. Cashore capitalizes on the idea of second chances and do-overs to make five weirdly compelling - and compellingly weird - branches from the spokes of her metaphorical literary umbrella. An intriguing puzzle box of a book, readers will come away thoughtful - and will likely read it again, to see what they missed.



I received my copy of this book courtesy of the public library. You can find JANE, UNLIMITED by Kristin Cashore at an online e-tailer, or at a real life, independent bookstore near you!

November 21, 2017

Cybils SpecFic Bookmark: MURDER, MAGIC, AND WHAT WE WORE by KELLY JONES

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Annis Whitworth's world quietly crumples when it's discovered that not only has her father died under rather unlikely circumstances (but why was he traveling on a night with no moon?) that all of his money has vanished. The father she barely knew is, in a way, only a minor loss, but Annis had been promising herself for too long that she was going to get to know him -- and now it's too late. It feels like it's too late for everything, including regret. The servants are sent packing, the lease on the house is terminated, and Annis and her Aunt Cassia are away to make their way as governesses or companions. Only, Annis isn't going to go quietly. As she is taking in a rather ghastly mourning gown, she makes the discovery that she has the power within her hands - and within her needle - to save them. All she has to do is ply her trade -- but despite her friendships with woman who manage shops, Cassia insists that no girl in trade will ever be able to hold her head up. Determined, Annis whips up a disguise and sets herself up as a dressmaker.

For anyone else, it would be a tame endeavor to measure, cut, and sew, tamely minding a shop created solely to outfit Society women, but not for Annis. She saves a friend by chasing off a would-be rapist, delves into the secrets of the Quality, finds clues and trails after strangers. She decides to follow in her father's footsteps and set herself up as a spy. After all, if he could do it, why not?

Observations: Fans of Patricia C. Wrede's SORCERY AND CECELIA, Mary Robinette Kowal's SHADES OF MILK AND HONEY or Gail Carringer's ETIQUETTE series will find a kindred spirit in Annis Whitworth. Grieving, impetuous, and ridiculous, Annis is everything we love about Regency heroines. She is well-dressed and well-spoken, hyperfocused on gossip and Society, completely oblivious to ways to avoid trouble, and slightly unable to avoid saying just the wrong thing. This novel gently mocks the social conventions and the mores of the Regency, while celebrating girlhood friendships, bluestockings, and the flinty spirit of womanhood which, when backed into a corner, is unpredictable and can do ANYTHING.

Conclusion: An unusual magical power, spies, and derring-do bring together a fast-paced and satisfying Regency romp celebrating the power of demure womanhood, and leaves rooms for readers to want seconds.



I received my copy of this book courtesy of the public library. You can find MURDER, MAGIC, AND WHAT WE WORE by Kelly Jones at an online e-tailer, or at a real life, independent bookstore near you!

November 14, 2017

Cybils SpecFic Bookmark: THE EPIC CRUSH OF GENIE LO, by F.C. YEE

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of book I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Eugenia "Genie" Lo - one of way too many Eugenias of her generation - has always been a bit of a firebrand. Unlike her fashionable friend Yunie - another Chinese Eugenia - Genie finds her center in her homework - which she does routinely, expertly and superbly - and in ignoring her mother's ranting, which she also does like a boss, because her mother is always screaming about something. A Bay Area kid living in the SiliValley, she also bitterly acknowledges that she's just like most of the hordes of teens living in the land asphalt, parking lots, bubble tea shops and strip mall nail salons: she's an education junkie. She's high-achieving. She's Asian. She's desperate to get out of the reach of her mother's voice, and into A Good School. Princeton, for preference, or even Harvard. So, when this weird new guy at school scopes her out and says, "You belong to me...?" Oh, nu-uh. Nope. Not in this lifetime. Genie Lo has way too many other plans - mainly to work on not being just like her father and to get the heck out of dodge.

But Quentin Sun - new guy - is not prepared to leave Genie alone, and soon, Genie realizes she needs him - and not just because he's ridiculously good looking. Quentin is all Genie has to teach her what she needs to know to save the world... and soon it's time to school herself on perfecting a whole new set of skills -- those of demon fighting. Genie's pretty sure she can't do it, but Quentin Sun is only an international transfer student in Earth's realm... in the Heavenly Realm of the Jade Emperor, he's the Monkey King, down to the love of peaches and the fuzzy tail. ...And Genie? Well, she's a reincarnated sidekick of his. Quentin's convinced that he and Genie's shared power will be enough to answer the rash of demon incursions on Earth - and into the Bay Area. They're terrifyingly strong and flesh-eating, and it's crucial Genie gets on board with the plan before more people - human people on the earth plane - are brutally murdered and eaten. But, what about being on track for an Ivy League? What about all of her plans? Right now, Genie's got a lot of studying to do - about everything, including the world as she once believed it to be - and there's not enough time...

Observations: Many YA readers were first introduced to this oldest and greatest of Chinese fables, the story of the Monkey King, in Gene Luen Yang's AMERICAN BORN CHINESE. The adventures of the Monkey King in that book are myriad and surreal. Author F.C. Yee renders these same surreal battles between "the good guys" and the demons through the eyes of one of the newest good guys - a sarcastic, short-tempered California teen who just wants to get on with things so she can polish up her college entry essays and go back to crushing her opponents on the volleyball court.

Readers seeking the trope of the "strong female character" will find a lot more than they bargained for here. Genie is strong both physically and mentally, and by meeting these characters from Chinese myth, she is learning to be strong spiritually. There is a lot of humor and snark which will appeal to many teens, and a lot of exploration of the various roles of Bodhisattva, gods, and monsters in the Buddhist pantheon, which also makes this an unique foray into the mythological and folktale history of Chinese literature.

Conclusion: This novel is written cinematically, in that readers may be able to envision each chapter as a television episode along the lines of THE MIDDLEMAN or a comic book. The colorful descriptions and sharp-edged snark combined with completely surreal demons and monsters make this a fast-paced, quick read which engages the attention and doesn't let it go.



I received my copy of this book courtesy of the public library. You can find THE EPIC CRUSH OF GENIE LO by F.C. Yee at an online e-tailer, or at a real life, independent bookstore near you!

Cybils SpecFic Bookmark: WONDER WOMAN: WARBRINGER by LEIGH BARDUGO

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is primarily to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Diana knows, as her mother's daughter, that everything she does is going to have more weight. Her mother is the queen of the Amazons, and Diana has her place on Themyscira by accident of birth, rather than right of sisterhood as the other warriors there have earned. Diana knows that everyone believes her to be small and easily broken, the least of her tribe. She only wants her chance to prove herself -- which seems to come in the form of a plane crashing off the shore of their hidden island. Diana saves the human girl from the wreckage, but breaks Amazon law... and soon discovers she's made more of a lasting, horrific mistake than her little law-breaking led her to believe. Meanwhile, the human girl, Alia, was only on the plane - without her brother's permission - because since their parents' death, he NEVER let her go anywhere or do anything, ever. She just wanted to prove that she didn't need the Keralis name to protect her, and she could take a biology internship with strangers, and do just fine. But, no - a bomb on the plan changed those plans, and now she's stuck with a half-dressed supermodel type who was obviously raised in cult. She thinks Alia is some kind of violence magnet -- and she's trying to convince her that she needs to go to Greece to stop a world war.

The people chasing the two girls are not imaginary illusions from a cult, regardless of what Alia longs to believe. It is going to take nerves of steel to outwit their pursuers, survive betrayal, and make herself safe again... if she even survives. The only way to do this is to trust her shieldsisters and stand together.

Observations:

Sister in battle, I am shield and blade to you. As I breathe, your enemies will know no sanctuary. While I live, your cause is mine."

Readers seeking representation of strong female friendships will find them in this book. Alia, Nim, and Diana do not always trust each other, nor believe in how the other sees them, but in and out of the face of danger, their interactions are both amusing and instructive in terms of sisterhood and how true friends should be.

Diana is inexperienced in terms of American society, but she isn't ignorant or naive, her people having studied men, nations outside their own, disease, weapons, religions and history for years before coming across examples of the real thing. Likewise, though she is uneducated in all things Greek mythology, Alia is able to inform herself by reading and study, which allows her to be prepared.

"It's a trap for us. Alia and I always have to be better. We always have to be a step ahead. But the stronger you get, the more you achieve, the more people want to make sure you know your place." He bumped the back of his head gently against the rock. "It's exhausting." - WARBRINGER, p. 272-3

Including Diana's friends as people of color in this novel allowed the author to make some interesting choices and parallels between the lives of superheroes and the lives of successful people, especially people of color. I found it intriguing that she often explored the limitations society puts on people of color and allowed Diana as a character to explore her own society's limitations as being matriarchal and female-exclusive, and how that allowed the Amazons to both identify - and misidentify - the mores of their culture and their world.

Conclusion: One of the strengths of this DC novelization of the iconic Wonder Woman backstory is that readers with little to no experience with the comic books, the cartoon, or 70's era TV show can still find their feet in the story. A place of entry for those unfamiliar with the Wonder Woman superhero universe, this fast-paced story is full of peril and humor, betrayal and determination, and shows the grounding and powerful force true friendship can be.



I received my copy of this book courtesy of the public library. You can find WONDER WOMAN, WARBRINGER by Leigh Bardugo at an online e-tailer, or at a real life, independent bookstore near you!

November 10, 2017

Cybils SpecFic Bookmark: THICK AS THIEVES by MEGAN WHALEN TURNER

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is primarily to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: If he can just get past his master's few bad day here and there with life and soul intact, Mede slave Kamet will continue to prosper as he minds his Master's business. His Master is an important man - brother to the emperor - and Kamet knows his ultimate destiny is to be his Master's gift to that great man. And what a life that will be! Kamet has so many plans and ambitions. The appearance of an Attolian soldier offering him his freedom is nothing short of hilarious -- why would a slave who sleeps in luxury want to squat in that cesspit when he has all of Mede at his fingertips by the will of his Master? But all of Kamet's hopes and dreams come crashing to the ground when he is warned by a beloved friend that his Master has been poisoned. Kamet knows he is doomed, for Mede isn't exactly a culture that makes sense. Sure, everyone knows it was probably the emperor or one of his men, but now the slaves will be tortured to confess, and to implicate others... and they will all. be. killed. From the youngest to oldest. If Kamet flees, he can perhaps take the burden of guilt only onto himself - and save the lives of the youngest boys, and his dear friend. Weaker than he ever believed himself to be, Kamet is now desperate for that Attolian's offer of freedom.

Of course, nothing is simple when the world is turned upside down -- the Attolian is immensely stupid and coarse, and it seems that his Master's reach is longer and faster than he could possibly have believed. Kamet ricochets between the frying pan and the fire, a scribe turned fugitive who is in no way prepared for life outside his golden cage, who struggles to be civil to the inferior man to whom he owes his life, who is filthy, guilty, exhausted, grieved, and terrified.

It's the escape of a lifetime - and when it's over, Kamet isn't sure he ran the right direction.

Observations: When an author creates memorable worldbuilding and highly complex characterizations, it's often difficult to resist, at the end of a series, to add epilogues and promising notes to readers that they "all lived happily ever after," and everything was fine. Turner offered no "PS" and instead left readers at the end of A CONSPIRACY OF KINGS with a six year gap, and for some, a belief that the series was over. Resurrecting the same characters in the same world after that length of time in this fifth book of the Attolia series was thus highly anticipated. Readers will find that though not all the familiar characters appear, that the worldbuilding and writig style remain solidly excellent and consistent. The choice to elevate a minor character to a main character allows readers to reenter the world from a new door, giving them deeper insights and probably a need to reread the entire series to discover what other nuances they may see revisited as the series reboots.

Conclusion: Readers who have not yet read other Attolia books will be able to read this book for its adventure and the narrative arc introducing Kamet and his world. They will not, however, fully understand the subtext and won't be able to appreciate the genius of the Attolian-Medean history, nor the history of the Thief. It is advised that readers begin the series with THE THIEF, and carry on from there.



I received my copy of this book courtesy of the public library. You can find THICK AS THIEVES by Megan Whalen Turner at an online e-tailer, or at a real life, independent bookstore near you!

November 03, 2017

Cybils SpecFic Bookmark: MILES MORALES, SPIDER MAN, by JASON REYNOLDS

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Miles is a Brooklyn Boy who attends the prestigious - and aggravatingly rich boy - Brooklyn Visions Academy, on scholarship. When he's back in his neighborhood, he's just a guy - yawning through early Mass with his mother, rolling his eyes at his Dad while taking out the trash, and cracking wise while playing video games with his best friend Ganke. He's also, through all of that, trying to listen to his spidey-senses... which lately have been acting a bit weird. Spider-Man duties don't quit, even while Miles is at school, so when Miles is suspended for abruptly leaving class one time too many - with no explanation to his least favorite teacher, Mr. Chamberlain, his parents are through, especially his dad. Miles is pretty certain it's time to give up the Spider-Man gig, because Spider-Man or not, it's Miles' mother's worst fear that he'll turn out to be a hood like his Uncle Aaron, his Dad's brother. And Miles' father is determined that no son of his turn out to be thieving hustlers like he and his brother were. The neighborhood is Miles' responsibility, his father pounds into him over and over - but to Miles it feels like he's been charged and condemned to fix something that he never broke.

Maybe Miles isn't meant to be good at saving the world. Maybe Miles' best bet is to save himself - get out of his corner of Brooklyn, and make his parents proud. But, it's hard to change overnight - there are clearly some evils still abroad, and one of them is Miles' history teacher, Mr. Chamberlain. Miles cannot stay silent while his teacher essentially lies about the effects of slavery and the modern prison industrial complex. Mr. Chamberlain tries to make Miles feel bad about who he is - a young black man - and who he has the potential to be. And when Miles protests in class, Mr. Chamberlain lets Miles know that his scholarship can disappear just. like. that.

If this is what it means to be a superhero, Miles isn't sure he wants to stay signed up.

Observations: Readers coming to these episodes in the life of Miles Morales may feel that they are missing something, and indeed, references are made to previous adventures. However, this book is well-written enough to stand alone without having read any of the comics, as I had not.

This book is less about superhero-ing and more about the realities of a regular life. It is against a backdrop of teen-and-parent tension that the superhero stuff is displayed. What may surprise readers the most is that Miles is not "good" in the single-dimensional comic book sense. He is himself - a normal teen, which means he makes good decisions and poor decisions, and he does normally stupid things. He has self-doubt and struggles, too.

We learn more about the specific pressures and privileges which shape a hopeful, successful, and genuine human being than we do about the Spider-Man canon, which for some superfans of the comic strip will be not as appealing, and especially those who disagree with Marvel's decision to create a black Super-Man. However, the commonality of the challenges Miles faces are what makes him, in this setting, unique, and are what I feel will bring more readers to this superhero world.

Conclusion: Miles embraces his Puerto Rican and African American heritage, tries to be the type of man worth knowing, and cooks bad ramen dinners. He also crawls up walls and finds a way to overcome the racist antipathy of a teacher, taking superhero-ing into a new and different direction. His story reminds every reader that they have within them the ordinary-guy chops to be a superhero, too.



I received my copy of this book courtesy of the public library. You can find MILES MORALES, SPIDER-MAN by Jason Reynolds at an online e-tailer, or at a real life, independent bookstore near you!

November 02, 2017

Happy NaNoWriMo 2017!

Hey, it's November, and that means it's National Novel Writing Month! As per usual for me lately, I don't even have a wisp of a dream of a hope of participating--but that doesn't mean I don't LOVE NaNoWriMo. I've been a participant (and a completer) a handful of times in the past, and I'm here to encourage you to GO FOR IT if you can. You never know what greatness might occur; what jewels in the rough; what bezoars in the poo, or whichever metaphor you prefer.

Don't believe me? Well, two of my three PUBLISHED novels started during NaNoWriMo. I wouldn't necessarily describe myself as either a panster or a plotter, but the evidence seems to tip me into the former category, doesn't it? When you let the words flow, sometimes that's what you need to find your voice and loosen your imagination.

So. No excuses (unless you're like me and have enough work this month for at least two months' worth of stress)--grab your computer and get going!

October 31, 2017

Cybils SpecFic Bookmark: LEIA PRINCESS OF ALDERAAN, by CLAUDIA GRAY

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Leia is an atypical princess in that her life has been spent not at the mercy of nannies and waiting women but mostly with her parents, Breha and Bail Organa, who have taught her and helped her to develop interests and ways of thinking close to their own. This closeness has resulted in Leia noticing when the relationship between she and her parents gradually deteriorates. Suddenly her mother is a super-socialite, instead of being the kind of Queen who cares for her people. Suddenly her father is too busy to talk. As the distance between the once tight family grows, Leia is at first bewildered, then grieved, and finally resentful. She decides to get her parent's attention by excelling at her body, mind, and heart challenges, the traditional ceremonial challenges presented to an heir of Alderaan in order to earn the right to the throne. Leia figures that if she does something real using her body, mind and heart, they'll remember that she's a real person, and not a decorative object.

As it turns out, convincing her parents is not as easy as it seemed, and Leia goes to further and further lengths to prove herself to herself - to her classmates, and to her erstwhile parents. Meanwhile, the cold eye of the Empire is watching, as Leia flies closer to some disastrous political situations. Is the way to help to rebel against the powers that be, or is there anything else that a once decorative princess might do to help people? Leia figures there's only one way to find out.

Observations: Unlike many of the pop-culture tie-in books on the Cybils list this year, this one takes its canon entirely from a 70's era film, and not a WW2 era comic book series, thus making a space for a feminist ideal in which a young woman has agency, wit, and desire to do something with her privilege. It may give some readers a bit of a pinch in the heart to see a sketch of a young Carrie Fisher on the cover, but there will only ever be one Leia, because the film is, as always, the roots of the canon.

The author balances the headstrong and commanding rebel Leia from the Star Wars films with a wholly new character - filling in the echo of who that same person must have been at sixteen. Thus this Leia is written as impulsive, big-hearted, sensitive, and over-achieving. While she spends an inordinate amount of time pouting which seemed both remarkably "young" and out of character for a sixteen year old, and for a young lady who has been reared to the grace and dignity of a throne, the emotional tailspin the distance between them gives her reads as genuine.

Conclusion: Readers who are not hardcore Star Wars fans will be able to read this novel as a standalone and enjoy the story of a privileged, talented young girl with a big heart and an impulsive nature who makes mistakes and keeps trying to do something with who she is, for the betterment of all. Fans who are hardcore fans, having read all the books and the radio drama pre-Disney typically come down on either the love-or-hate side, but most fans agree that this novel is true to the canon. Fans of the film series only who come to this seeking the same enveloping Star Wars universe won't enjoy quite the same all-encompassing feel, but will find the roots of the epic stretching out and taking their place to support a galaxy-wide storyline.



I received my copy of this book courtesy of the public library. You can find LEIA, PRINCESS OF ALDERAAN by Claudia Gray at an online e-tailer, or at a real life, independent bookstore near you!

October 27, 2017

Don't Miss...!

If you haven't yet had a chance to grab Sara Lewis Holmes' newest book The Wolf Hour the following posts and her various guest post/interviews around the web will raise this book on your TBR list.

This week, Sara's talking music with poet Laura Salas. Interestingly, the poetry in THE WOLF HOUR is something that Sara, a poet herself, excels at -- but isn't something you'd ordinarily expect in a fairytale, which is what makes it significant and fun.

Sara's interviews elsewhere can be found at Charlotte's Library where she unpacks some quotes from the book; Maureen Eicher's review at 'By Singing Light' and our interview here at Wonderland, which kicked it all off is right here.

Cheers, and happy reading!

Cybils SpecFic Bookmark: REBEL SEOUL by AXIE OH

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is primarily to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Lee Jaewon is doing what he has to, to stay in the Neo Seoul military school where he attends. His side-hustle in this war-torn place is actually three jobs - one of student, doing his best to hang on to his grades, and the other two as couriers for war vets - and those who need black market items. He's barely making ends meet, but he's got rent money and food, at least. Alone in the world - abandoned by his bestie, who stepped away from him to gain power in a gang, and by his mother, who, after the execution of his father for being a traitor to the new state, left Jaewon to the Old Seoul gangs when he was eight, so he'd have a "better life," Jaewon is a realist - and bitter. As a realist - and the son of a traitor - the worst thing Jaewon could do is get mixed up with the Director's son and his mad schemes, but here he is -- being recruited to the military weapons complex in Neo Seoul. He's a senior with everything to lose, so he's going to do his best to make his mark, take his money at the end of two years, and escape his past.

At least that was the plan before he discovered what his job for the military is going to be - working in weapons development. And the weapon is a supersoldier... a girl who doesn't exist, who has no future, and no past. She's a weapon. When Jaewon realizes that he sees her as a person, he tries to keep his distance. She warns him that she will hurt him -- that eventually, she hurts everyone. As events hurtle to a confrontation between New and Old Seoul, the state and the seething rebellion of the people, Jaewon wonders what it is that he's been fighting for - and if any nationstate is worthwhile if it treats people as objects. There are choices to be made.

Observations: There are myriad Korean words used within the text, many of which the reader will be able to decipher from context clues, and many Asian groups represented in authentic and matter-of-fact ways, including the correct ordering of their patronymic and given names, which is nice to see. This is a wildly futuristic novel, and the setting is chock full of bright lights, K-Pop style bands, vice and luxury existing alongside filth and poverty, all set against the backdrop of an endless rebellion after the war in the East Pacific. Yet, for all of the Blade-runner vibe, this is a sweeping, deeply sentimental romance -- boy meets girl, girl could break boy in half, they fall in love anyway. The deeper theme of both loving and criticizing a national ideology are especially pertinent for readers of all nations just now, and engage critical thinking beyond the satisfyingly swoony and dramatic romance.

Conclusion: A sure hit for teens seeking cinematic, action-packed, futuristic science fiction, this novel also touches on quieter emotions such as loneliness, loyalty, and love.


I received my copy of this book courtesy of the publisher. You can find REBEL SEOUL by Axie Oh at an online e-tailer, or at a real life, independent bookstore near you!

October 26, 2017

Throwback Thursday: Sarah as Ramona

I admit I've been a bit quiet lately, but I thought I'd emerge momentarily to put up a little photo comparison that I assembled a while back, featuring me with a really 1980s-tastic haircut courtesy of my mom and/or Fantastic Sam's (is it the Mary Lou Retton? the Dorothy Hamill? we may never know), along with the historically appropriate cover of Ramona Quimby, Age 8 by Beverly Cleary. (While you peruse the pictorial evidence, I'll be groaning over the fact that I've gotten to a stage in life when I can use the word "historical" in reference to myself.)

Sarah, Age 6, and Ramona, Age 8


I adored the Ramona books, but I also saw her as this kind of trickster figure without any impulse control. Reading about her exploits left me in awe and cringing at the same time. I guess that was the idea--if, for instance, I could READ about Ramona cracking an egg all over her head during lunch at school, I wouldn't actually DO it. Of course, I would never have done such a thing as a kid, and obviously the very idea was alarming enough that I remember that scene TO THIS VERY DAY.

Ramona is still a classic, which amazes me; but there are so many wonderful kids' chapter books being written and illustrated now, too--I admit to being out of touch with reading for that age group, but I always rely on my work as the Cybils blog co-editor to keep me abreast of some of the really fun-looking books outside of my preferred comfort zone. On that note, the Cybils blog reviews have begun running, and will continue throughout the award period (that is, until the winners are announced in February), so make sure to swing by and check out reviews of the nominated titles. I started by excerpting a review of easy reader King & Kayla and the Case of the Secret Code, and you can check that out here.

Meanwhile, Tanita is already queuing up reviews of Cybils Speculative Fiction nominees, so it's going to be fun times around here as I read her assessments and frantically start adding to my TBR pile.

No wonder we love fall so much...

October 24, 2017

Cybils SpecFic Bookmark: FROSTBLOOD by ELLY BLAKE

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: Ruby is a Fireblood, a girl whose gift is the use and power of flame. Her grandmother, the learned woman who taught her to read and memorize books, knew something about Fireblood's art and history, but passed away before Ruby could learn all she needed. Her mother, a master healer, just wants Ruby to hide her gift and to be careful -- for they live beneath the power of the Frostbloods, and all Firebloods are dragged to the King's arena to battle as gladiators -- or they're outright killed. Ruby's impetuous nature is like the fire's insistent heat, and when her mother is killed trying to save her, Ruby find a new direction for her rage and pain - overthrowing the evil king, and bringing the world back into a balance between fire and ice.

It is not easy for a Fireblood to master herself, and Ruby is used to giving herself the excuse that Frostbloods are emotionless automatons -- and that she will always struggle because there is more life to her. It turns out this isn't strictly true, though the Frostbloods do see her as a tool to be used in the battle against the king. For revenge, for her own reasons, Ruby is willing to be used -- until she is captured for the gladiator pits. Her ultimate destruction has to mean something more than just her own end -- and she's desperate to find a way to make a difference, any way she can... even if it means letting in evil to do good.

Reader's Advisory: The Opposites Attract trope is strong and familiar in this book, which appears to be the first in a trilogy. Romance blooms in the grip of danger, as desperate enemies unite under a common banner. There's a further thematic metaphor of the "white hats" using the darkness in the world to destroy the dark, which will likely be further developed as the series goes along. Though this is a familiar narrative structure, many teens who enjoy a more traditional Strong Female Heroine Saves The World will find this a worthy adventure for them.



I received my copy of this book courtesy of the public library. You can find FROSTBLOOD by Elly Blake at an online e-tailer, or at a real life, independent bookstore near you!

October 20, 2017

Turning Pages Reads: CALLING MY NAME by LIARA TAMANI

Welcome to another session of Turning Pages!

Synopsis: Taja Brown lives to the left of the buckle of the Bible Belt with her parents, annoying little sister, and vexing older brother, and from early days, she knows what's expected from a good Southern Baptist black girl: be good, keep up your grades, get to church, and don't shame your family. God - the Almighty - is faceless but speaks in the voice of her mother and father, so Taja also knows his requirements - stay out of other people's beds until you're married. But Taja as a budding young woman isn't the same as Taja as a parent-mimicking child. She's watching her athletic sister take her place on the track team, and feeling loss. She's watching her older brother swan off to college, and freedom, and feeling a loss there. She's sensing the wider world, and wondering about what she's been taught -- does church attendance really equal goodness, and planting begonias on a Sunday morning really mean hell? For everyone? Who is really "good?" Taja wrestles with these disquieting voices while still trash-talking the "hos" at church, openly, righteously critical of unmarried girls with babies and classmates who let more than one by kiss them... but after finding out for herself that kisses can take her brain to a faraway place, Taja is beginning to doubt that she's so immune. Her older brother, Damon, has been around the block a time or two, and the way he deals with the girls he's done with is scandalous. Taja hates how he uses and discards sexual partners. She doesn't want to be the girl who's discarded, but she wants... so much of everything. There's life out there, color and wildness and experiences outside of their straitlaced life in Houston. All Taja wants is to read it, write it, drink it down, and take a big bite. Can't she have what she wants, and still keep what God wants, too? And then, she meets the gorgeous Andre, and ... all questions become moot.

Taja's parents have she and Andre sign purity pledges, and though she wears the tiny ring, Taja knows it ought to tarnish on her. God, whom she's never heard from before, surely cannot be listening to her now. Can he...? Or, does it matter?

Observations: Probably the best description of the writing in this novel is 'dreamy.' There are eloquent phrases and sometimes it slows the narrative pace, but it's also reminiscent of the classic styling of memoir narrative, so patient readers will read on and become hooked.

Taja's world is narrow - and the overwhelming questions for her are regarding heterosexual intimate experiences - which reads as authentic, because many conservative Christian kids never meet anyone of another faith or another gender expression until they go away to college, and in the 90's, there was less sexual freedom for non-cis-gendered teens.

Because the novel is historical - set in the 90's - early '00's - there are musical references which may go over some teens' heads. The main thrust of the novel is dealing with the pressures of growing up within a conservative religious home, and straying from one's parents' values, and while this is touched on beautifully, I wished for more. While the reader spends the majority of the novel seeing Taja's frustration with the double standard between her brother and herself, I wished she would have gone deeper and named that hypocrisy for what it is within religious communities: women are policed one, because a baby is tangible shame, and two, because men often seek to control women. The license Taja's brother had to do just whatever was annoying.

This novel has a feel of looking back, begins slowly, but speeds up as Taja matures to the point of standing between two roads: the life she wants to lead, and the life her parents believe is best. There is explicit intimacy in the novel, so it would work better for more mature teens, or potentially 14+ instead of younger readers.

Conclusion: With lyrical language and one of the prettiest covers in YA this year, this time-capsule of a black Christian girl coming of age in the 90's evokes the quiet moments of bildungsroman spiced with the headiness of a teen's first explorations of sexuality, life, and independent thought. This one may work better with adults looking back, but will likely be passed from hand-to-hand in some teen circles.



I received my copy of this book courtesy of the publisher. You can find CALLING MY NAME by Liara Tamani at an online e-tailer, or at a real life, independent bookstore near you!

October 17, 2017

Cybils SpecFic Bookmark: DREADNOUGHT by APRIL DANIELS

The Cybils Speculative Fiction Bookmark:

As a panelist for Cybils YA Speculative Fiction, Round 1, I'm going to be briefly writing up some of the hundreds of books I read as part of the award. As panelist conclusions are not for public consumption, the purpose of these write-ups is to keep track of what I'm reading, and will mostly touch on plot synopsis, with minimal comments on thematic tropes.


Synopsis: A quiet kid and longtime recipient of the grade school bullying, even in high school Danny doesn't feel safe without an empty corridor and a wall at her back. Faced with impossible pressures - her own inner identity as a girl and her father's testosterone poisoned insistence that Danny be "the man" her father raised her to be, Danny finds relief - and a little rebellion - with a downtown New Port City nail polish purchase. But a covert pedicure puts Danny in the unenviable position of witnessing a superhero fight - and seeing a white cape go down. Dreadnought has been one of The Good Guys forever, and when Danny sees him crash and burn, her heart is broken... but then her heart is reformed... along with her body. Now Danny-the-boy is good for good. Taking on the mantle of Dreadnought's powers means that Danny has a new power: the power to truly be Danielle. Everything is going to be awesome now, right?

Ri... No. First of all, there's the white capes - Danny is a minor, and can't officially join Legion Pacifica. Second, there's Danny's best friend, a loner like Danny who desperately just wants a chance with a girl - and thinks the new and improved Danielle is now his chance... and that Danny, like, owes him that chance. What? Third, there's Danny's Dad... and his belief that Danny is a disease to be cured. All this plus battling a malicious flying cyborg...? Means Danny's life just got a lot more complicated.

“I see a world that is terrified of me. Terrified of someone who would reject manhood. Terrified of a girl who knows who she is and what she’s capable of. They are small, and they are weak, and they will not hurt me ever again. My name is Danielle Tozer. I am a girl. No one is strong enough to take that from me anymore.”

Reader's Advisory: In looking at this book for accurate representation, the obviously fictional nature of a presto-change-o gender transition can be overlooked in favor of the realities the author puts forth in other areas. The focus Danny's father had on "curing" her seems accurate to the way many people view transgender people, that they have some sort of a mental instability that needs to be fixed. Danny seems to believe that most of her issues stem from her a mismatch of body and brain. However, in the "right" body she discovers that she nevertheless has to experience being female in all its aspects, positive and negative, (and I can attest that it sucks sometimes), that other people's experiences of gender and their understanding of yours can be the single most frustration barricade to happiness, and, finally, that choosing to be yourself in all your authenticity has less to do with your genetics and everything to do with your choices. I feel this book will read well with older teens who are interested in trans issues or who don't know much about them and just want to read an adventure.



I received my copy of this book courtesy of the public library. You can find DREADNOUGHT by April Daniels at an online e-tailer, or at a real life, independent bookstore near you!